A puzzle RPG about a game developer that loses his job and finds true love in his quest to make his first independent game.
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Dandy Dungeon is a mobile game released a few years later on Switch, and it's made by Onion Games, the fine folks who hold a lot of the most important alums from Love De Lic (who made games like moon RPG). Now, these are technically one game and then the massive free expansion billed as an in-game sequel. However, not only because we so often count here both originals and expansions/DLCs as separate entries on our beaten lists, but also because the expansion here is both SO massive and also has a lot of important differences compared to the original, I felt it was right to review them simultaneously but also differentiate between them. It took me some 15~20 hours to beat the original Dandy Dungeon in English, and another 25~30 hours to finish the sequel and the rest of the side content (most of it anyhow).
Dandy Dungeon is, as the title explains out, the story of Yamada, who is a hopelessly single and incredibly quirky games programmer in his mid-30's. He lives alone and slaves away for Empire Games every day at work, but he has dreams of making his own game. One day, the day the game you're playing starts, he beings designing his OWN game, the game within the game that you yourself will begin playing. However, he starts skipping work to do this, and he summarily gets fired as the chairman of the company comes down to berate him and beat him up. This all coincides with the arrival of Maria-chan in the adjacent apartment to Yamada, a beautiful girl who loves blue skies, the ocean, and eating sweet potatoes in autumn. Yamada tries to use his game to win Maria-chan's heart and save her as the princess in each of the dungeons in it, but Empire Games break into his house (he should really buy a lock for his door) and reprogram it to lock his source code and foul it up with their own machinations. It's up to Yamada (and by extension you) to beat his game within the game and win Maria-chan's heart!
Now all of that is kind of a lot, and it is on purpose. Like most of Onion Games's games, their works don't have nearly as much to say as something from their past like moon RPG, but they still have something to say nonetheless. Dandy Dungeon is a delightful pastiche of video games as well as of the people who make and play them. It continuously blurs the wall between the reality of Yamada's game-within-a-game and the world he actually lives in, and the dialogue writing is genuinely really funny. I was worried I'd fill up my Switch with all of the dialogue screenshots I was taking it was making me cackle so hard XD. Dandy Dungeon's main story is localized impeccably, and is a fantastic example of how to do localization incredibly right.
Dandy Dungeon 2 takes place immediately after the first game, once you've beaten Empire Games, rescued Maria-chan, and gotten her hand in marriage, she's whisked away (in a very obvious parody of the original Ghosts'n'Goblins intro) by a new foreign games company: Dark Solid. Yamada's friends(?) from his Empire Games days come to his aid to stop this new threat to Maria-chan and Japan itself, as Yamada must scour Tokyo's Yamanote Train Line to beat up the weirdos who have inhabited each station.
The sequel and other expansion content change things up in a few new ways. The goal is very much still to rescue Maria-chan, most certainly, but the messaging has gone from "pastiche" to "being the Ur Mobile Game", from having an in-game microtransaction store (which in the mobile version actually IS a microtransaction store, but here uses in-game currency) called mamazon.mom to goading you for how the game never has to end if you never rescue Maria-chan. Though it sadly dips its toes much more thoroughly into the weeds of casual racism and transphobia/homophobia than the original game (which never even touches it, really), the good, funny quality of the writing stays present. The other sad thing here is that the localization is notably far less polished, at times feeling more like a rough draft than a finished product. It for the most part is fine, and it's just far worse-looking in comparison to how good the original game's localization is, but it also impacts your ability to understand the game's instructions at points that actually make it kinda impossible to proceed without doing random trial and error (but I'll get into those specifics later). The sequel's story is a fine and fitting addition to the first game, but it's lower quality, particularly in the translation department, can't really be ignored.
Now, you're probably asking: What the heck is the game-within-a-game that we're Yamada-ing through these two games, anyhow? That's a great question! What Dandy Dungeon is is a rogue-lite played one floor at a time. Dandy Dungeon is a game composed of dozens of dungeons composed of (usually) a few floors each, and your goal is to get from the start to the end of each floor by drawing one continuous line over each and every tile in it. Yamada will then follow this line unchangingly, fighting whatever enemies he comes across as well as picking up treasure. You can equip a helmet, armor, a shield, and a weapon (all of which are upgradeable) before you go in (and these can give special passive bonuses). You also can take along five items which can be activated once their cooldowns wear off (and items can only be used so many times before they break, and the cooldown lengthens with every use until breaking).
