I've always viewed liminal spaces as the architectural version of the uncanny valley phenomenon. A place that generally makes sense but is just... off enough to produce feelings of uneasiness and unfamiliarity. In The Complex: Found Footage this concept is explored impressively well for what I can only assume was either a solo effort or a really small team of people probably working for free just trying to create something cool and interesting.

Whether it be a sprawling open but totally empty space, a library devoid of books, a child's playroom with no children or toys, an art gallery housing no art, or the drab yellow wallpapered rooms and corridors that never seem to totally release you from their nightmarish grasp, these areas make just enough sense that you feel grounded but they are totally missing that human element that gives them purpose. Adding to this these rooms are often connected and shaped in ways that are simply illogical in terms of function but clearly not intentionally done for artistic purposes either. It's almost like these rooms were created by some malfunctioning rogue artificial intelligence with no off switch and no true understanding of humanity or the function these spaces serve, instead only a vague understanding of the form: enclosed by walls, floor and a ceiling, at least one entrance, sometimes with wallpaper for decoration. These are human environments not built by or for humans and there is something particularly eerie about that.

The game loses some of it's spark in the final act with some less inspired environments and trying to vaguely explain some semblance of story but those first handful of areas really touched on something quite special. And for a game that is totally free and provided me with a unique experience, how could I not recommend it.

Reviewed on Nov 27, 2023


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