Mother

Mother

released on Jul 27, 1989

Mother

released on Jul 27, 1989

The original Japanese version of EarthBound Beginnings, released only in Japan for the Famicom, had some gameplay, story and level layout differences from the later Western port. This original version was never released outside of Japan.


Also in series

Mother 3
Mother 3
EarthBound
EarthBound

Released on

Genres

RPG


More Info on IGDB


Reviews View More

Joguei com o Easy Ring no 1+2 do GBA

Pra um jogo de 35 anos ele se sustenta bizarramente bem! Tipo de jogo que eu normalmente jogaria no emulator com o fast-forward no talo, mas como não tinha acesso, não usei e graças a deus que não usei. O jogo nem te dá vontade de usar e passear pelos ambientes eh bem legal (apesar de uma vez ou outra precisar de ajuda de um mapinha da internet).
Combate rápido, simples e eficaz. Com sprites muito bonitinhos e uns poderes bem legais. Com o Easy Ring da versão de GBA, não existe muita dificuldade, mas ainda assim é legal experimentar e usar os poderes mais overpowereds lá pro endgame.
Me apeguei a trilha sonora e a sensação de um mundo cheio de vida que o jogo tem.

this game would truly truly be like 60% better if the encounter rate was like halved

O jogo não é ruim, mas está longe de ser divertido, no geral é uma experiência frustante sem muito do charme de sua sequência, com seu trecho final sendo extremamente frustante sem nenhum pingo de personalidade é difícil só por ser difícil

This review contains spoilers

When my backlog wheel landed on this for me to play, I was beyond hyped. This game, after all, jumpstarted one of Nintendo's most unusual and influential franchises, and would go on to inspire masterpieces of its own. Hell, freaking Yume Nikki has a whole world referencing bits of Mother 1, and that's easily one of the most original and experimental titles ever conceived. So it paying homage to this game must mean a lot.

Well, I'm just going to say straight off the bat: this game induces suffering. Every cool mechanic you know and love about the MOTHER series, this one does not have. That means no rolling HP, no psychedelic background, and random encounters. On top of that, I found the game had a ton of balancing issues. On a whim, the right enemies can bind you into a lock, with hardly a chance of breaking free from it. The cherry on top has to be Mt. Itoi, which is from what I've heard never playtested 💀 Nintendo really smoked crack on their part. I thank myself that I had a guide and an emulator to speed up the battles when I needed to.

All the little gameplay quirks really got to me at first with the inventory management and shops but once I started to view everything from the perspective of real life, it made sense. Of course you're not going to be able to hold a whole lot, and you're going to have to swap around goods so that it can be usable. Of course you're being charged an egregious sum just to see your friends revived. Of course, instead of simply interacting with the ATM, you have to open your inventory, scroll to the Cash Card, and hit use. It makes so much sense. That also goes for having the train animation play whenever you use it, and your dad blabbing on and on before you get to the point.

I think the smartest I ever felt when viewing this game through that lens would be when Lloyd joins your party. The game tells you that he's a weakling, and he has the low stats to back that up. The most useful he gets is using gadgets that break often. I asked myself, "why would the game deliberately give you a weak party member?" Then it hit me. Of course, if you were to go on an adventure with your friends chances are you're going to have drag the dorky kid along with you. They're not all combat ready. I love how the game then ties up Lloyd's character with the typical "I'm going to prove myself" arc.

But, those quirks didn't make me fall in love with the game though. After all, this game had indeed made me ragequit, to the point where I would take weeklong breaks from the game when it's not even that long. As I mentioned to my friends, it's art in the same way that a bully beats you up and your mom gives you grilled cheese and apple slices to help make you feel better.

It was the end that the game really got to me. Out of nowhere, I started crying after Ninten sang the Eight Melodies to Queen Maria. She started talking about Geigue and how he was when she raised him, and how his tail would always wag like a dog except for when she sang that lullaby. I was seriously fighting back tears (which I was told NOT to cry about yet, thanks Mother fandom) because the way she talked about him sounded exactly like a loving grandmother on her deathbed, recalling all the fun little memories she had with her grandchildren before passing away peacefully. And then Magicant disappearing, a place that said to always have a loving home for Ninten, felt like the emptiness I felt when my grandmother passed away. I haven't actually properly cried for her passing away, and I haven't done so for over 10 years now. But now I definitely feel like I've let out some of the deep-seeded pain. Even while writing this review, tears are dripping down my face.

So yeah, the ending manages to pick everything back up all at once. It's really not fair of me to attach a score to this game because of how deep the emotions run with it. I feel the same about this game as I do with my own life. It sucks a lot. I've been through a lot of mental pain. But there are just those tender moments, like dancing on the stage, or walking around the elementary school, or sharing a close bond with Ana, that really just make it charming. And then sometimes, it really turns out for the better.

In short, if you're able to love a piece of art, thorns and all, then I definitely recommend it provided you promise me you won't get hurt too much by it. Because this game hurts a lot but man I'm glad to have gone through it.

Mother 1 has a pretty bad reputation in the west, seen as "unplayable" "brutal" and the like.
Because of this its often over looked in favor of Mother 2 and 3, which are both amazing games but I don't think Mother 1 really deserves the reputation it has

Nintendo fans who've never played a JRPG and won't bother to actually learn how to play will have a very hard time getting through it but if you're a fan of the genre its a short but incredibly beautiful journey

At the core of it all is the theme of Love. The game was made because Shigesato itoi wanted to connect with his daughter more, and that love and care comes across all through out the game


this is the hardest game ever created fuck wally and fuck mt. itoi