It’s very important as a human being to engage with things that are not about you and you cannot relate with. I know this, and try to do this. However, I have always struggled with stories about religious trauma, as someone who hasn’t had religion in either a positive or negative sense play much of a role in their life. I can understand what it’s saying, but there’s a barrier that prevents me from being hit as hard as some people.

We Know the Devil is one of those games. It hits for the right person, but that person is unfortunately not me and I don’t think the rest of the game is good enough to compensate. Not bad by any stretch, but not the best. The writing ranges from poignant to stilted and ham-fisted. I played through all the endings, and the writing was by far the strongest in Venus’. The ostracization of a closeted trans woman who struggles to connect with male peers and can’t relate to the “real girls” as well as they can with each other is painfully believable. The other routes aren’t as strong.

The visual design is good, and contributes to the atmosphere. The audio is also mostly good, but sometimes poorly mixed, with certain tracks being much louder than others. The tracks themselves are good though.

I think this is just a game that isn’t for me, but I can see the merit in it. I do quite like the three girls and wish they all had a bit more depth and organic writing.

It’s very important as a human being to engage with things that are not about you and you cannot relate with. I know this, and try to do this. However, I have always struggled with stories about religious trauma, as someone who hasn’t had religion in either a positive or negative sense play much of a role in their life. I can understand what it’s saying, but there’s a barrier that prevents me from being hit as hard as some people.

We Know the Devil is one of those games. It hits for the right person, but that person is unfortunately not me and I don’t think the rest of the game is good enough to compensate. Not bad by any stretch, but not the best. The writing ranges from poignant to stilted and ham-fisted. I played through all the endings, and the writing was by far the strongest in Venus’. The ostracization of a closeted trans woman who struggles to connect with male peers and can’t relate to the “real girls” as well as they can with each other is painfully believable. The other routes aren’t as strong.

The visual design is good, and contributes to the atmosphere. The audio is also mostly good, but sometimes poorly mixed, with certain tracks being much louder than others. The tracks themselves are good though.

I think this is just a game that isn’t for me, but I can see the merit in it. I do quite like the three girls and wish they all had a bit more depth and organic writing.