The weirdest game in the series is also the best one. It takes the gameplay improvements of its predecessor and builds a dynamic set of levels that throw unique ideas at you. It is slower-paced than the other games in the series, but this ends up making the faster moments shine more and there’s almost no instances of cheap enemy placement. The slower pace also fits with the game’s focus on atmosphere, which is brought together by an explorable map screen and a highly underrated soundtrack by Eveline Novakovic.