It's probably not hard to tell from the description that this was originally a mobile game, but it's a damn good and addicting one. Navigating around the walls, monsters, and traps in each dungeon has a really fun puzzle-solving dopamine hit to it, and it scratched a very familiar itch to something like how Paper Mario: Origami King's puzzle-based combat did for me. The strategy of how to tackle each stage, from what weapons or armor sets it's best to bring, to if a perfect floor completion is even worth trying for (you're just not getting experience for monsters unkilled and you also take damage for every tile left uncovered) was engaging enough that it had me playing from dawn 'til dusk for a week straight over winter vacation XD. Dungeons are generally very quick and can be knocked out at your leisure, and you don't even get a countdown timer until you start drawing your line, so you can take as much time as you need (except in certain special stages) to draw them. There's even a mid-stage instant-revive mechanic for if you need it. Every stage is theoretically do-able even without those revives (although some seem pretty suspect in that regard), and grinding for them does take a while, but it's nice that at the end of the day, if you put in enough time, you can brute-force any problem with time if you're dedicated enough.
Now that's all fun (and I really mean it) and dandy (excuse the pun ;b), but not all is well in Dandy Land. The game suffers from a few unfortunate problems, and the sequel suffers from more of them. The principal problem that the main game suffers from (as well as the sequel) is that there is simply a best load out to use. Status effects such as sleep, poison, darkness, and confusion are very common in varying degrees from the mid-game forward, so using the high-level armor that nullifies this stuff is obviously the best choice. Weapons suffer a similar problem, as quite quickly you realize that your biggest priority isn't exploiting enemy racial bonuses (such as a weapon good against the undead), but simply a very high accuracy weapon to cancel out how damn much enemies dodge your moves. Actually being able to hit the target you're going for will make up for not getting that extra damage 99 times out of 100. It's not a game-breaker, and given that it's the biggest problem the original game faces, the original game walks out of this pretty damn unscathed, but it's regardless something that takes some of the fun out of getting new loot once you realize it's there.
The bigger problems are mostly present in the sequel. First of all is that the difficulty spike issue the main game uses is increased significantly. Some dungeons on the Yamanote Line are FAR harder than others, some farcically so, and its final bosses are an absolute joke in how unfair they are. This is hammered home by the whole "basically one best build" issue, so you feel like there isn't even much you can do to improve your chances. A lot of the difficulty comes from how the gimmick of the sequel is that each stop on the Yamanote Line (i.e. each dungeon) has its own ruleset you need to follow: Either a certain kind of equipment you need to enter it with, or a rule that needs to be followed mid-play or you get an instant game-over (such as being forbidden to heal outside of your free level-up heals). They're simultaneously a very clever way to get a lot more out of the game's limited design without changing things too drastically as well as a massive pain that are sometimes nearly unintelligible due to the poorer localization found in the sequel. You do get some cool new mechanics via mamazon.mom, such as the ability to take along an item that allows you to swap out your consumable items mid-dungeon, and that brings with it a whole new level of strategy. But as it is, the sequel is just a far less polished experience, and it really bums me out just how much of a slog the sequel is compared to the original.
The presentation of both games is absolutely excellent. Very charming 2D sprites which are super expressive and delightfully silly. Tons of little references to old Famicom games hidden here and there (or sometimes not even remotely hidden XD) and really fun and silly monster and NPC designs. The music is absolutely stellar, with tons of songs (particularly the special boss tracks in the sequel) being some of my favorite game music I've heard in while. The audio-visuals do a ton to boost up the already great work the writing is doing, and it's just as much of a draw as the writing is, as far as I'm concerned.
Verdict: Highly Recommended. Though I certainly have my problems with the sequel (it's more in the Recommended territory, tbh), Dandy Dungeon was an incredibly fun and addicting time I don't regret one second of. I genuinely got a little sad when it was over, not only because of the diegetic farewell they give you in-game, but with the knowledge there was simply no more Dandy Dungeon left to play! Onion Games's games tend to have an issue of being a bit too light on content for the money, but even at full price, Dandy Dungeon is an absolute steal that is super duper worth picking up.
