Motion Gravure Series: Nemoto Harumi

Motion Gravure Series: Nemoto Harumi

released on Apr 24, 2003

Motion Gravure Series: Nemoto Harumi

released on Apr 24, 2003

View and navigate photos of the Japanese idol Nemoto Harumi. Released in 2003.


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a strange, softcore, surreal, interpolation of our world... if you want to call it that, i guess.

A day in the life. Born to drive ATVs, but ordained by cruel fate to drink milk sloppily and point guns in unsafe directions.

a lesser person would say "i'm speechless" when reviewing this. i am not speechless. i got the speech.

this is, somehow, really fucking cool. i love experimental and surreal shit, and this is obviously not exactly a "game" but more of an experience. you watch this weird ass footage while INCREDIBLE music plays -- no shit, this is going on my list of the best soundtracks of all time.

i played this purely out of curiosity. i watched a bit of a gameplay on youtube but i wanted to know how it actually controls, like what do you do while watching. basically nothing. but i still think it's something cool. and i must note, if these weren't images of a near naked woman, i would still love it, hell, i'd probably love it more. if it were bad early 2000s surreal cgi, it would be amazing. this is going on my list of "dream games".

i'll probably not watch this all the way through because i honestly don't care but i'm really impressed lol.

The Motion Gravure releases are bad. They are a failed experiment utilizing new technology with very little to offer as either an interactive experience or a work of eroticism. BUT, they are also so incredibly bizarre to see; virtual nausea delivered straight to your eyeballs.

In this one, Harumi morphs and twists, body mutating, disfiguring. She points a gun at her head. Unlocked secret scenes appear over a pentagram, and when all are discovered, she bathes in milk.

Playing Motion Gravure is to experience something beyond us, something no person was ever meant to see. The camera cuts to the ocean waves, again and again, to which we will all return.

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