Bio
(almost) purely a PC gamer
Personal Ratings
1★
5★

Badges


Roadtrip

Voted for at least 3 features on the roadmap

N00b

Played 100+ games

GOTY '23

Participated in the 2023 Game of the Year Event

1 Years of Service

Being part of the Backloggd community for 1 year

Favorite Games

Prey
Prey
Disco Elysium: The Final Cut
Disco Elysium: The Final Cut
Hitman World of Assassination
Hitman World of Assassination
Sifu
Sifu
Outer Wilds
Outer Wilds

230

Total Games Played

019

Played in 2024

145

Games Backloggd


Recently Played See More

Spec Ops: The Line
Spec Ops: The Line

Apr 14

Outer Wilds
Outer Wilds

Apr 07

Content Warning
Content Warning

Apr 03

Portal 2
Portal 2

Apr 01

Balatro
Balatro

Mar 10

Recently Reviewed See More

What a snoozefest. This game “just works” and does nothing else past that. The characters have no personality. The worlds feel lifeless because of the braindead NPCs. The writing feels like a first draft with no interesting dialogue, but at least the voice actors do the best they can with what they were given. To add on top of that, the main story seems to think you’re getting a sense of wonder from the mystery behind the relics you collect and the characters have the audacity to constantly question if you actually care about solving that mystery, which is HILARIOUS because it gives you no reason to care for even a second.

As if this wasn’t a bad enough start, the gameplay itself is a bore too. The gunplay is passable at best. The “choices” you’re given pretty much always let you succeed, so there's no tension because there's no risk of failure. The exploration consists of nothing but walking around empty planets and moons between several loading screens. This is a video game - not a real-life space mission; you can't expect walking around a barren, procedurally-generated level to be the least bit engaging. The cities you visit are the most generic, uninteresting environments. Just as one example, Neon is supposed to be your typical cyberpunk city overrun with crime, poverty, and corporate control. Cool. But where's the crime? Where are the bad living conditions? Where are the emotions from NPCs that detest all this? You couldn't have had NPCs do random crime to each other or, better yet, to the player? The best of this that I saw was during the corporate side quest when the employee you replaced confronts you, but even that was over quick and wasn’t that memorable.

And to the BGS employees who are responding to the reviews: look, we get it. You spent years working on this new IP expecting people to love it just like with Fallout and The Elder Scrolls only for people to shit on it relentlessly. That hurts, and most of us understand it wasn’t your fault but the fault of the people who led the project. I just hope BGS takes this as a wakeup call that you can’t expect adoration if you don’t put in the effort to offer an enjoyable experience to your audience.

This review contains spoilers

I've only played a bit of the original and SS2, but overall I had a blast with this remake.

Good things
- The original’s intro cutscene where you hack into and get captured by TriOptimum was turned into a great gameplay sequence that really immerses you in the world
- The art style uses modern lighting, geometry, effects, etc. but with low-res/pixelated textures. I've seen a lot of people comment about how they didn't like it, but I was a fan of the fact that adds a bit of a retro feel to an otherwise modern take on an old game
- I only crashed once and didn’t have any major bugs. The worst bugs I remember were with the ragdoll physics which were at best funny and at worst made me think there was an enemy when it was actually dead
- The atmosphere is always creepy and unsettling but never on the level of something like a horror game
- There’s a good variety of weapons. Since you have limited inventory space and can run out of ammo fast if you’re not careful, it was fun to have the game force me to change up my loadout and playstyle
- SHODAN is a fantastic villain. She has control of the entire space station, so you’re always on edge about what she’ll do to stop you

Mixed bags
- I like that the levels are big and feel claustrophobic since it matches the atmosphere, but they’re so dense and interconnected that it gets to the point of feeling like navigating a labyrinth. I get that the premise is literally “you’re lost on an unfamiliar space station” but it can be too much at first. As I kept playing I got better at navigating new territory, but it’s still a pain. The Storage level is a prime example of this problem.
- The enemy AI is… fine. It’s nothing special and has its moments where it forgets how to path properly
- The weapons are cool and each one serves its own purpose, but a lot of them feel like they have no impact. The enemies don’t react much to getting hit by them until they die… as in they will gib if you hit them right with certain weapons. Besides, this game isn't primarily a shooter, so I'm a bit more forgiving about it.
- Just like the original, this game doesn’t have a mission log or waypoints on normal difficulty (what I played on). You get all of your objectives from audio logs or incoming calls. I didn’t mind the lack of waypoints, but sometimes I would forget what I was supposed to do, so having at least a mission log would have been a good QoL addition. Also, from what I understand, you can get waypoints if you set the difficulty of missions to easy when you start a new game.

Bad things
- In my opinion, the cyberspace hacking sequences range from boring to tedious. Plus they were sometimes nausea-inducing. I didn’t like any of them.
- The final boss fight is disappointing and not very fun. This is mainly because it forces you to use a weapon that you only get in this fight and because it combines the cyberspace enemies with normal movement mechanics from physical space instead of cyberspace’s normal 6DOF movement. I wish they’d gone the route of Black Mesa (the Half-Life 1 remake) and completely redesigned this last part, but I’m more forgiving about it since I get that would take a lot of time and effort to get right.

Stick to the base game. Don't waste your time with this VR mode. It's completely broken and only worth playing if you want to laugh at the glaring problems with this awful port.

Most of the controls are standard gamepad controls mapped to VR controllers' buttons. Action- and motion-based controls (you know, the whole point of VR) don't work half the time.