659 reviews liked by Zapken


Holy shit I should've played this game when it released last year in 2023.

Hi fi rush is a huge departure from tangos previous works by being a Rythym hack and slach game that takes elements from Guitar hero and mixing them into a blender with a hint of Devil may cry and Jet set radio and what do you get?

One of the most FUN action games I've played in a very long time. Seriously in a era of endless rehashes of various franchises this game felt like a breath of fresh air that Harkens back to 00s cartoons all while having beautiful artstyle and goated ost to compliment it.

Seriously PLAY THIS GAME.

Infinite Weath made me believe this game is a complete waste of time. Nothing in this game matters at all. A good final boss and ending does not make up for everything else this game does.

Finished 3/9/2024

And with that most of the 'Duel Monsters' era titles have been covered. The only ones left are some of the earlier game boy titles but I'll cover those last probably, for now say goodbye to Yugi on the cover here.

Between this, Final Fantasy Tactics, Tactics Ogre and now Unicorn Overlord- I've been sort of on a tactics binge (been also looking to check out Front Mission). Strange that not only is Yu-Gi-Oh a pillar of my tactics understanding but its probably now the 2nd largest thus far behind Fire Emblem. With the lack of innovation there is in the card game during this era of YGO, I can't say the same for the games during this era as this is another distinct tactics game for the series. I had half expected this to be similar to how Duelist of the Roses operated but here we don't have nearly as...unique of a concept, but I think something slightly more enjoyable and also surprisingly higher budget.

I was shocked opening this game up and being greeted by Gramps, fully voiced! Prior to this I don't recall there being any voice acting whatsoever in any of the console titles so I was pleasantly surprised when this game had, like, FULL voice acting. There's not much of a story this time around but seeing the characters voice out interactions throughout a battle was a nice throwback to when I watched the anime as a kid.

In addition, this game has a strong premise with regards to its tactics. The objective is the usual- you have a base from which you select and summon a number of units, defeat all of your opponents capsules or defeat the base to win. However, each match has a 'deck limit' of sorts that limits you from taking in only your strongest and generally this isn't an issue as most of the game is utilizing monsters with advantageous attributes to stomp opponents. One thing to note is that there's eight attributes but these interact moreso in two 'wheels' of sorts.
Long story short:
Water > Fire > Grass > Wind > Water
Dark > Earth > Electric > Light > Dark

This leads to some interesting match-ups later on as Light focused duelists will incorporate Earth units as well in an attempt to counter Electric units you bring out.

Units are also fairly interesting in how they move around- generally tactics games have a 'movement' skill in which they operate off a radius on the game's grid. Here it feels more like Chess than fire emblem ever did as units are locked into specific patterns of movement, most akin to Rooks and Bishops moving horizontally or diagonally. There aren't any Knight patterns but a 2-square 'leap' movement in which a unit can hop in any direction but only 2 squares away (more of a dotted O movement than an L). On top of this, units have distinct attack patterns separate from their movement patterns so a unit may have diagonal movement but horizontal attack capabilities.

There are several other variables that arise during play, certain arenas will have a gimmick that alters elements of the field over time, certain tiles give a bonus to specific types, your base that you choose at the start of the game gives a passive buff, it was a much more intriguing game than I had initially thought.

There is a lot of obfuscation that bogs down the experience, on top of being an already clunky to understand tactics game at first. Certain mechanics like Fusion and Evolution require some prior knowledge of both the card game and also some creative thinking (game FAQs). In addition certain stage elements don't really tell you what's going on. Most of it can be inferred, but for example during Tea's stage the lights of the city dim down as the clock strikes midnight- snow begins to fall and holiday music begins to play... I don't really know if this has any effect, like giving your dark monsters a boost but uhhh it was pretty cool!

Lastly while leveling your units is imperative, you get units after battle based off what your opponent owns on top of Grandpa updating his shop roster after you beating each set of five duelists (with some shadow drops I never quite understood). It's important to note that the units you have early on can be useful later on, even if just to fill in gaps and use as cannon fodder as permadeath is not a factor here- thank god. The issue isnt really these cannon fodder but its moreso the mid units that land in a weird limbo where I can't tell if they've been powercreeped out by the new capsules or if I haven't put in the effort to make it good. In my playthrough I ran a Water base and used a number of water units in the start- namely Root Water. This would be my highest level unit for most the game but its usefulness waned as I couldn't find a good place to evolve it into High Tide Gyojin until the last couple of maps. Certainly once it evolved it was actually still comparable to most of the late game units but its just that weird predicament of not really knowing whats 'good' for your point in the game- leading to me buying a lot of new, but untrained units that might not have been all that necessary with proper planning.