Dandy Dungeon is, as the title explains out, the story of Yamada, who is a hopelessly single and incredibly quirky games programmer in his mid-30's. He lives alone and slaves away for Empire Games every day at work, but he has dreams of making his own game. One day, the day the game you're playing starts, he beings designing his OWN game, the game within the game that you yourself will begin playing. However, he starts skipping work to do this, and he summarily gets fired as the chairman of the company comes down to berate him and beat him up. This all coincides with the arrival of Maria-chan in the adjacent apartment to Yamada, a beautiful girl who loves blue skies, the ocean, and eating sweet potatoes in autumn. Yamada tries to use his game to win Maria-chan's heart and save her as the princess in each of the dungeons in it, but Empire Games break into his house (he should really buy a lock for his door) and reprogram it to lock his source code and foul it up with their own machinations. It's up to Yamada (and by extension you) to beat his game within the game and win Maria-chan's heart!
Now all of that is kind of a lot, and it is on purpose. Like most of Onion Games's games, their works don't have nearly as much to say as something from their past like moon RPG, but they still have something to say nonetheless. Dandy Dungeon is a delightful pastiche of video games as well as of the people who make and play them. It continuously blurs the wall between the reality of Yamada's game-within-a-game and the world he actually lives in, and the dialogue writing is genuinely really funny. I was worried I'd fill up my Switch with all of the dialogue screenshots I was taking it was making me cackle so hard XD. Dandy Dungeon's main story is localized impeccably, and is a fantastic example of how to do localization incredibly right.
Dandy Dungeon 2 takes place immediately after the first game, once you've beaten Empire Games, rescued Maria-chan, and gotten her hand in marriage, she's whisked away (in a very obvious parody of the original Ghosts'n'Goblins intro) by a new foreign games company: Dark Solid. Yamada's friends(?) from his Empire Games days come to his aid to stop this new threat to Maria-chan and Japan itself, as Yamada must scour Tokyo's Yamanote Train Line to beat up the weirdos who have inhabited each station.
The sequel and other expansion content change things up in a few new ways. The goal is very much still to rescue Maria-chan, most certainly, but the messaging has gone from "pastiche" to "being the Ur Mobile Game", from having an in-game microtransaction store (which in the mobile version actually IS a microtransaction store, but here uses in-game currency) called mamazon.mom to goading you for how the game never has to end if you never rescue Maria-chan. Though it sadly dips its toes much more thoroughly into the weeds of casual racism and transphobia/homophobia than the original game (which never even touches it, really), the good, funny quality of the writing stays present. The other sad thing here is that the localization is notably far less polished, at times feeling more like a rough draft than a finished product. It for the most part is fine, and it's just far worse-looking in comparison to how good the original game's localization is, but it also impacts your ability to understand the game's instructions at points that actually make it kinda impossible to proceed without doing random trial and error (but I'll get into those specifics later). The sequel's story is a fine and fitting addition to the first game, but it's lower quality, particularly in the translation department, can't really be ignored.
Now, you're probably asking: What the heck is the game-within-a-game that we're Yamada-ing through these two games, anyhow? That's a great question! What Dandy Dungeon is is a rogue-lite played one floor at a time. Dandy Dungeon is a game composed of dozens of dungeons composed of (usually) a few floors each, and your goal is to get from the start to the end of each floor by drawing one continuous line over each and every tile in it. Yamada will then follow this line unchangingly, fighting whatever enemies he comes across as well as picking up treasure. You can equip a helmet, armor, a shield, and a weapon (all of which are upgradeable) before you go in (and these can give special passive bonuses). You also can take along five items which can be activated once their cooldowns wear off (and items can only be used so many times before they break, and the cooldown lengthens with every use until breaking).
It's probably not hard to tell from the description that this was originally a mobile game, but it's a damn good and addicting one. Navigating around the walls, monsters, and traps in each dungeon has a really fun puzzle-solving dopamine hit to it, and it scratched a very familiar itch to something like how Paper Mario: Origami King's puzzle-based combat did for me. The strategy of how to tackle each stage, from what weapons or armor sets it's best to bring, to if a perfect floor completion is even worth trying for (you're just not getting experience for monsters unkilled and you also take damage for every tile left uncovered) was engaging enough that it had me playing from dawn 'til dusk for a week straight over winter vacation XD. Dungeons are generally very quick and can be knocked out at your leisure, and you don't even get a countdown timer until you start drawing your line, so you can take as much time as you need (except in certain special stages) to draw them. There's even a mid-stage instant-revive mechanic for if you need it. Every stage is theoretically do-able even without those revives (although some seem pretty suspect in that regard), and grinding for them does take a while, but it's nice that at the end of the day, if you put in enough time, you can brute-force any problem with time if you're dedicated enough.
