Reviews from

in the past


Yeah, I'm completely checked out. First 3/4s of the tea party was maybe the most hyped I've ever been playing umineko but the sappy way it resolves ruins it, and the rest of the episode's a snoozefest.

Gonna play ep 8 of course but this is a huge step down from higurashi. Ryukishi focused so much on the pointlessly reader-adversarial mystery that he forgot to tell a good story.

This review contains spoilers

willard. motherfuckin. wright.

Before I even stared this episode I had a feeling that It might over take episode 4 as my favourite episode and it 100% proved me right. It starts of with such a simple of "who killed Beatrice" and it expands to so many different results, like how the name "Beatrice" can refer to (from what I can remember) 3 different people. The past of Kinzo was also pretty cool as well as the scene where Kinzo apologises to "Beatrice" as I felt like it was meant to mirror the first ever scene in Umineko where it shows Kinzo Lamenting over wanting to see "Beatrice's" smiling face one more time. I also loved how it answered so many mysteries that was set up in the first half. Like the origin of the gold, who Beatrice is, Battlers sin from 6 six years ago, the solution to the epitaph and etc.. I loved the dynamic with Willard and Lion and the amount of twists the tea party revealed (I can't believe it got me to feel sympathetic towards Eva ). I am really curious on how this story end and I hope that episode 8 will live up to the hype this episode built up for it.


This review contains spoilers

Liveblog: https://anilist.co/activity/662804643
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This fucking episode man.....I was not familiar with Ryukishi's game...
"Illusions to Illusions" & That entire extended Tea Party & "???"....
RAHHHHHHHHHHHHHHHHH PEEEEEAAAAAAK
NGL I began to form doubts after my interest wanned in EP6 prior,
but this ep was near-perfection. I can legit say it's a masterpiece and mean it.

This 7th episode marks a significant turning point in the series, TRULY an answer arc yet still maintaining its enigmatic allure. The introduction of Will (fucking GOAT btw); summoned by Bern to delve into the unresolved elements of Beatrice's tale grants a fresh perspective and an opportunity to explore the tangled histories of the central characters. Will's engagement with Clair, a doll embodying Beatrice's story - becomes a conduit to understanding Yasu's obscured past while shedding light on the complexities of identity while recontextualizing everything about the many Beatrices thus far.
Will is such a cool fucking character - instantly shot up to my favs.

Will's portrayal as a protagonist exhibits a delicate balance between closure and ambiguity. His execution of Clair's revelations through riddles offers an elegant resolution without entirely exposing the truth akin to a graceful closure that avoids the humiliation of a complete unveiling. His insistence on preserving the story's heart stands as a monument to the Umi's emotional integrity and the art of concluding the enigma without sacrilege.

Not only was the theatre-like presentation peak alongside Will & Lion's sherlock watson dynamic charming to follow, the reveal of Yasu's backstory being Beatrice's was executed so fucking fantastically. Side note I love that the Seven Sisters were all servants as well. This episode really was about breaking down and stripping the Witch's Illusion - culminating in a riveting extensive Tea Party segmented into multiple chapters.

Bernkastel's relentless pursuit of the 'truth' thrusts Will and Ange into a harrowing confrontation thus pushing Ange towards the brink of madness as the cat box is finally opened to her.

Consider the prospect of a miracle world where Natsuhi raises Beato's child as her own while showering them with unwavering love and acceptance. Such a scenario could redefine everything, if not for a different truth. Bernkastel's revelation to Lion and Ange - presenting a stark and disconcerting reality, prompts reflection. While I'm inclined to believe it, the manner in which we remember the deceased becomes Ange's personal quandary.

The portrayal of Kyrie's duplicity - calculative and detached yet capable of profound love akin to Natsuhi in Lion's world - poses a dilemma for Ange. Should she trust in Kyrie's love, like Lion's faith in Natsuhi's affection? This question embodies Ange's quest for her own form of magic - her unique belief amidst complex and conflicting interpretations.

The episode meticulously unravels the crux of mysteries, from the disappearance of the shrine to the revelation of the island's concealed military base and the intricate identities of various Beatrices, how Kinzo was looking for a doctor and eventually ended up on Rokkenjima with Nanjo saving her TO THE "REAL" EVENTS OF WHAT HAPPENED ON ROKKENJIMA & THE CULPRITS RAHHHHHHHH THIS WAS SO SATISFYING.

