"We must appreciate the fact that the world allowed us to exist."

This is one of the highest peaks a JRPG can reach with a narrative and character-driven story, yes, it has both.

t-h-a-n-k y-o-u

The Legend of Ar tonelico.

The best series I have consumed in the last 11 months, and I'm so happy that I finally had the courage to play it, and the fact it's this incredible.
Four-dimensional characters (saying they are only three-dimensional is disrespectful).
Impeccable and frenetic writing, it doesn't divert the focus for a single minute, having perfect pacing.
AT's soundtracks are the most unique you're able to listen in the medium
there is no comparison.


It's better than its successor in literally every aspect and literally even improves a little on the first game's plot.
Jakuri and Croix my GOATs
Luca and Cloche's relationship is one of the BEST RELATIONSHIPS I'VE EVER SEEN IN A JRPG
In this story we see what it really means to be human. Ar Tonelico would be the first story I'd present to a robot. Its ability to have explored the human mind, our greatest flaws and goods, is something I have rarely seen in any story I've ever read. Even a robot would've a doctorate in the human mind after finishing this game.
It's a dive into the human mind, into our deepest depths, into our greatest perversities and evils, but also into our greatest brilliance as a human being. What an immersive experience that leaves me speechless.

All characters have masterful writing. Through the music, manages to increase the impact of its plot and twists beautifully.
A great conductor in worldbuilding, Ar Tonelico has its mastery especially in music. It's a game about the art of music.
Those songs are among the most beautiful and well-written songs I've ever seen in gaming medium, and only playing it to understand, I'm saying this as a person who has a high understanding of music and experience in orchestras, as I am a violinist although not a professional one

Just
Unique.

The story is dense, complex, extremely creative and with heaps of dynamism, between the characters themselves and the world itself, which has a wonderful construction. There are literally no bad or irrelevant characters, everyone fulfills their role, everyone has their reasons, they are ALIVE and are part of this journey.

For me, this game becomes a classic of the century among JRPGs, a hidden gem that I hope one day will receive more applause and recognition for conveying such a fantastic story that I've only praises.

The creator of this story, genius Akira Tsuchiya, created an entire new language for the game called Hymmnos, is the official composer of Ar Tonelico, director and writer of this story, who spent 5 to 6 years writing it.

Thank you, simply thank you. For me, you wrote one of the greatest JRPG classics and marked your story in my books.

"My song gives you endless courage."

The history of humanity is a timeline of suffering, cruelty and violence. The innocent people affected by these contexts may search for meaning; may try to find an explanation as to why their loved ones keep having pain inflicted upon them by forces outside of their control. Some turn to nationalism (“we are nobly defending our country”), some turn to religion (“It’s all what God intended”). In truth, war, death, tragedy, it’s all utterly meaningless. Lies are told to you, through the media you consume or through political discourse, that soldiers are fighting for democracy, for freedom. No, they are dying and murdering for the interests of the elite, almost always. Left alive are broken humans searching for meaning where there is none. If you live relatively comfortably, you may not have realized that life is disposable under the metric determined by society’s ruling forces. When you realize the inherent lack of justification for suffering, it’s easy to lose faith in humanity, to believe true connection is impossible and that all people, at heart, are selfish husks who operate based on their egotistical needs.
Hello Girl opens with a disembodied voice claiming that people are tools who serve others’ needs. Your employer sees you for your labour, your government sees you as a statistic. Even your lover doesn’t really love you, they love the feeling that comes from your affection. True connection doesn’t exist, she claims, and the world outside of your individual perception is fake, Unreal (1998), meaningless. By the end, this character sacrifices her sense of self, as her body is literally destroyed, to become “real” and embody the image of an idol, someone known by thousands. Therefore, she only exists when someone is looking at her. Who is real, then? Her true self or her fabricated image? This story proves this way of thinking is flawed.
Ana’s existence is paradoxical. She is a switch operator, a “Hello Girl” responsible for connecting people, while occupying a job that doesn’t involve human interaction. She serves as a bridge for communication, but her time is spent alone, shut off from society. Ana lives in an abandoned workplace full of empty rooms kept purposefully locked, as she’s too afraid to witness anything that could remind her of other people. She is a spectre who can do nothing but observe a world indifferent towards her. This is reinforced by the fact that she and her sister Clara are interchangeable to the eyes of her employer, her identity is muted. She embraces her insignificance and accepts a life away from other people’s vision, perhaps as a way to escape the horrors of the reality around her. Losing Clara, her only true connection was extinguished and her sense of “real existence” was damaged. If you live alone for too long, you might start to wonder if anyone would care about you at all, which is why Ana is so surprised when Courier shows compassion and empathy towards her. Courier attempts to officialize Ana’s existence by registering her at her job, but, ultimately, achieves that by developing a relationship with her. In an universe of incomprehensible cruelty of unmanageable proportions, stability is found through love and self-realization.
Becoming real is not becoming an idol, achieving an image known by thousands. To become real, you must live with yourself, live with another person, cause change and allow yourself to be changed. It’s important to note that love is not about feeling what someone is feeling, but feeling with them. As it is articulated in The Holy Mountain: “We came in search of the secret of immortality, to be like Gods. And here we are, mere mortals. If we have not obtained immortality, at least we have obtained reality” (https://youtu.be/0dX75e9LS60?si=4kupjXfG7iESG_nS). We live in our connections and in the messages we share with the world, but being alone isn’t abandoning existence. Your individuality is what makes you human, it’s what makes these connections genuine in the first place. In an age where the constructed image is becoming more relevant than the individual essence, it’s important to remember that.

