The Messenger is cool. Playing around with the idea of the passage of time, The Messenger blends genres in a way that feels really novel and fun to play.
The main gameplay transitions from a platformer to a metroidvania. The first half focuses on platforming, learning the map and the layout of the world, while the second half is a metroidvania which uses your prior knowledge of the map layout to play around with exploration across time periods and making variations to the world you already knew. On paper, this is genius, and in many ways the execution is extremely cool. The only issue is that fast travel in The Messenger is extremely limited which can REALLY hold the game back at times, since the player will need to do a fair amount of long walks to backtrack to certain areas because there isn’t a way to quickly get there. That’s not to say the metroidvania aspects don’t work, because they absolutely do and the evolution from a platformer to a metroidvania is a brilliant way to tie in the idea of time shifts to the gameplay itself, but the gameplay is majorly held back due to being so restricted with fast travel.
The main way the metroidvania half plays with exploration is with portals that shift you between the past and the future. These are really cool and add a whole new dimension to exploration! Room layouts will sometimes change, either opening up new directions or closing off old ones, and they make for some really cool puzzles. It’ll usually be obvious if you need to be in a different time period for a puzzle or area, but being in the wrong time period for a certain point can be punishing, especially due to the limited fast travel system. The Messenger’s other mechanical additions, such as cloud-stepping and the hookshot (look, I don’t remember the actual term, but even the game admitted it’ll probably be called the hookshot by people) are REALLY fun and lead to really fun movement.
The art style is a balance of an 8-bit style and a 16-bit style (as well as matching music) which alternates depending on the time period you’re currently in. Both of these styles are beautiful, using the strengths of each medium well. The 8-bit style has a retro and almost nostalgic feeling (especially once reaching the second half of the game), while the 16-bit style feels stunning after transitioning to being in it. The setting itself will also visually change as time passes, showing that the world itself is developing and changing across time, not just the visual style. The writing is also genuinely hilarious, having a meta sense of humor that isn’t afraid to poke fun at itself and at the player.
If you like platformers or metroidvanias, The Messenger is a great time that brings something unique and novel to the table. While definitely flawed, The Messenger is a really enjoyable game that brings a really unique experience.
The main gameplay transitions from a platformer to a metroidvania. The first half focuses on platforming, learning the map and the layout of the world, while the second half is a metroidvania which uses your prior knowledge of the map layout to play around with exploration across time periods and making variations to the world you already knew. On paper, this is genius, and in many ways the execution is extremely cool. The only issue is that fast travel in The Messenger is extremely limited which can REALLY hold the game back at times, since the player will need to do a fair amount of long walks to backtrack to certain areas because there isn’t a way to quickly get there. That’s not to say the metroidvania aspects don’t work, because they absolutely do and the evolution from a platformer to a metroidvania is a brilliant way to tie in the idea of time shifts to the gameplay itself, but the gameplay is majorly held back due to being so restricted with fast travel.
The main way the metroidvania half plays with exploration is with portals that shift you between the past and the future. These are really cool and add a whole new dimension to exploration! Room layouts will sometimes change, either opening up new directions or closing off old ones, and they make for some really cool puzzles. It’ll usually be obvious if you need to be in a different time period for a puzzle or area, but being in the wrong time period for a certain point can be punishing, especially due to the limited fast travel system. The Messenger’s other mechanical additions, such as cloud-stepping and the hookshot (look, I don’t remember the actual term, but even the game admitted it’ll probably be called the hookshot by people) are REALLY fun and lead to really fun movement.
The art style is a balance of an 8-bit style and a 16-bit style (as well as matching music) which alternates depending on the time period you’re currently in. Both of these styles are beautiful, using the strengths of each medium well. The 8-bit style has a retro and almost nostalgic feeling (especially once reaching the second half of the game), while the 16-bit style feels stunning after transitioning to being in it. The setting itself will also visually change as time passes, showing that the world itself is developing and changing across time, not just the visual style. The writing is also genuinely hilarious, having a meta sense of humor that isn’t afraid to poke fun at itself and at the player.
If you like platformers or metroidvanias, The Messenger is a great time that brings something unique and novel to the table. While definitely flawed, The Messenger is a really enjoyable game that brings a really unique experience.