Now that's all fun (and I really mean it) and dandy (excuse the pun ;b), but not all is well in Dandy Land. The game suffers from a few unfortunate problems, and the sequel suffers from more of them. The principal problem that the main game suffers from (as well as the sequel) is that there is simply a best load out to use. Status effects such as sleep, poison, darkness, and confusion are very common in varying degrees from the mid-game forward, so using the high-level armor that nullifies this stuff is obviously the best choice. Weapons suffer a similar problem, as quite quickly you realize that your biggest priority isn't exploiting enemy racial bonuses (such as a weapon good against the undead), but simply a very high accuracy weapon to cancel out how damn much enemies dodge your moves. Actually being able to hit the target you're going for will make up for not getting that extra damage 99 times out of 100. It's not a game-breaker, and given that it's the biggest problem the original game faces, the original game walks out of this pretty damn unscathed, but it's regardless something that takes some of the fun out of getting new loot once you realize it's there.
The bigger problems are mostly present in the sequel. First of all is that the difficulty spike issue the main game uses is increased significantly. Some dungeons on the Yamanote Line are FAR harder than others, some farcically so, and its final bosses are an absolute joke in how unfair they are. This is hammered home by the whole "basically one best build" issue, so you feel like there isn't even much you can do to improve your chances. A lot of the difficulty comes from how the gimmick of the sequel is that each stop on the Yamanote Line (i.e. each dungeon) has its own ruleset you need to follow: Either a certain kind of equipment you need to enter it with, or a rule that needs to be followed mid-play or you get an instant game-over (such as being forbidden to heal outside of your free level-up heals). They're simultaneously a very clever way to get a lot more out of the game's limited design without changing things too drastically as well as a massive pain that are sometimes nearly unintelligible due to the poorer localization found in the sequel. You do get some cool new mechanics via mamazon.mom, such as the ability to take along an item that allows you to swap out your consumable items mid-dungeon, and that brings with it a whole new level of strategy. But as it is, the sequel is just a far less polished experience, and it really bums me out just how much of a slog the sequel is compared to the original.
The presentation of both games is absolutely excellent. Very charming 2D sprites which are super expressive and delightfully silly. Tons of little references to old Famicom games hidden here and there (or sometimes not even remotely hidden XD) and really fun and silly monster and NPC designs. The music is absolutely stellar, with tons of songs (particularly the special boss tracks in the sequel) being some of my favorite game music I've heard in while. The audio-visuals do a ton to boost up the already great work the writing is doing, and it's just as much of a draw as the writing is, as far as I'm concerned.
Verdict: Highly Recommended. Though I certainly have my problems with the sequel (it's more in the Recommended territory, tbh), Dandy Dungeon was an incredibly fun and addicting time I don't regret one second of. I genuinely got a little sad when it was over, not only because of the diegetic farewell they give you in-game, but with the knowledge there was simply no more Dandy Dungeon left to play! Onion Games's games tend to have an issue of being a bit too light on content for the money, but even at full price, Dandy Dungeon is an absolute steal that is super duper worth picking up.
It's slightly less charming than other Onion Games (et al) projects, mostly due to its simplicity as a mobile game, but it DOES still have a lot of Kimura's wonderful little fingerprints all over it regardless. It's a cute simple narrative on the struggles of being a game designer, and trying to pour life's mundane misfortunes into whichever creative outlet you have available. It's really not all that deep, but it's really cute and in the end that's what matters as an Onion Game.
Having finished the "first game" and moved on to the Yamanote Line dungeons, I think the game does a lot of interesting things with its gimmick/puzzle dungeons that I wish I'd seen earlier, i.e. the golf course and the "take out all the trash" level, or the several stages that require certain thematic loadouts to test your ability to use more than just one fully upgraded set of armor. This is also where the game gets more obscure, where you get vague objectives like "kill all the animals in order," but the guide doesn't really explain what order that is, and if you deviate you just automatically fail. There are also cases where you need to grind to upgrade a set of armor or a weapon that won't automatically disqualify you from a dungeon, which means going back to old dungeons and playing through 5-10 times to build up funds again. It's not the worst, but I still wish it was a little more smooth, especially as an experience I'm playing for an hour every few nights on my switch, instead of idly on my phone while I make coffee or wait for food.
