Que jogo foda, eu não jogava há muito tempo e mesmo hoje em dia me prendeu demais, a forma com que a trama é contada de grão em grão até chegar no plot twist é brilhante, é um enredo que consegue justificar literalmente tudo que você faz de forma crível e sem você saber que tá sendo manipulado. Fora a história que é o ponto principal, a gameplay é bem divertida, envelheceu bem, a disposição de poderes é enorme apesar de ter alguns meio inúteis e a gunplay funciona muito bem, só o impacto nos golpes que é meio baixo. O level design desse jogo é fantástico, tudo é interligado de forma perfeita e mesmo com a quantidade imensa de caminhos e lugares, você simplesmente não se perde e a exploração é muito recompensadora, além do fato de toda a estética e ambientação Decopunk do jogo ser incrível, em diversos momentos me lembrando o desenho animado do Batman dos anos 90.

Algo bem legal é que no começo do jogo é citada a frase "Nem deuses ou reis. Apenas o homem.", e fica evidente que apesar do homem ter conseguido criar toda uma cidade submersa e governar ela, ele não deixa de ser um mero homem, mesmo que ele busque poder, tente se tornar um deus, ele não passa de uma criatura simples, isso vale tanto pro Andrew Ryan como pro Frank Fontaine, ambos falharam em alcançar um status que não podem ter, foram derrotados por algo mais baixo do que um homem, um simples escravo que obedece ordens e não possui livre-arbítrio. De resto, só tenho a criticar que na reta final a little sister fica prendendo o personagem no cenário toda hora e esse mapa do jogo que mais confunde do que ajuda.

As much as I love playing older games, I have to admit that is rare for them to reach the heights of many modern titles. 17 years later and Bioshock can still stand toe to toe with modern AAA experiences and outclasses quite a few of them.
The game isn’t perfect. The hacking minigame quickly grows stale, the escort mission has all the frustrations that type of level are infamous for, enemies towards the end start to become bullet sponges, and I did experience some technical issues that managed to damage my immersion. However, this all pales in comparison to everything else the game does so well. So many issues I have with games are handled perfectly here.
The combat sandbox is one of the most engaging and rewarding I have experienced since Halo 3. Managing weapons, ammo types, plasmids, eve, health, enemies, and the environment all at once may sound daunting but in practice it all feels so natural and builds so gradually that it never truly overwhelms. By the end you are switching between weapons and plasmids at lightning speed as waves of splicers and flying turrets push you to the brink. The game’s balancing definitely helps this. So many games have frustrating difficulty spikes that stop you in your tracks and ruin the pacing as you are forced replay a section over and over. Not once did I become stuck or was I forced to save scum, but I still felt challenged.
The game’s story is also incredibly well told and paced. Cultural osmosis has made me aware of the game’s major twists and endings for years, but that didn’t make learning the history of Rapture and it’s characters through audio logs and environmental storytelling any less engaging. It is incredibly well written and acted and thankfully does not over extend itself like so many other games.
Bioshock is remembered as one of the greatest games of all time and I can say that it’s a well earned reputation.

Bioshock released and became an instant classic. It's excellent narrative and engaging gameplay leave it still feeling like a masterpiece despite its age.

It's hard to convey the greatness of Bioshock's narrative without spoilers. It covers the themes of power and capitalism in a great way. Andrew Ryan has some of the best quotes in video games and is an amazing character. The world of rapture is written very well and makes it one of the most unique game worlds I have experienced and its downfall is super interesting. This story getting added flavor through audio logs you find scattered about is a fun way to convey extra elements of the story. The big moment at the game's climax is unforgettable and unlike any other game I have played. The ending sequence of the game is very well done and the narrative decision you make isn't overly complex but it serves the themes well.

