Coming back to this after a disorienting walk back through history, both author's and subjects surrounding this work, is sort of like welcoming the slaughterhouse of abrasive cuts. Liminal space is a repeated word here, I'm going full circle back through the same ideas, now in search of new messaging through context and a more 'absolute narrative'.

I keep thinking of the scene of finding Ori in the bathtub again. There's no additional answer, no new transformative crux of the story, just the same raw effortlessly crafted emotion. More things make sense, I suppose. But TWC refuses to let you find a stable branch to sort of measure the world with, even if you choose to cut off all that noise it still won't feel right and you'll end up with less sense than you started, just repeating the same circle for yourself. I really really love it, though. I love how difficult it is to wrap your head around the complete grossness of the institutions we make for ourselves to avoid or approach the right answers. I love that half the perspective here is Knowing more of the truth and chaos and in that respect wanting to keep Hiding and boxing yourself to feel safe again. We want factual consolidating answers so we can feel a better breath of tomorrow's air but as soon as hardship within our heads encroaches, we cut it off as noise. This is something HC3 started, actually, that drive to be pure. I like how this response is more hazy.

Final takeaway for me is going to be thinking about Mari's destruction within the society around her and then respond by calling herself alien and "not your sister anymore", then painting her fingers the next day. I can relate.

Reviewed on Apr 23, 2022


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