Similar to Loop Hero, this rides a fine line between being an idle game and needing you to pay just a little bit of attention just in case your HP gets too low or you need to use an item. For that reason, mechanically, it's a great game to play while watching TV, where you won't miss much while tuning your attention back and forth to draw Yamada's path through a dungeon floor, check equipment, and make sure you still have HP. Unfortunately, that also means it's not terribly engaging for the majority of the game. Fortunately, it's not very long and doesn't demand much of you if you see it to completion. It's maybe a bit expensive for what it is, but I'm always happy to support Kimura's work, and honestly it's a net positive just for not being a predatory live-service thing
Having finished the "first game" and moved on to the Yamanote Line dungeons, I think the game does a lot of interesting things with its gimmick/puzzle dungeons that I wish I'd seen earlier, i.e. the golf course and the "take out all the trash" level, or the several stages that require certain thematic loadouts to test your ability to use more than just one fully upgraded set of armor. This is also where the game gets more obscure, where you get vague objectives like "kill all the animals in order," but the guide doesn't really explain what order that is, and if you deviate you just automatically fail. There are also cases where you need to grind to upgrade a set of armor or a weapon that won't automatically disqualify you from a dungeon, which means going back to old dungeons and playing through 5-10 times to build up funds again. It's not the worst, but I still wish it was a little more smooth, especially as an experience I'm playing for an hour every few nights on my switch, instead of idly on my phone while I make coffee or wait for food.
Similar to Loop Hero, this rides a fine line between being an idle game and needing you to pay just a little bit of attention just in case your HP gets too low or you need to use an item. For that reason, mechanically, it's a great game to play while watching TV, where you won't miss much while tuning your attention back and forth to draw Yamada's path through a dungeon floor, check equipment, and make sure you still have HP. Unfortunately, that also means it's not terribly engaging for the majority of the game. Fortunately, it's not very long and doesn't demand much of you if you see it to completion. It's maybe a bit expensive for what it is, but I'm always happy to support Kimura's work, and honestly it's a net positive just for not being a predatory live-service thing
the story of this game is like no other one. in 2016 the company responsible for some of the most strange and heartfelt interpretations of videogames i’ve seen decided to make a game using some of the most evil, exploitative monetization tactics ever devised. it feels surreal at times. it’s like watching papyrus and sans trying to sell me nft’s or something. granted, the game was rereleased in 2019 as an actual videogame that you buy once with money (this is the version i will be effectively reviewing.) despite a few hitches i think that it made the transition into real-game-hood quite elegantly all things considered and i praise the efforts of any studio willing to convert live service games into something that can be meaningfully experienced past the game’s lifespan. it’s still weird as fuck though.
i’ll tell you right now, the game is good. if you like the writing in moon and chulip, this game has it in spades! it is a game about a game developer that is written by game developers, and if 90% of studios try some shit like that it looks pathetic. onion is an easy exception though. they nail it. the gameplay might not be for everyone, but as someone who loves small form puzzles and long-term roguelite progression, this game is crazy good. if there’s one thing i genuinely appreciate about the game’s exploitative roots it’s how extremely grindy it is. it will b grating for most people, but i love running something small over and over trying to get the drop i need. some of the bigger dungeons end up requiring a little too much focus for my taste, but for the most part it’s so fun to turn my brain off and blast yamada through a room full of slimes and skeletons over and over until i get a sword with 5 more attack than my last sword.
so, as someone who briefly looked at this game at launch and only relatively recently learned it got rereleased as an actual game a question plagued me: how the fuck does all the pay to win garbage work? if you haven’t seen the game in either state, the main “pay to win” element of the original game is the rice ball. an infinitely reusable revive item. well as infinite as your wallet anyway (<- if any article written about the game from the time of its release uses this line, they stole it from me in the future right now. nobody else thought of this it’s my original thought.) it should also be said that using them makes you ineligible for leaderboards if you’re some kind of loser who cares about that. as well as your 99 cent continues theres also basically cheat armor and weapons you could buy. my knowledge of the game’s microtransactions ends there because i deleted the app pretty soon after seeing that shit and haven’t investigated much since. the current game replaces real money purchases with “clovers”. rare drops from the game’s metal slime equivalents (as well as a few other sources.) and honestly, clovers are pretty damn easy to farm for! there isn’t much stopping you from farming 999 1-ups and slamming your head into every dungeon until you win. one might stop and wonder why they didn’t just do away with at least the revives entirely. maybe the armor sets could just be drops from levels or something too. well… from my understanding of the late game content (which i haven’t cracked yet in my playthrough, my context is mostly walkthroughs i’ve skimmed for bits of info) the game content kind of needs cheat revives! which is such a massive endictment of what this game was as a live-service, but makes rice balls new place in this game’s economy an actual mechanic instead of shameless exploitation. do they deserve a point for that? i don’t know.