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𝙾𝙱𝙹𝙴𝙲𝚃 𝙾𝙵 𝙿𝙾𝚆𝙴𝚁
"𝙰𝚕𝚊𝚗 𝚆𝚊𝚔𝚎 𝙸𝙸" (𝙾𝙾𝙿𝟸𝟹-𝙰𝚆)

𝙲𝙾𝙽𝚃𝙰𝙸𝙽𝙼𝙴𝙽𝚃 𝙿𝚁𝙾𝙲𝙴𝙳𝚄𝚁𝙴:
𝙾𝚋𝚓𝚎𝚌𝚝 𝚒𝚜 𝚒𝚗𝚜𝚝𝚊𝚕𝚕𝚎𝚍 𝚘𝚗 𝚊 𝚆𝚒𝚗𝚍𝚘𝚠𝚜 𝟷𝟶/𝟷𝟷 𝟼𝟺-𝚋𝚒𝚝 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚌𝚘𝚖𝚙𝚞𝚝𝚎𝚛 𝚟𝚒𝚊 𝚊𝚗 𝚘𝚌𝚌𝚞𝚕𝚝 𝚛𝚒𝚝𝚞𝚊𝚕 𝚔𝚗𝚘𝚠𝚗 𝚊𝚜 𝚝𝚑𝚎 "𝙴𝚙𝚒𝚌 𝙶𝚊𝚖𝚎𝚜 𝚂𝚝𝚘𝚛𝚎 𝙸𝚗𝚜𝚝𝚊𝚕𝚕𝚎𝚛". 𝙳𝚎𝚟𝚒𝚌𝚎 𝚛𝚎𝚚𝚞𝚒𝚛𝚎𝚜 𝚊𝚗 █████ 𝚒𝟻-𝟽𝟼𝟶𝟶𝙺 𝚘𝚛 ███ 𝚎𝚚𝚞𝚒𝚟𝚊𝚕𝚎𝚗𝚝 𝚖𝚒𝚌𝚛𝚘𝚙𝚛𝚘𝚌𝚎𝚜𝚜𝚘𝚛 𝚊𝚗𝚍 𝚊 𝚖𝚒𝚗𝚒𝚖𝚞𝚖 𝚘𝚏 ██ 𝚐𝚒𝚐𝚊𝚋𝚢𝚝𝚎𝚜 𝚘𝚏 𝚛𝚊𝚗𝚍𝚘𝚖-𝚊𝚌𝚌𝚎𝚜𝚜 𝚖𝚎𝚖𝚘𝚛𝚢; 𝚊𝚗 𝚖𝚂𝙰𝚃𝙰 𝚂𝚂𝙳 𝚠𝚒𝚝𝚑 ██ 𝙶𝙱 𝚏𝚛𝚎𝚎 𝚜𝚙𝚊𝚌𝚎 𝚒𝚜 𝚅𝙴𝚁𝚈 𝙼𝚄𝙲𝙷 𝚁𝙴𝚀𝚄𝙸𝚁𝙴𝙳 𝚝𝚘 ████████ ██.