Overall I was fairly surprised with how much I enjoyed this over Duelist of the Roses, and nearly most of the other Yugioh titles. While DotR might offer something more akin to a 'card-tactics fusion', Capsule Monster Coliseum feels more balanced and properly structured as a tactics title overall. Played this on my Steam Deck and while there were a few visual issues, especially with certain portraits- many of the stages look pretty great, the fully voiced dialogue is well appreciated and the music is pretty good overall. The thing that kinda tipped this over Duelist of the Roses was thinking about how I left off that game not having gone through Kaiba's (Rosenkreuz) route. Despite this, finishing CMC I found myself more likely to restart my progress and retackle prior stages with a better understanding, or hell try out a playthrough with a different, more useful base 'attribute'. I clocked in around 15 hours by the end, with a few half hours lost due to shoddy attempts so honestly for a tactics game as quick and as neat as this I can't be too upset by some perplexities in its mechanics. I'm glad that one of Konami's experiments to the YGO gaming formula paid off as well, just kind of a shame this also happens to be one of the last of its ilk.

Next run I swear I’ll stop using flush builds. I promise guys just one more run

Trying to organize my thoughts about the game is harder than organizing the puzzles in it.

In general I think the puzzles are fun to solve, and there are some good highlights around chapter 3, but it also has some big lows with puzzles with pixel perfect positioning (I'm looking at the tomato sauce cans) and just weird stuff when divining the developers intent becomes the bigger puzzle.

I could live without almost everything in chapter 5. But I guess if you really like cats the last sections works best, didn't do much for me though.

You could say the perfectionist inside me loves the concept of A Little to the Left, but then it also has trouble fitting everything neatly when there are some rough edges and extra bits that don't feel like they belong here.

It's a sweet little game, for every satisfying puzzle to solve, there was one where the hints are necessary. Some of the puzzles are also extremely sensitive to placement, so even being a little off will make the game think you didn't figure it out. High peaks and low lows with the puzzle design, but a good vibes game. Grab it when it's only $10 or lower, I wouldn't say it's worth full price.

Reading over my review of FFXVI before I posted this, I realized that this is by far my longest review I've written and probably ever will write (ended up being exactly 2500 words when the most I've done before is a little more than 1000) so if you're not interested in reading that, I'll sum things up with one sentence. Final Fantasy XVI had the potential to be great, but it just ended up being boring.

Final Fantasy XVI is a perfectly serviceable video game. It doesn’t feel like it was hampered by external pressures, a tight development schedule, or constant rewrites and redesigns like the mess that was FFXV was. It doesn’t suffer from any game breaking bugs, egregious performance issues, or any of the other problems that most modern AAA titles release with. It feels like a (mostly) complete product that was what the development team wanted to make. They wanted to make a “dark” Final Fantasy game that’s heavily inspired by western dark fantasy with flashy action combat. The problem is that the game they wanted to make is, as a whole, incredibly dull. I’m not the kind of person to normally whine about the casualization of video games, but FFXVI’s core gameplay is so unbelievably basic when compared not just to the character action games it’s trying to emulate, but also to Square’s own catalog of action RPGS that it feels like a clear attempt to dumb things down for a larger audience. In the last five years, Square Enix has released Trials of Mana, NEO The World Ends with You, NieR Replicant ver. 1.22, two different Star Ocean games, both Final Fantasy VII Remake and Rebirth, Stranger of Paradise, Harvestella, and Valkyrie Elysium. Dragon Quest Builders 2 as well if you want to count that as an action RPG. Go just a little further back and you have to add NieR Automata, The World Ends with You Final Remix, and Kingdom Hearts III + ReMind to that list. I have not played Valkyrie Elysium or Second Story R myself, but I have played all of the other games I listed for at least a few hours and every single one of them has a better combat system and at least a slightly more interesting plot than FFXVI. If the game was made by a different studio and pushed out as a new single player epic exclusively for the Sony Slopbox 5, then I’d probably look at it a bit more favorably when having to compare it more to games like Horizon or God of War than to NieR and TWEWY. That’s not the case, though. This is a flagship product from Square Enix. Square. Fucking. Enix. One of, if not the biggest names in RPGs and Japanese games as a whole spent years on this game and developed it alongside some absolutely fantastic titles, but somehow it ended up being overshadowed by their own back catalog and paling in comparison to its more direct inspirations.

