Still think about this one a lot, particularly some of the idiosyncratic theories. Is SCA-DI offering one of the very very few honest analysis of futanari? Is Takuji trans? Does Zakuro suffer because she refuses to "live happily"? Does "live happily" entail that we ignore all negative aspects of life? If not, how do we know to stop annotating, like Ayana suggests? Is it really possible, or even further, necessary, for delusions to help cope with life? Why does Ayana's theme contain Morse code stating that she's Mahou Shoujo Riruru? What the fuck was the point of that Asumi interlude? Do we need to know any of the answers to these questions to understand Subahibi? Maybe not, which might tie into SCA-DI's theory that we take stories and narratology too seriously.

On the real though, totally understand why some people despise this, desperately needs an editor and is completely submerged into channer-esque culture (see: the weird ironic homophobia in Jabberwocky I). Still a pretty profound narrative, especially for the medium.