𝙳𝙴𝚂𝙲𝚁𝙸𝙿𝚃𝙸𝙾𝙽/𝙿𝙰𝚁𝙰𝚄𝚃𝙸𝙻𝙸𝚃𝚈:
𝚃𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚒𝚜 𝚊 █████ ████ 𝚍𝚎𝚟𝚎𝚕𝚘𝚙𝚎𝚍 𝚋𝚢 𝚁𝚎𝚖𝚎𝚍𝚢 𝙴𝚗𝚝𝚎𝚛𝚝𝚊𝚒𝚗𝚖𝚎𝚗𝚝.

𝚆𝚑𝚎𝚗 𝚋𝚘𝚞𝚗𝚍, 𝚝𝚑𝚎 𝚊𝚕𝚝𝚎𝚛𝚎𝚍 𝚘𝚋𝚓𝚎𝚌𝚝 𝚊𝚕𝚕𝚘𝚠𝚜 𝚙𝚊𝚛𝚊𝚞𝚝𝚒𝚕𝚒𝚝𝚊𝚛𝚒𝚊𝚗𝚜 𝚝𝚘 𝚌𝚛𝚎𝚊𝚝𝚎 𝚊 𝚗𝚒𝚐𝚑𝚝𝚖𝚊𝚛𝚎 𝚘𝚏 █████ 𝚎𝚟𝚎𝚗𝚝-𝚍𝚛𝚒𝚟𝚎𝚗 𝚓𝚞𝚖𝚙-𝚜𝚌𝚊𝚛𝚎𝚜, ███████ , 𝚊𝚗𝚍 𝚍𝚎𝚜𝚔𝚝𝚘𝚙 𝚌𝚛𝚊𝚜𝚑𝚎𝚜 𝚠𝚒𝚝𝚑𝚘𝚞𝚝 𝚝𝚑𝚎 𝚗𝚎𝚎𝚍 𝚝𝚘 𝚛𝚞𝚗 𝚝𝚑𝚎 ████ 𝚘𝚗 𝚊𝚗𝚢𝚝𝚑𝚒𝚗𝚐 𝚊𝚋𝚘𝚟𝚎 ██████████ 𝚘𝚏 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎 𝚜𝚎𝚝𝚝𝚒𝚗𝚐𝚜. 𝚃𝚑𝚒𝚜 𝚖𝚊𝚣𝚎 𝚘𝚏 𝚘𝚟𝚎𝚛𝚊𝚎𝚜𝚝𝚑𝚎𝚝𝚒𝚌𝚒𝚜𝚎𝚍 / 𝚞𝚗𝚍𝚎𝚛𝚍𝚎𝚜𝚒𝚐𝚗𝚎𝚍 𝚕𝚊𝚗𝚍𝚜𝚌𝚊𝚙𝚎𝚜 𝚊𝚗𝚍 ████ 𝚁𝚃𝚇-𝚜𝚕𝚒𝚖𝚎𝚍 𝚎𝚗𝚟𝚒𝚛𝚘𝚗𝚖𝚎𝚗𝚝𝚜 𝚒𝚜 𝚍𝚎𝚜𝚒𝚐𝚗𝚎𝚍 𝚝𝚘 𝚍𝚒𝚜𝚘𝚛𝚒𝚎𝚗𝚝 𝚊𝚗𝚍 ████ 𝚝𝚑𝚎 𝚘𝚋𝚜𝚎𝚛𝚟𝚎𝚛 𝚊𝚝 𝚎𝚟𝚎𝚛𝚢 𝚝𝚞𝚛𝚗. 𝙾𝚗𝚕𝚢 𝚝𝚑𝚎 ██████ 𝚌𝚊𝚗 𝚗𝚊𝚟𝚒𝚐𝚊𝚝𝚎 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍, 𝚝𝚑𝚘𝚞𝚐𝚑 𝚝𝚑𝚎𝚢 𝚖𝚊𝚢 𝚊𝚕𝚕𝚘𝚠 𝚘𝚝𝚑𝚎𝚛𝚜 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚘𝚗𝚌𝚎 𝚝𝚑𝚎𝚢'𝚟𝚎 𝚋𝚎𝚎𝚗 𝚜𝚘𝚞𝚗𝚍𝚕𝚢 𝚋𝚘𝚛𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 █████ "𝚝𝚑𝚎𝚖𝚎𝚜" 𝚝𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝'𝚜 █████ 𝚑𝚊𝚟𝚎 𝚒𝚖𝚋𝚞𝚎𝚍 𝚒𝚝 𝚠𝚒𝚝𝚑 𝚒𝚗 𝚝𝚑𝚎 𝚝𝚑𝚒𝚛𝚝𝚎𝚎𝚗 𝚢𝚎𝚊𝚛𝚜 𝚒𝚗𝚝𝚎𝚛𝚟𝚎𝚗𝚒𝚗𝚐.