ultimately i feel weird about this game. this game used to be Bad. even if i like the writing and the studio that made it, i do not think making games like the one they made is ethical. i like it as it is now a lot, but would i have like it if it was just a normal game from the start? or is the part of the hyper-grindy gameplay loop that has me so hooked intrinsic to it’s fucked up microtransaction pinching origins? i don’t think i’ve decided that for myself yet, but i think it’s something worth considering if more live service games get rereleased like this in the future. i don’t see it becoming a big trend or anything since ultimately letting a live service fizzle out is a lot cheaper than turning it into an actual game. that megaman gacha thing nobody played is getting the same treatment though. how should we feel about games like this knowing they wouldn’t exist without taking advantage of people? if nothing else, onion games made one hell of a moral dilemma with this one. 5 stars.
i’ll tell you right now, the game is good. if you like the writing in moon and chulip, this game has it in spades! it is a game about a game developer that is written by game developers, and if 90% of studios try some shit like that it looks pathetic. onion is an easy exception though. they nail it. the gameplay might not be for everyone, but as someone who loves small form puzzles and long-term roguelite progression, this game is crazy good. if there’s one thing i genuinely appreciate about the game’s exploitative roots it’s how extremely grindy it is. it will b grating for most people, but i love running something small over and over trying to get the drop i need. some of the bigger dungeons end up requiring a little too much focus for my taste, but for the most part it’s so fun to turn my brain off and blast yamada through a room full of slimes and skeletons over and over until i get a sword with 5 more attack than my last sword.
so, as someone who briefly looked at this game at launch and only relatively recently learned it got rereleased as an actual game a question plagued me: how the fuck does all the pay to win garbage work? if you haven’t seen the game in either state, the main “pay to win” element of the original game is the rice ball. an infinitely reusable revive item. well as infinite as your wallet anyway (<- if any article written about the game from the time of its release uses this line, they stole it from me in the future right now. nobody else thought of this it’s my original thought.) it should also be said that using them makes you ineligible for leaderboards if you’re some kind of loser who cares about that. as well as your 99 cent continues theres also basically cheat armor and weapons you could buy. my knowledge of the game’s microtransactions ends there because i deleted the app pretty soon after seeing that shit and haven’t investigated much since. the current game replaces real money purchases with “clovers”. rare drops from the game’s metal slime equivalents (as well as a few other sources.) and honestly, clovers are pretty damn easy to farm for! there isn’t much stopping you from farming 999 1-ups and slamming your head into every dungeon until you win. one might stop and wonder why they didn’t just do away with at least the revives entirely. maybe the armor sets could just be drops from levels or something too. well… from my understanding of the late game content (which i haven’t cracked yet in my playthrough, my context is mostly walkthroughs i’ve skimmed for bits of info) the game content kind of needs cheat revives! which is such a massive endictment of what this game was as a live-service, but makes rice balls new place in this game’s economy an actual mechanic instead of shameless exploitation. do they deserve a point for that? i don’t know.
ultimately i feel weird about this game. this game used to be Bad. even if i like the writing and the studio that made it, i do not think making games like the one they made is ethical. i like it as it is now a lot, but would i have like it if it was just a normal game from the start? or is the part of the hyper-grindy gameplay loop that has me so hooked intrinsic to it’s fucked up microtransaction pinching origins? i don’t think i’ve decided that for myself yet, but i think it’s something worth considering if more live service games get rereleased like this in the future. i don’t see it becoming a big trend or anything since ultimately letting a live service fizzle out is a lot cheaper than turning it into an actual game. that megaman gacha thing nobody played is getting the same treatment though. how should we feel about games like this knowing they wouldn’t exist without taking advantage of people? if nothing else, onion games made one hell of a moral dilemma with this one. 5 stars.
Repetitive and tiring
Did not think I'd like this based on the cover. But it's a lot more charming than it seemed.
A charming throwback to games of simpler times. The gameplay, while somewhat repetitive at times, is diverse enough to sustain players on both initial and repeat playthroughs, and provides a surprising amount of strategical play behind Dandy Dungeon's quirky, odd atmosphere. The storyline is simple, yet instantly entertaining in no short thanks to the wide variety of eccentric, memorable characters featured in the game, and the plot soon going off the rails in a fantastic fashion. Add in a terrific OST full of bangers, a metric-ton of references to video games, anime, and films, alongside many more mediums of fiction, and great amounts of humor, the final result is Dandy Dungeon. Definitely try this game out if you want a different RPG experience, as it won't disappoint.