On paper, FFXVI sounds rad as hell. You play as a guy who can turn into a giant fire monster in order to fight other people who turn into giant elemental beasts, swap between a bunch of different elemental powers, and even has a dog companion. You fight alongside characters like your childhood friend who wields both a rapier and the power of ice, a charming outlaw who smokes and can call down lightning at will, and several other less colorful companions. You’ll travel the world and destroy the very foundations of society in order to save mankind as a whole, all while fighting against an unjust system and freeing magic users who are seen as little more than monstrous tools by their own families. It’ll be a flashy action game with things like air juggling, perfect dodges and parries, and even a stagger system for larger enemies. The game definitely has potential, but it just doesn’t live up to that. Moreso on the gameplay side than the story side, so I’ll start by getting my story complaints out of the way first.

Starting with the characters, I actually like Clive as a protagonist. Yeah he’s kind of a standard brooding JRPG protagonist, but he has enough personality to keep things interesting and isn’t quite as aloof as someone like Squall or as generally disinterested as Noctis. Jill has a few decent moments, but just stands around or fights alongside Clive for most of the game. For being the main heroine, she has way less of an impact on the story than characters like Aerith, Rinoa, Yuna, and Garnet. Cid is great, though. I’m always a fan of that kind of dashing rogue character, but Cid steals the show whenever he’s around. Not only is he the driving force for almost all of the game’s first act, but his animation and voice just nail the whole devil-may-care persona he’s developed for himself while still making him come across as serious when he needs to be. Hugo Kupka is an asshole, but that makes for an effective villain so I didn’t mind it. Some of the side characters, especially the ones that populate the hideaway, are rather likeable, too. Everyone else just kind of sucks. Joshua is little more than a plot device for most of the game, serving to show up and either save Clive or dump lore on what the fuck Ultima is. Ultima himself is a pretty bland main villain, and even his mortal agents like the whole Waloed gang or Olivier are just boring. Anabella’s one-dimensional obsession with power and noble bloodlines is kind of funny, at least. The main plot itself also isn’t that bad, but it feels like the different arcs of the game (Finding the second Eikon of Fire, trying to save bearers, taking over as Cid and destroying the mothercrystals, Primogenesis, and finally the final showdown with Barnabas and Ultima) are kind of disconnected, especially everything that happened before the second timeskip. Clive pretty quickly just starts acting like he’s fine with having destroyed Phoenix Gate, killed hundreds of his own countrymen, and effectively having caused the downfall of Rosaria. As soon as Cid starts talking about how the mothercrystals are draining the aether from the world, any developments regarding the plight of the bearers is sidelined and shoehorned into side quests that are scattered throughout the game and then thrown in your face right before the ending. The same goes for most side plots such as the aether flood in Lostwing or Blackthorne’s whole character arc. Yeah they handwave this as needing to save the world itself before saving the people in it, but that’s a pretty bad excuse for dropping an entire core theme of your game in favor of leaning back on a somewhat standard FF elemental crystals and otherworldly evil plot. A lot of the Eikon fights also feel kind of shoehorned in, which is weird considering how heavily they were advertised. It’s almost like the fights were thought up first and the story was made as way to justify moving the player between them. Overall I thought it was fine, but a pretty average story overall. For a series that’s fondly remembered for its storytelling (I don’t think most FF stories are all that great, but they’re definitely a big reason as to why the series is as popular as it is) , that’s a pretty big failure.

