A soap opera of Shakespearean dramatic scale and emotion, a business drama, a takedown of capitalism, a rhythm game, another rhythm game, a kart racer, an absurdist comedy, a management sim, a Japan in the 80s tourism simulator...it's everything and it does all of it well and with so much love, only held back by some clunky controls and collision, at times frustrating balancing (why are guns), and Kiryu's chapters being significantly less interesting than Majima's.