Decent two-lined rhythm game with a collection of Japanese songs that absolutely SLAP! The songs are frantic, fast and can be genuinely difficult in the “Master” difficulty setting. And if you get the “Full game” DLC, there are hundreds of songs to choose from. Fantastic value for money. Different characters with unique bonuses to unlock, as well as illustrations and side-creatures. Just a shame these are all of girls in as little clothes as possible. Far too over-sexualised to appeal to a certain demographic…

I’m astounded. This game has absolutely floored me. It’s taken hold of my life, my soul and my everything for the past three weeks.

Literally just completed it with the “Age of the Stars” ending. Level 188…92 hours…and I adored every single second of this masterpiece. Elden Ring is my first FromSoftware Soulslike experience, I usually shy away from challenging games due to unnecessary stress and frustration. Yet, Elden Ring taunted me. It lured me in with its undeniable difficulty. With every death, I learnt from my mistakes. I become stronger and stronger and stronger, raking in the runes and slaying bosses with my overpowered sorcery.

Everything, and I mean everything, was perfect in this game. The no-handholding exploration of a richly detailed sprawling world. Optional catacombs and caves that then unveil an entire new area with multiple points of interest and rewards. The fair yet intimidating combat. The myriad of different character builds, weapons and incantations. The epic orchestral score. The varied bosses with moves that would absolutely pulverise you in one slash of their sword (Malenia can politely go away…). The lore, the atmosphere, the addictive grind for runes. EVERYTHING!

Here I was 4 months ago exclaiming “I can’t believe GoW: Ragnarok” didn’t win GOTY. And you know what? Elden Ring deserves all the accolades, acclaim and praise it gets. I’ve said it before and I’ll say it again, genuinely a masterpiece.

Hire staff, fight enemies, gather loot, craft weapons/armour, equip, sell…repeat.

That’s it! It’s a fine loop best played in short bursts.

A fine metroidvania with a sizeable and distinct world to explore. Some interesting navigational mechanics, such as spawning a bubble that allows you to reach higher places. The dungeon filled with one-hit death spikes however, not fun. The platforming isn’t precise enough to offer that degree of, well, precision.

A ‘Donkey Kong Country’ clone, where the animals are switched up for masks and the letters KONG are substituted for KAZE, that tediously repeats many of the level gimmicks. Way too many stages where you’re running away from something. However, it’s a challenging platformer that boasts plenty of charm. Sprite work is sublime and the platforming itself is pretty tight. It’s short, sharp and pretty difficult on Original mode (or maybe I’m just losing my platforming skills…).

Innovative blinking gameplay, fantastic storytelling and an ending that just ripped my heart out. Great voice acting too! Not enough “choices” to make the replay value worth it, but a uniquely melancholic experience regardless.

Open-world skiing/snowboarding in beautifully designed mountainous dioramas? Yes please! Very picturesque arcade-style gameplay. The problem is, and it’s weird saying this, too much unvaried content? By the time you get to the fifth mountain doing the same styled trials with limited differences in the actual obstacles on the mountains, it gets somewhat tedious.

I’VE NOT PLAYED PERSONA 5, I JUST LIKE RHYTHM GAMES lol

It’s basically ‘Samba De Amigo’ but instead of Latin music it’s to the slapping soundtrack of Persona 5. The overall package remains consistent with the mainline game (I’ve seen my partner play it), and watching the characters just come out and full-on dance is undeniably infectious to watch. The track list however is just too small and the remixes aren’t much to go on. Each one with a possible four difficulty settings and a plethora of modifiers to make the game easier or harder. The scratching mechanic on top of the circles spewing from the centre makes the higher difficulties absurdly challenging. Too much is happening on the screen and the brain cannot process it without constant practice. The socials where the Persona 5 characters mingle, which primarily act as the objectives for unlockables, are cute albeit inconsequential.

It’s a pleasant game, but in terms of rhythm spin-offs, ‘Kingdom Hearts Melody of Memories’ absolutely reigns supreme.

‘Dragon Quest Monsters Joker’ set in the ‘Dragon Quest XI’ universe (main characters specifically…) with a hint of ‘Dragon Quest Rocket Slime’ and some ‘Ni No Kuni II’ gameplay loops. It’s a smorgasbord of JRPG wholesomeness that really relies on your thirst for treasure hunting. There are quests, and there’s a vague story. But ultimately you’re scouring these five huge dragon continents waiting for your party monsters to tell you that treasure is nearby. It’s so simple, yet so addicting. Exploration is pretty much perfect here, just a shame the combat isn’t and becomes super frustrating when the game throws boss fights at you in the latter half. So many ideas, some undercooked, some overbaked and some are just delicious. This is one for the Dragon Quest fans!

A refreshing throwback to 3D platformers of old that may not be an entire knockout, but a worthy punch. Fun levels, vibrant worlds, loads of collectibles and voice acting that can be summed up in one word: cringey. The fact this franchise is still going is bafflingly awesome. Yet, there’s a lack of polish (several visual/audio glitches) amidst the undercooked combat that becomes super frustrating for achievement hunters when the trophies themselves are often glitched…

Cute, creative level design, well-hidden collectibles and deceptively easy gameplay that becomes rather challenging towards the last fifth of the main game (especially collecting everything). An absurd amount of paper crafting polish from Nintendo here. The bosses were far too simple though and the music has practically no variety and plays the same level song for a good 20 levels…

A short spelunking metroidvania. The same charm, objective and addicting resource mining as its predecessor but with improved mechanics and plenty of upgrades. If the first game was a gem, then this sequel polishes that gem.

Moving logs around to jump from one island to the other has never been so relaxing…and yet so perplexing! Some great brain-teasing logic puzzles that get more and more challenging as you explore the “open” archipelago, seamlessly integrating new strategies that will make you approach the puzzles differently. Many of the puzzle variants are repeated and some of the islands feel like filler, but the puzzling experiencing is incredibly polished. You’ll start your adventure simply knocking down one tree…and finish it rolling logs on top of rocks, making rafts and precariously figuring out each placement.

A technical mess, uninspired and an unnecessary reboot (low-key miss the old characters and the ridiculousness of the fourth entry), but is it bad? I don't think so. It's actually good fun! The humour just about lands, especially in a series of LARP-ing quests which were brilliant. A huge amount of content over a decently-sized map ranging from deserted canyons to sprawling malls. Plenty of collectibles, plenty of action, plenty of destruction. It's a Saints Row game, probably not the one people wanted but there you go!

Enjoyable mini game where the constant restarting gimmick of ‘Minit’ doesn’t necessarily translate as well into an arcade side-scrolling driving game. BUT, all money goes to worthy charitable causes, so that on its own is worth the small price.