This game is wild! I played this game for a short time as a kid and always remembered the few things i saw because they where so memorable.

The movement in this game feels really good once you are adjusted to the controlls (or rather, once you adjust to the N64 controller again). Beeing able to dash in 4 different directions is really cool and grabbing, shaking and throwing stuff feels super satasfying. Crabbing stuff is pretty much the core mechanic of the game and its kinda crazy how many diffrent things you do with it. They really made sure to use such a simple idea to its fullest potenial.

The things you do in this game are so varied, you never know what the next level may bring and most of the time its something completly new and exciting. From basic "get to the end" to more open objectiv based levels to incredible boss fights. Finding lost children, running trough a literal warzone, taking part in the "olympic games", playing dodgeball against a cat! You never know whats next and that makes it super fun to play and hard to stop, because you always want to find out what the next level might be. Its as much about travelling trough the levels as it is about solving little puzzles and figuring out what to do with the things given in any level.

One of my favorite things about the game is the super unique vibe the game has. Bright and colorfull environments with happy music contrasted by the creppy looking clancers with their faces that look like they are in constant agony. Even the blocks and almost all items in the game have this face and it moves and makes you feel weird looking at it. It all comes together to this really unique atomsphere and i really enjoy that.

The only negativ thing i could say about the game is that some of the later boss fights could be a little bit more clear about what exactly you are supposed to do. But other than that i really liked this game.

I'm really happy i finaly played this game and can recommend everyone to do the same.

Mischief Makers is a 2D platformer from respected developers Treasure. It received glowing reviews for its originality, including a 90% from N64 magazine. Unfortunately, the game didn’t click with me, but I can definitely see why people would love it.

Mischief Makers is made up of lots of short platforming levels, each one focusing one a single gimmick. What’s impressive is that these levels are extremely varied and feel unique. The main move that levels are based on are Marina’s ability to grab and shake objects – mainly NPCs, enemies and balls. These will cause various actions that you need to figure out how to use to progress. There’s also a secret gem hidden in each level that’s very difficult to find, unlocking the final cutscene if you get them all.

The biggest issue I had with the game was the controls. Most of Marina’s movement abilities are performed by double tapping the D-pad. At first, I praised the game because the c-buttons were used as shortcuts to these abilities, providing a great extra way to perform these abilities, but then discovered that the c-button versions are less effective than tapping the d-pad, which is probably why I struggled with some really basic jumps.

I would love to see an updated re-release of Mischief Makers, making the c-buttons function the same as double-tapping the d-pad, plus higher details sprites. The game definitely deserves a new version.

This is another N64 game I bought a fair while ago but just never got around to playing. It’s one I could never beat growing up, and it’s also one of the favorite games of a close friend of mine, so I thought it’d be a load of fun to show them the Japanese version of a game they know really well in English. Having the N64 hooked up again seemed like as great a time as any to finally play through this, so I did! It took me about 6.5 hour to play through the Japanese version of the game on real hardware, and I got 27 of 52 yellow crystals doing it (to see as much of the ending as you’d normally want to).

Mischief Makers (or as the Japanese title calls it, Trouble Makers) is a very oddball story about Marina, a powerful, happy, ditzy maid robot for Professor Cambell. However, on their visit to Planet Nendoro, the professor just can’t seem to stop getting kidnapped, and it’s up to Marina to save him again and again xD. The game is very silly with tons of horrible disaster weirdos everywhere (on both the heroes and villains sides), so the dialogue is always a joy to read. It’s not trying to do anything particularly daring with its narrative, but it’s written in a very fun way and also does have some genuinely sweet moments here and there. It does a more than serviceable job of setting up the action at hand, and it augments it significantly with just how much more fun and memorable it makes the adventure you’re playing through~.

The adventure in question is very much what you’d expect of a Treasure game. Almost playing like a spiritual successor to Gunstar Heroes, Mischief Makers is a 2.5D (but mostly 2D) side scrolling action game, but instead of guns like Gunstar Heroes has, you have a very expanded throwing ability. Marina can pick up, shake, and throw (or at least deflect) damn near anything enemies can throw at her. She can also dash in any cardinal direction by double-tapping the D-pad or pressing one of the corresponding C-buttons (though the C-buttons are a little bit slower than using the D-pad). All of that certainly has a not insignificant learning curve attached to it (especially when it comes to platforming), it still makes for a very satisfying and fun experience. Particularly great and Treasure-ful are the boss fights, some of which are (unsurprisingly) balanced a bit too hard, I’d argue, especially with bosses closer to the start of the game actually being a fair bit harder than most bosses in the back half of the game, but they still make for intense and enjoyable fights regardless that have some wicked cool set pieces and just feel awesome to play through. There are some problems here and there with level design in that some levels have puzzles that are just very needlessly plodding or mean, and some bosses just aren’t quite clear enough on how they’re actually fought, but those aren’t issues nearly big enough to dampen the overall experience.

