Onrush, a descent into vehicular purgatory where the only escape is the repetitive loop of hitting opponents at the exact same speed. The game, akin to a prison, forces players to endure the pointlessness of endless redundancy. The futile attempts at achieving objectives only lead to perpetual failure via automobile accidents, trapping players in a never-ending cycle. The chaotic music transitions, ranging from screamo to dubstep, create an auditory nightmare that complements the visual madness of the game.
In Onrush, every collision with fake cars feels like a purposeful obstruction, crumbling the player's will to dust. Boosts, initially promising hope, reveal themselves as irrelevant in the face of constant competition. The game, with its disjointed experience and relentless repetition, becomes a psychological tormentor, exploiting moments of hope to intensify the ensuing despair. It's an exercise in nihilism, where playing Onrush feels more pointless than Kairi's contribution to the Kingdom Hearts story.
Score: 1/10
In Onrush, every collision with fake cars feels like a purposeful obstruction, crumbling the player's will to dust. Boosts, initially promising hope, reveal themselves as irrelevant in the face of constant competition. The game, with its disjointed experience and relentless repetition, becomes a psychological tormentor, exploiting moments of hope to intensify the ensuing despair. It's an exercise in nihilism, where playing Onrush feels more pointless than Kairi's contribution to the Kingdom Hearts story.
Score: 1/10