If the gameplay was great, then it could make up for a kind of dull story, but sadly it isn’t. Clive is limited to a single sword combo, a few special attacks (a stinger, a charged attack, an air combo, and the ability to press triangle to shoot an incredibly weak magic shot at the enemy or to add little magic flourishes to your normal sword combo), using the d-pad to make Torgal attack an enemy, and his Eikonic abilities. He also gets a limit break which basically functions like a DT/transformation in other action games that changes your combo into an unintelligible mess of swirling sword strikes without making it feel that much stronger. You can equip up to three of these at once, and outside of changing the element of your magic (this never seems to matter but maybe there are a few enemies with actual weaknesses), they give you access to different special attacks on a cooldown timer and a different ability mapped to O. These range from basic things like Titan’s block/parry or Phoenix’s pseudo-teleport dash to some things that are actually kind of neat like Bahamut’s Megaflare that’s charged up by dodging attacks while stuck in a mostly-defenseless charge mode or how using Odin’s ability completely changes Clive’s combo (every Eikon should have done this IMO). You can also equip up to two special attacks on each Eikon, and even mix and match them once they’re mastered. They can kind of change the way you play, but the combat’s core flow never changes. For small enemies, you just wail on them with your basic combo and Eikonic abilities, and with big enemies you just chip away at their stagger bar until they get knocked down, then you cycle through all of your abilities on cooldown for the damage multiplier. There are no branching combo paths, no changes to Clive’s basic move set with different eikons, or even different weapon types, and there are really only three kinds of Eikonic abilities: ones that are attacks, ones that are counters, and ones that add a passive source of damage. Yeah things like Rising Flames and Upheaval may seem different, but the only reason you’ll ever choose one over the other is because one is on cooldown. Since the overwhelming majority of your damage comes from the stagger window where you can build up a damage multiplier, the fastest way to beat an enemy is to stagger it and then just use all of your Eikonic abilities in order, assuming they aren’t on cooldown. This becomes even more apparent if you decide to use the “ultimate” abilities for each Eikon like Flames of Rebirth or Gigaflare that have significantly longer cooldowns than the normal abilities. Because of these things, every encounter plays out exactly the same, regardless of what enemy you’re fighting. You can’t even really mess around with different moves or try to fight more stylishly. The only real change between normal fights and boss fights is that bosses have some QTEs scattered between them and get interrupted by cutscenes three or four times per fight. I have no problem with the skill floor being low in a game like this, but when every single fight is so similar and the skill ceiling is just about as low as the floor is, it makes for a boring experience. Eikon battles are a little more interesting since Ifrit actually has different combo finishers depending on how far into the base combo you are when you press triangle, but that mostly begs the question of why Clive couldn’t also have more than one way to end a combo. The combat would have been tolerable in a 10-15 hour game, but since a playthrough of XVI can take well over 60 hours if you decide to do most of the lackluster side content like I did, it’s nowhere near deep enough. Since there are also only the absolute basics of an RPG system underlying it, there’s not much of a wider reason to fight enemies other than because you find it fun.

One Eikon fight comes close to redeeming this game, however. A little after the halfway point, Clive fights Hugo Kupka, Titan’s Dominant. Kupka has been on a five-year long crusade against Clive since Clive killed his manipulative lover/one true love Benedikta Harman. Clive wins the first fight by cutting off Hugo’s hands, only to be interrupted by soldiers from the kingdom of Waloed before he can finish the job. They take Kupka back to his home and give him a pair of iron hands. This is an excuse to stretch out the Kupka arc of the game, move the actual fight with Titan from Rosalith to the middle of nowhere in Dhalmekia, and to have a scene where Kupka struggles to eat with his hands and throws a temper tantrum while yelling fuck. When Clive finally arrives, he finds Kupka having a schizophrenic episode where the naked ghost of Benedikta is convincing him to use the power of the mothercrystal to finally kill Clive. A pretty standard fight between Titan and Ifrit ensues, but when Ifrit is about to win, Titan finds and promptly eats the magical crack rock that is the heart of the mothercrystal. Turning into a giant tentacled monstrosity, Titan erupts from the earth and this theme starts playing.
https://youtu.be/7L_6atLQouc?si=g40adyLy3WVG776G
It is important to note that almost every track in the game up this point has been pretty standard fantasy fare (a few songs like the hideaway themes are actually quite nice but most of it is kind of forgettable, especially compared to other FF soundtracks). A fight ensues between Ifrit and the newly born Titan Lost that involves Ifrit running up the tentacles like a Sonic the Hedgehog boss fight, ripping one of them off, and plunging it into Titan Lost from above while yelling “Heads up, Hugo” The fight continues with Hugo now back in his normal Titan form and Clive/Ifrit using the power of the magical crack rock to create a pair of giant hands that he uses for a grand total of one attack. It’s pure chuuni nonsense, and it’s great. The fight isn’t particularly good, but the spectacle and sheer stupidity of it all makes it an absolute joy to play through. The fight with Bahamut comes close, as Clive and Joshua end up fusing to make a super Eikon of Fire that’s just Ifrit with some more spikes and some feathers coming off of him, then they chase Bahamut into space and stop it from using Zettaflare (made famous by Donald Duck during his heroic act of self-sacrifice in Kingdom Hearts III) and destroying the planet.

FFXVI could have benefited so much from having more of that stupidity in it, or otherwise embracing the goofier side of the series. It alco could have just been more fun to play, but considering this was made by the director of an MMO I don’t think that was ever really on the table. As it is now, the game is mostly just dull, and the story isn’t nearly good enough to make it worth sitting through. It’s much more competently made than the absolute mess that was FFXV, but that’s a particularly low bar to pass. It’s not comically shitty, but that also means it’s not the kind of trainwreck that’s interesting to play through. I feel like I SHOULD give this a 2.5/5 just to be consistent since I gave XV a 2 and XVI is definitely a better game, but I think I actually enjoy XV more than this despite its laundry list of flaws so they get the same score. There are other things like how the game makes you hold R2 to open a bunch of doors or how Clive is never shown to use any abilities other than Ifrit’s/Phoenix’s outside of gameplay until the final boss, or how the Ultima Prime fight is just a cutscene with some QTEs thrown in that I could say, but I feel like I’ve complained enough to get my point across.