There are also the yellow crystals I mentioned earlier. Crystals (other than red ones) are generally your health pick ups. Red crystals, on the other hand, are more like money, as they can buy hints from certain NPCs as well as revive you when you die. Pay more red crystals and you come back with more health bars (or just quit the game from the game over screen and it’ll bump you back to before you even started that level, meaning you never actually lose any money at all from up until that point scrapped attempts, which is a very odd development oversight). Yellow crystals, on the other hand, aren’t just huge health pick ups, they’re also special. There is one in every stage, and they can be hidden anywhere from at the end of a difficult platforming challenge or locked behind defeating a boss without taking a single hit, but collecting them is what gets you the game’s ending. Every one you grab will unlock a few more seconds of the game’s ending, with about 24 or 26 of them being needed to see the “normal” ending, and anything after that unlocking extra gags or silly moments after that. While the overall game is probably one of the easier 2D platformers Treasure has put out over the years, getting all of those crystals is absolutely what makes this game Treasure-levels of hard, and it really isn’t for the faint of heart. Thankfully, getting 20 or so is a relatively manageable thing (especially with a guide pointing you towards their hiding places), so seeing the normal amount of narrative conclusion is far from an insurmountable task.

Aesthetically, this game is absolutely gorgeous. Unsurprisingly for a Treasure game, the levels and particularly characters are absolutely oozing with style, and it’s hard not to love them. While both the English and Japanese versions both have character portraits and dialogue in addition to little bits of voice work here and there, something only the Japanese version has is little mid-battle speech bubbles that will appear from enemies, particularly bosses. It gives the overall game just that much more vibe of a gag manga, and it adds a ton of fun character silliness to an already delightfully put together experience that had me laughing a ton. The music is also absolutely excellent, which talking about a Treasure game from the 90’s should also come as no surprise.

Verdict: Highly Recommended. While there are a few bosses that are a bit tougher than they should probably be and a couple levels that just kinda suck, this is regardless an all-time classic on the N64. Though a relatively early game on the system (and one that uses the D-pad rather than the joy stick), it still succeeds at being an excellent 2D action game well worth playing. If you’re a fan of 2D action platformers, and especially if you’re a fan of Treasure’s other work, this is yet another Treasure master-work that is well worth your time despite the generally 3D-focused console it happens to find itself on.

This is one particular game that my perspective has wildly changed over time, I'm still on the fence how good I consider it to be.

What I can say for sure is that you will not find another N64 game that has so many unique and risky ideas crammed into it, it doesn't always stick the landing and can come off as incoherent at times, but no matter what the game is fun (about 90% of the time anyway) There's so much "charm", style, and personality that really comes through in this game, in a way that few games of this genre have. It's one that I can tell the developers actually enjoyed making.

The story of this game is complete nonsense it's very quirky and random, there is a plot but this is not a game you should play for story and it isn't meant to be taken seriously, even though they clearly spent a lot of time on it, the game is full of cutscenes and character interactions, the best aspect is how much character is given to the main protagonist.

The movement in the game is perfect, you can cancel other moves into each other and this creates opportunities for more skilled play. The movement and variety in what control you have is amazing and extremely well polished.
One problem most players will probably deal with is that the way you control the game is also completely non-traditional and will take some time to adjust to, it can be a lot to come to terms with.

The point of the game is to grab, throw, and shake things and there's secrets and small simple puzzles built around it.
The bosses are very unique and fun to fight, mostly a test of reaction and problem solving.

I went back to play this years later and noticed how easy it was to break, and how some bosses are just a pattern of moves you repeat until it's defeated, and many levels are a gimmick and nothing more, at times it's so easy it's mindless, few parts were truly challenging it felt shallow in ways I hadn't noticed before.

Even worse is that the game doesn't have any "real" levels until halfway through world 1, they knew the controls would be hard to learn so it's a disguised tutorial that teaches all of the mechanics, this is great your first time, but repeat playthroughs these aren't as fun.

Now I tried going for 100% and then speedrunning it, and I realized what the developers were going for, sometimes the game is expecting you to create your own difficulty and try a certain playstyle and it isn't inherently difficult.

It's a lot of fun dashing through levels, and defeating bosses quickly without making damage, this game can be fun in that when you're good it makes you feel invincible and it is rewarded with a letter grade for how fast you were.

The sports competition level (yeah there's a sporting event level) is the big low point of the game for me and I never look forward to it, it doesn't really fit the rest of the game and doesn't add anything worthwhile character or story related.

There are a few places where the frame-rate drops sometimes in the 20s or 15s and those stick out unfortunately, the game typically will run at 60 and when it really counts and matters (when precise timing is needed) it doesn't slow down thankfully.

