This game is Suda51 fanservice cranked to 100%, despite this is the first game i've ever finished of him, lore-wisely is nice.
I love the presentation/aesthetic of the game, based on a whole in-game console with different styles, and small details like the magazine articles!
I played on Mild difficulty because my ass was like "I suppose this is normal difficulty or smth" but Christ almighty it can get very tough, most likely i had a lot of trouble with Killer Marathon, gameplay can be monotonous but changing paces within games (eg. GDGP Racing sections, LiD puzzles) are kinda neat.
The music department is probably like the most experimental yet cool stuff i've listened from Grasshopper post-No-More-Takada, while the last games were like "This rock-punk story about murder, power fantasy and vengeance", TSA takes a spin and goes for a more "Hip-hop meets Trap meets Experimental with Synths"
If you're a junkie for more NMH lore and want something different, this might be for you.
also, Suda51 is based, he loves Hotline Miami.
I love the presentation/aesthetic of the game, based on a whole in-game console with different styles, and small details like the magazine articles!
I played on Mild difficulty because my ass was like "I suppose this is normal difficulty or smth" but Christ almighty it can get very tough, most likely i had a lot of trouble with Killer Marathon, gameplay can be monotonous but changing paces within games (eg. GDGP Racing sections, LiD puzzles) are kinda neat.
The music department is probably like the most experimental yet cool stuff i've listened from Grasshopper post-No-More-Takada, while the last games were like "This rock-punk story about murder, power fantasy and vengeance", TSA takes a spin and goes for a more "Hip-hop meets Trap meets Experimental with Synths"
If you're a junkie for more NMH lore and want something different, this might be for you.
also, Suda51 is based, he loves Hotline Miami.