I do really like how you hear Torgal from the speaker on the Dualsense whenever you pet him, though.

The games been out for 2 days and I already have 20 hours on it… finishing all my homework for college this weekend really paid off

This review contains spoilers

Pros:

+ Overall script and storytelling is excellent. Dialogue is frequently great, characters are likeable and easy to get invested in, and the mystery unravels in consistently reasonable and suspenseful ways.

+ Combat is fluid, with the two styles presenting nice modes of play in regular gameplay, even if the Tiger style is clearly more beneficial in usual fights. The bosses are a nice blend of your usual beefed up brawler fights and some more mechanical fights such as Amon.

+ Minigames are a joy to spend time with, especially drone racing, which is loaded with customization and stages. Kamuro of the Dead is a nice old-school style arcade shooter, Paradise VR is a fun Yakuza-based roll the dice minigame, and the usual Yakuza mainstays like the batting center, darts, mahjong, and more are fun to mess around with.

+ The graphics are beautiful, with the character models of characters like Yagami being insanely impressive, as well as the overall lighting of the game being a huge standout. The effects and animations are as stylish and fluid as ever, and the overall presentation of the game is solid.

+ The music is bloody incredible, with many tracks standing out, such as "The Flower of Chivalry", "Drumfire", or my personal favorite, "Penumbra".

+ The interaction and amusement given from side quests and the return of Yakuza 0's friend system is great, putting most games presentation of side quests to absolute shame. Enjoyment is frequently derived from the writing of side content in this game, with nearly all of it being some form of funny, insightful, or interesting.
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Neutral:

+/- Mortal wounds are an interesting idea, and for the most part add an element of strategy to the game's combat, requiring you to be careful when an enemy is going to do a long attack which will result in a part of your HP being permanently depleted until use of an item or visit to the sewers will allow it to be restored again, but it's also an arguable annoyance and could be implemented better.

+/- The QTE chase sections are a quick break from the usual brawler gameplay and are often times entertaining but do lack a little bit too much input, and the game could benefit from having less of them or making them more mechanically involved like in Yakuza 4 and 5.
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Cons:

- The tailing missions are absolutely horrendous. Seriously, these are atrocious, not to mention the astounding number of them in the game, which is about twenty or so. Simply put, this is the WORST part of the game, there is too many, they aren't very involved, and too many of them last far too long. Cut down on the number of them, make them shorter, and add a few more mechanics to them and they would be fine, but as it stands, this is awful.

- The Keihin Gang isn't entirely a bad mechanic, in all honesty, I kind of like them, so why are they listed as a negative? Well, for one, you can't turn them off. What this means is that they will always, throughout the whole game, consistently show up on the map with a threat meter, meaning more enemies than usual will be after you. This is an incredibly stupid decision and I have no idea why it was made, as I really do think this would be a fun mechanic if it was able to be turned off and on in Yagami's Detective Agency room, allowing you to choose whether you want to or do not want to spar with them at the moment.

- There are a couple filler sidequests that are forced upon the player when they absolutely should NOT be. Many games, including Yakuza games have quick little quests to introduce a mechanic or serve as a quick break from the main story while still arguably fleshing out one of the more important characters, and I frankly have no problem with that, especially when done right. This game does have a couple moments like that which are completely fine, such as the two Kaito arcs "Captain Cop", and "Partners", both of which serve to flesh out Kaito in-between the main story. Another example is "Paradise VR Unlocked", and "Justice is Sweet". The former existing to introduce the player to the Paradise VR minigame while using it as an obstacle to beat to progress the main story, and the latter a very quick moment of humor involving some of the more story involved characters. I find these to be fine, however, this game also has a few forced sections of filler that have absolutely NO reason to be required to progress the story. To name the most obvious three, "The Darkest Place", "The Socialite's Secret", and "Master and Pupil" serve ZERO purpose in the main story, and could easily be moved as legitimate side quests and nothing would change, but for some unknown reason...they're not. Dumb.
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Conclusion:

For the most part, Judgment is brilliant. It's an excellent mystery story, a fun videogame with great brawler combat, entertaining side content, fantastic music, and beautiful graphics and presentation. However, Judgment also has some obvious flaws that are especially infuriating due to the nature of them being very avoidable from a developer and game design perspective, but despite this, the game is absolutely worth your time and another great entry in Ryu Ga Gotoku's catalogue and Yakuza's long and varied history.

Overall score: 8/10

Probably the greatest game of all time