The worst thing I can say about this game is that it just ends too early, it feels likethere should have been a bit more, the final world is just a few empty levels with some (very good) bosses at the end, it feels a bit unfinished but it doesn't overstay it's welcome.
A few of the bosses really are just throwing them over and over for 3-4 minutes while they do nothing and those are just bad.

The main boss fights are definitely the best part of this game, I replay them the most and they are varied and have mutiple phases, in addition to just looking really cool, even for an N64 game there are moments that left me speechless because of how stylish and impressive they were, this game can be technically and artistically impressive sometimes.


The soundtrack fits the game, it's super weird but extremely catchy and has a good number of themes, most levels will have their own theme so they don't get repeated to much, and the boss themes really create intensity and tension that adds a lot to the "feel" of fighting the harder enemies.
It's unforgettable, for better or for worse you might hate the wierd music.

Characters have voice lines that are very memorable too, so there's that.

The game is 2D, meaning not polygonal, it's almost entirely pre-rendered so if you typically like or dislike that look you will probably feel the same here, the game does this quite well, and the animations are expressive and detailed the backgrounds are nice to look at.

Overall this game is hard to rate and even harder to sum up because it's all over the place, a real mixed bag, it just so happens that I enjoy a large portion of what it has to offer.
This is a very devisive game but you will never know what to expect and it's one that will likely stick with you. If you enjoy a unique challenge this may become one of your favorites but it may take some time to come to terms with it's strange quirkyness, there really is no other game like it.

It has several shortcomings, but the highs make up for a lot of it to me, you might not be so forgiving though.

Pretty alright! This feels like a sandbox of ideas for completely different platforming games that don't exist. None of them go too in-depth which is kind of disappointing when you find one that you really like. The controls felt a little clunky - double tapping to dash works really well on the D-Pad (the intended movement buttons), but everything else doesn't. Couldn't care much about the story, it's one of those "we're making fun of tropes here" things but it still tries to keep you emotionally invested somehwo which didn't work for me. The graphics are really cool, mixing 2D and 3D in a way that looks goofy at worse and stunning at its best.

yeah do the rum shaker, the thug shaker. yeah you heard me! go down and spread those thighs.

SHAKE SHAKE

Mischief Makers is an interesting game. Though I do think it is overrated, there are things it gets very right, mainly the puzzles and boss battles, and Treasure has always been very good at the latter. A lot of the puzzles in this game were satisfying to solve and weren't things you couldn't reasonably figure out, and the boss fights, at least earlier on, are just Treasure in their element. However, by the time you get to the end of the game, Mischief Makers starts falling apart. Merco onwards the bosses start becoming either boring or poorly designed, and the game as a whole is stuffed with filler-- a lot of the levels just feel empty and like they were unfinished (which this game allegedly is). The graphics also have not aged well, even for a N64 game. Often times it can look pretty ugly. Otherwise though, the game is a hamfisted little parody of Japanese tropes and a good puzzle platformer. Check it out, but don't expect the best game ever like many claim it to be.

neat little gem. from what i've played and seen from treasure, their whole thing seems to be doing these absurdly awesome and cinematic 2d games and this one is no difference. three of these boss fights are just incredibly raw with multiple phases and crazy concepts, reminiscent of something from gunstar heroes or contra hard corps.
this game does a thing where it mixes actual 3d with the kind of pre-rendered 3d that donkey kong country did, and this gives the already cute artstyle a cool edge to it.
the gameplay is good, a lil hard to get used to at first but becomes pretty intuitive later on. a couple spots where the odd puzzles become a little cryptic, including one near the beginning of the game where you're just supposed to know which ball to wiggle. there's also an olympic games part where you basically have to button mash to win three seperate sprint races, each getting twice as long as the last one, which just felt stupid and reminded me of mario party or something. other than that, yeah the gameplay feels nice. it's overall a mostly easy game, with the exception of a couple notably tough bosses. if you like treasure's usual antics, definitely give this one a go

I want to like this game. There's a lot in the game I really do enjoy. Marina is a fun character, and I really like the idea of a moveset focused on grabbing and shaking enemies is really fun, and for a lot of the game, it was.
I really like how the game looks, the blend of 2D sprites and 3D environments has always been one of my favorites. And the music was both fun and pretty unique from the games I've played.
Though I think I have two specific problems that kept me from enjoying the game. For one, I think the game constantly disoriented me. Multiple moments in the game had a constantly shifting aspect ratio, and one specific level made me start feeling nauseous. The other major issue I had were the bosses, my inability to read their patterns or dodge their actions made the bosses feel more annoying that challenging. Sure, maybe I'm just not good at the game which is probably the case, but that doesn't stop me from being annoyed, y'know?
There's a lot that I do enjoy in this game, but those certain aspects made the game a lot more dreadful of an experience. Though maybe I should've taken a break instead of playing the entire game in a single sitting.