The absence of Battler's demise in this episode was as an unexpected twist, contributing to the ongoing intrigue of wtf happened after this, is Battler alive canonically? Kinzo's portrayal; particularly his link to twisted and abhorrent love, surpasses the already dismal familial dynamics. His utilisation of his daughter as a substitute for his deceased wife - birthing another offspring is fucking revolting. Furthermore, the glimpse into Kinzo's role in instigating & resolving the conflict at the military base adds a layer of repulsion to his character.

Also, this episode was living proof that going VN was well worth it and has leagues more satisfying payoffs than just reading the manga.
The manga is still great don't get me wrong but without the masterful voice acting from each of the cast members, eye-catching character designs & CGs, and riveting soundtracks - stretches like the Tea Party just would not hit as hard.
Umi's fusion of mystery and suspense is accentuated by its use of music, evoking emotions and enhancing the atmospheric elements. The fragmented text and brain-splitting darker tracks employed in pivotal scenes, such as Eva's confrontations, intensify the narrative's impact 20-fold, engaging me constantly in unexpected and gripping ways.

To conclude, Umi's 7th episode showcases a thought-provoking exploration of human emotions, motives, and the intricate interplay between truth and subjective interpretation. The introspective analysis of characters' depths, their virtues, and flaws, even amidst tragedy, reflects the series' thematic depth and the challenges of memorializing the deceased amid the complexities of their personas.

This episode's culmination raises alot of hype for the final episode (8), promising closure on lingering questions while setting the stage for a climactic showdown between conflicting narratives by Battler and Bernkastel. The yearning for a conclusive ending; addressing lingering mysteries and culminating in a compelling resolution, heightens my anticipation for the series' ultimate resolution.

I'm really looking forward to the final episode, Rudolf's cryptic messages surrounding Battler & Asumu will finally elaborated on, Battler will reach his peak alongside Beatrice, Will & Lion joining the fray, and Ange will finally return to a pivotal role hopefully. A story "made just for Ange" eh?

Yeah this one is bad for so many reasons but ultimately it fails in storytelling the most.

Great overall, but the tea party was kinda weak

This episode just HIT DIFFRENT.
The atmosphere the music and dialogue, full of impeccable vibes which all culuminate into a heartbreaking but also hopeful ending.
Truly PEAK.

Easily my favorite Umi ep and I still think about it all time time almost a year later. What a ride start to finish, I was not okay after that tea party what the fuck Ryukishi

first recorded case of a 14/10 experience

An incredibly interesting new perspective. I feel enlightened. This stuff should be taught in schools tbh.

Probably the most unique one, new protagonist, and new perspectives of a story, most of the chapter is flashback similar to chap 4, but they are really good and important, also the last hours, were insane and horryfing.

Kinzo putero cabronazo de mierda

This review contains spoilers

note: this will be less of a direct review and more of a comparison with the manga adaptation's "confessions of a golden witch" chappters. i want to make this review readable to people who haven't read those chapters but i will warn that they open the catbox and reveal a lot more about sayo's backstory than in the game. imo these chapters shouldn't be treated as the final word on umineko's questions but i thought i'd give the warning to anyone who rly values the ambiguity of this episode.

i found ep 7 of umineko a little frustrating as i read it as i'm sure many people have. i'll admit to being a bit of an impatient reader and just wanting some direct answers. the episode definitely answers a lot but it does so in a way that's vague and complicated - if you've already gotten to the answers as i had it feels a little annoying that they're hidden behind layers of magic, while anyone waiting for the mystery to be solved for them must have had a pretty bad time. i wanted to be emotionally devastated and i think the episode's "magic filter" over the backstory puts you at a bit of a distance from it. once i finished the episode i was able to appreciate its choices a lot more, and i especially respect it after reading "confessions of the golden witch". confessions is a retelling of sayo's backstory without the magic filter. i think david lynch said in an interview that he does have specific meanings in mind for each of his films, but he has no interest in explaining them. i believe ryukishi writes in a similar way and the confessions chapters feel like a direct explanation of what he had in mind. it definitely has value for ppl curious about that, but the "Umineko Episode 7 EXPLAINED!!" video vibe is hard to shake off. reading the chapters gave me even more respect for his decision to explain sayo's backstory in the way that he did.