Bioshock's gameplay is probably its strongest design area. All of the different plasmids you can get offer a lot of gameplay options. There is also a good bit of weapon variety and you get to make your own build with the upgrade system. The boss fights in the game, besides the final one which was very well done, are a bit forgettable and feel like bullet sponges at times. Battling with big daddy's is an extremely fun optional experience that feel more noteworthy than any of the main bosses. The level design is also well executed and exploring areas never feels monotonous.

The art direction of Bioshock is also wonderful. I like all the glowing signs and the classic 1920's vibe they went for. When you look out of the glass tunnels and see the rest of rapture or just the sea in general it is stunning. The character design of big daddy's is also another fantastic addition to the art direction. The voice acting of the game is surprisingly good for its time and this enhances the game quite a bit since most of the story is told through dialogue or audio logs. The soundtrack doesn't jump out at you often but there are definitely times where it enhances the gameplay experience such as the classical music in the Sander Cohen section of the game.

Bioshock isn't a game with an extremely high level of replayability. There are standard difficulty options and the option to turn off vita-chambers. There is 1 major decision you can make that affects only the ending of the story and technically also affects the difficulty of the game. The rest of the replayability comes through large variety of weapons and plasmids. However, at higher difficulties some plasmids or weapons are so situational that there are dominant builds you will find yourself gravitating towards. Since the game is not very large, I would have appreciated a little bit more replayability.

Bioshock is a masterpiece that has aged quite well and is easily one of the best games released during its console generation. The story, gameplay, and visuals you experience when exploring rapture are one of a kind.
( 90/100 )

Level design: 10\10;
Gráfico: 10\10;
Gameplay: 10\10;
Diversificação: 9\10;
Trilha: 10\10;
História: 10\10;
Fator replay: ?\10;
Motivo de não zerar: Joguei quando criança e lembro de ficar arrepiado com as cenas inicias, não tenho muitas lembranças dele, mas as que me vem na cabeça são boas, então quero zerar um dia.

I had an absolute blast with the story and gameplay of this game. I found the atmosphere incredible, the characters fascinating, and most importantly the gameplay was a lot of fun, with tons of ways to approach each encounter with the variety of weapons and powers available.

The start of the game was super creepy, and it was very satisfying to upgrade the different systems and feel yourself getting dramatically stronger as the game progressed. The combat was always the perfect amount of challenging, and never got tedious.

I loved the visuals and audio in this game. Rapture is one of the most immersive game worlds I've seen - even the fairly repetitive level design didn't draw back too much from the fantastically realised world. The mission structures were linear enough that it was always clear what needed to be done, but open ended enough that there was plenty of time for exploration - which was heavily rewarded.

The audio logs were a favorite feature of mine - I loved how much of the story of the world was amongst the worldbuilding, rather than told to the player in cutscenes. It made everything feel very natural, and all of the various villains so hateable.

This game did fall off in atmosphere towards the end, as I'd become so strong in terms of abilities that any sense of vulnerability or horror was lost in the final third of the game. It's very difficult for games to stay creepy though, and it was incredibly fun using all the different abilities, so this isn't a huge downside - but thought it was worthy of note.

My main criticism of the game were the vita-chambers - dying and then being able to just jump right back in, without any consequence other than a small bit of time completely destroyed any fear over some of the more intense sequences of the game. I feel as though there should have been a higher penalty to death to make fighting the Big Daddys truly terrifying.

Can't believe I waited this long to play this game properly. I did play it once as a teenager, but didn't pay attention to any of the story, so it still felt fresh on this playthrough.

While it's not the worst, I really don't understand what people praise about this game. The audio logs, soundtrack, art direction and plasmids are the most unique things about it, and otherwise it just feels like a painfully derivative and badly written. The audio logs are prolly the best writing in the game I'd say.

If I were to compare this to System Shock 2 or any other shocklike, this game does most of what System Shock 2 does but badly. The one twist (which I will not spoil) that everyone praises so much is ripped from System Shock 2 and is not given enough time to actually develop at all in a way that makes you feel anything. If anything, this game is basically underwater DOOM 3.