𝚃𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚒𝚜 𝚌𝚞𝚛𝚛𝚎𝚗𝚝𝚕𝚢 𝚋𝚘𝚞𝚗𝚍 𝚝𝚘 ██████████.

𝙱𝙰𝙲𝙺𝙶𝚁𝙾𝚄𝙽𝙳:
𝚃𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚠𝚊𝚜 𝚍𝚒𝚜𝚌𝚘𝚟𝚎𝚛𝚎𝚍 𝚊𝚝 𝚃𝙷𝙴 𝙶𝙰𝙼𝙴 𝙰𝚆𝙰𝚁𝙳𝚂 𝟸𝟶𝟸𝟷 𝚋𝚢 █████ 𝙺𝚎𝚒𝚐𝚑𝚕𝚎𝚢. 𝙰𝚞𝚝𝚑𝚘𝚛𝚒𝚝𝚒𝚎𝚜 𝚊𝚕𝚜𝚘 𝚛𝚎𝚙𝚘𝚛𝚝 𝚝𝚑𝚊𝚝 𝚕𝚘𝚌𝚊𝚕 ██████ 𝚑𝚊𝚍 𝚜𝚒𝚐𝚑𝚝𝚎𝚍 𝚝𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚊𝚝 ████████ 𝚊𝚗𝚍 𝚆𝙰𝙻𝙼𝙰𝚁𝚃 𝚙𝚛𝚎𝚘𝚛𝚍𝚎𝚛 𝚙𝚊𝚐𝚎𝚜 𝚙𝚛𝚒𝚘𝚛 𝚝𝚘 █████ 𝙺𝚎𝚒𝚐𝚑𝚕𝚎𝚢'𝚜 𝚍𝚒𝚜𝚌𝚘𝚟𝚎𝚛𝚢.

████ ██████ █████ █████ ██████████ ███████ █████████████ ██ ██ ████ █████ ██ █████ ██████████ ████████ ██████ ████████████ 𝙸 𝚜𝚠𝚎𝚊𝚛 𝚝𝚘 ███ 𝚒𝚏 𝚢𝚘𝚞 ███ 𝚒𝚗𝚐 𝚌𝚛𝚊𝚜𝚑 𝚝𝚘 𝚍𝚎𝚜𝚔𝚝𝚘𝚙 𝚘𝚗𝚎 𝚖𝚘𝚛𝚎 𝚝𝚒𝚖𝚎 𝚢𝚘𝚞 ███ ████ █████████ ████ ████ 𝙸 𝚠𝚒𝚕𝚕 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕𝚕𝚢 ███ 𝚢𝚘𝚞 ███ 𝚢𝚘𝚞 𝚙𝚒𝚎𝚌𝚎 𝚘𝚏 ███ █ ██ ██ █ ███ ███ █████████ ████ █████ ████ ███████ ████ ████ █████ .

𝙿𝚊𝚛𝚊𝚞𝚝𝚒𝚕𝚒𝚝𝚊𝚛𝚒𝚊𝚗𝚜 𝚑𝚊𝚟𝚎 𝚛𝚎𝚙𝚘𝚛𝚝𝚎𝚍 𝚒𝚗𝚌𝚒𝚍𝚎𝚗𝚝𝚜 𝚠𝚒𝚝𝚑 𝚝𝚎𝚡𝚝𝚞𝚛𝚎 𝚜𝚝𝚛𝚎𝚊𝚖𝚒𝚗𝚐, 𝚊𝚞𝚍𝚒𝚘 𝚛𝚎𝚜𝚢𝚗𝚌𝚑𝚛𝚘𝚗𝚒𝚣𝚊𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 "█████" 𝚋𝚎𝚢𝚘𝚗𝚍 𝚝𝚑𝚎 𝚜𝚔𝚢𝚋𝚘𝚡, 𝚖𝚒𝚜𝚝𝚊𝚔𝚎𝚗𝚕𝚢 𝚌𝚘𝚗𝚟𝚒𝚗𝚌𝚒𝚗𝚐 𝚝𝚑𝚎𝚖𝚜𝚎𝚕𝚟𝚎𝚜 𝚝𝚑𝚊𝚝 𝚒𝚝'𝚜 𝚊 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚕𝚞𝚍𝚘█████𝚗𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚎 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎.