by the end of higurashi you basically feel like the characters are your own friends, but umineko's characters remain fundamentally unknowable all the way to the end. all that exists of the 18 people on rokkenjima are interpretations of them, and we don't have access to who they truly were. ep 7's presentation remains true to denying the reader the lack of direct access. we can interpret sayo's choice to tell the story in multiple ways - the way i see it is that she hasn't actually processed the events herself yet and is still holding onto false hopes in interpreting things like the scene where kinzo tells her the 'truth' in such an optimistic way. i can see issues with this reading but for me i find something resonates about the portrayal of someone who doesn't completely understand themselves and has not had the time to fully process. the sayo we see in confessions writes about her situation with clarity and self-awareness, which is a necessity for the adaptation's more literal approach, but it loses the power of this perspective.

another thing i struggle with about the "confessions" chapters is that they border on being the kind of misery porn that ryukishi usually avoids. when i use that term im not saying it to criticise stories simply for being miserable - misery is a part of the human experience and some stories are going to need to go into upsetting and ugly territory to capture it. 'misery porn' has less to do with depicting miserable events and more how they're framed. the events are the same in both tellings but confessions really places the suffering upfront and plays it in a very heightened way, emphasising the more shocking aspects of the backstory. in contrast episode 7 is far more tasteful in the way that it conceals information and lets the reader recognise the more extreme aspects on their own. it's told in a way that prioritises sayo's feelings first and foremost, and it's explained later in the episode that keeping the catbox closed is a means of honouring her.

finally, i think episode 7's narrative choices are some of ryukishi's strongest engagement with empathy. i've talked about this a few times in my WTC reviews but i think one of ryukishi's most interesting qualities as a writer is that he engages with empathy in a way that's integrated into his narrative form and which actually pushes the reader. many stories have the takeaway that we should be more kind and empathetic, but few recognise that doing so is often a challenge. part of the reason why "empaths" come off as so silly is that they treat empathy as a magical power that allows you to understand someone perfectly. empathy is not that - it doesn't inherently grant understanding. there'll probably always be aspects of the other person that are inaccessible to you, and i think a truly meaningful engagement with empathy is done with the acceptance that your understanding could be completely wrong. but you still should try and make that attempt at understanding, even if you can't be certain of its truth. ryukishi's denial of access to sayo's backstory is key to this. episode 7 requires the reader to look beyond what they're directly shown and try to understand sayo, and it's written knowing that the reader could finish it with a very confused/shallow takeaway of her motivations. it isn't a satisfying experience if the reader never makes that attempt, and as a result it pushes them to engage with empathy in an active way rather than a passive one. i think confessions exists in part because so many readers struggled with that. on one hand i kind of understand the motivation behind that, but on another i find ryukishi has the issue of feeling a need to appeal to parts of his readerbase that he doesn't need to. im glad that issue didn't appear for the VN itself, and that ryukishi had enough confidence to take the risks that he did. it's one of the most rewarding WTC chapters as a result.

No shit jokes on this review, this one is too good for that

2nd best thing Ryukishi has ever done, Higurashi ch.6 is still his best work, but this is fucking amazing

I'm speechless... I could never have imagined Umineko would become this masterpiece...

"Ashes to ashes, dust to dust. Illusions to illusions. And dreams to dreams."

Não imaginei que estaria nesse nível, trama, enredo personagens..., Chegou no ápice.

Big suprise, Umineko continues to prove itself to be an impeccable masterpiece, with yet another absolutely incredible Episode.
Cannot wait to see how it ends!


fave fave fave lion ushiromiya the world

easily, unquestionably, without a doubt, the best episode yet. granted, this is from a mix of it being very good and most other episodes just being pretty alright but my point still stands.

some bits in the last third of the main story drag on quite a bit, but it's not umineko if there aren't prominent and unignorable pacing issues. aside from that, this is really incredible, tea party especially included

Me in a drive thru: "U-umm I want one B-Big Mac ple-"

Willard H. Wright on the passenger seat, screaming in my ear: "EARTH TO EARTH. ILUSIONS TO ILUSIONS. THE INGREDIENTS TO WHICH YOU SEEK CAN BE FOUND AT HOME."