𝙰𝚐𝚎𝚗𝚝 █████ 𝚍𝚒𝚜𝚌𝚘𝚟𝚎𝚛𝚎𝚍 𝚝𝚑𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚒𝚗 𝚊 ██████ , 𝚠𝚑𝚒𝚌𝚑 𝚒𝚗𝚍𝚒𝚌𝚊𝚝𝚎𝚜 𝚒𝚝 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚜𝚘𝚞𝚛𝚌𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚖𝚊𝚗𝚢 █████ 𝚊𝚗𝚍 𝚛𝚎𝚏𝚞𝚗𝚍𝚜. 𝚃𝚑𝚎 𝚠𝚑𝚎𝚛𝚎𝚊𝚋𝚘𝚞𝚝𝚜 𝚘𝚏 𝚝𝚑𝚎 ████ -𝚋𝚛𝚎𝚊𝚔𝚒𝚗𝚐 𝚋𝚞𝚐𝚜 𝚊𝚛𝚎 𝚜𝚝𝚒𝚕𝚕 𝚞𝚗𝚔𝚗𝚘𝚠𝚗, 𝚝𝚑𝚘𝚞𝚐𝚑 𝚝𝚑𝚎𝚢 𝚊𝚛𝚎 𝚙𝚛𝚎𝚜𝚞𝚖𝚎𝚍 𝚝𝚘 𝚋𝚎 ██████.
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Hello, and welcome to the Letshugbro Backloggd Review Page. This week we will review the highly anticipated new video game by Remedy Entertainment called Alan Wake II. Alan Wake II is available on the Epic Games Store as an epic 90GB download file on your personal computer, or can be purchased for your Xbox Series X, Xbox Series S or PlayStation 5 games console in digital download or Blu-ray disc format. Remedy's brilliance is on full display here with a very cool box art that is both pleasant and tasteful to the eye; they have set a high standard with their previous video games, but I can say without hesitation that Alan Wake II has created the best and most compelling content for Ending Explained YouTube videos that I have ever seen. The Wikipedia synopsis is truly riveting, and will keep you on the edge of your seat from start to finish.

Thrilling, moody, and captivating - Alan Wake II is a contender for the Game Awards. It has a story that can't help but pull you in, a spell-binding tour de force that shines a light on Sam Lake's brilliantly dark mind. The game begins as a murder mystery, but pulls the rug out from under the player and turns into an all-out supernatural horror! The worlds and characters echo each other in unique and surprising ways, and the Overlap sections in particular are rich examples of the game's themes - the salt shaker story had me rolling on the floor! The stage fight scene from Alan Wake is one-upped by the mind-frying Dark Ocean Summoning scene, and the tragedy of Saga losing her family is a blatant commentary on a woman's struggle to achieve balance in their personal and professional lives - she and Casey will go down as gaming's best law enforcement duo! The Old Gods of Asgard are back too, so Lake clearly knows what his fans want to see! He deftly tricks the reader into believing the Cult of the Tree is the story-within-a-story-within-a-story-within-a-story's antagonist, and setting the trilogy's exciting conclusion at Deerfest makes Alan Wake II a genre-bending mixture of fact and fiction. The gut-wrenching ending is modern horror at its finest - this motherfucker is a home run! Alan Wake has done it again! I'll give it a score of █████ out of 5.

This game is just beautiful. I didn’t know Mili did the ost for this game the first time, and upon replay it hits so much harder. The unending somber, regretful mood reinforces the experience so much. It’s also a lot less linear than I remembered, at least after i got the ability to swim. Combat never felt dull, but i can understand why it wouldn’t appeal to some. A lot less souls-y than most other similar games, which i think is a good thing. Viking attack is still way more fun than the umbral knight, and i definitely feel bad for not utilizing any of the other spirits beyond the hammer, projectile, and both counters.
I would recommend this game to most people who like metroidvanias, though I’ve been informed that the first YouTube result for it is some review channel dogging on it lmao.

One of the most cozy games of all time. Lovely characters, simple but enjoyable story, and one of my favorite VN soundtracks I've listened to. A perfect game for a rainy day.

Maeda's routes are a mixed bag with his usual faults, but the world view of the Eternal World is solid and results in some wonderful monologues from Kouhei, the protagonist.

Hisaya's are the best part, especially Misaki and Akane's, the latter of which I think should be saved for last.

The PS1 exclusive heroine now has her route translated, too -- it's not very good but it's cool to finally read ONE's dark history.