all while playing Higurashi up until this chapter, I saw people calling Ooishi a goat…I never understood why, like he was always such an asshole to Keiichi and stuff…but now I understand. Ooishi is a goat.

my heart sank and shattered into a million pieces when i got the bad end

This review contains spoilers

Time for a slightly more serious review of this chapter. This is the only chapter in Higurashi thus far where I’ve felt the need to write an actual review as this one specifically feels far more “complete” to me compared to the previous two. It has its own themes and messaging, things I failed to grasp in the previous chapters.

I believe this chapter is simply about the sheer powerlessness of humans. Not just individual people but entire communities and governments are completely powerless against certain problems, and the chapter goes about painting this idea by showing various crisis’ and what characters are able to do about them.

We first see this with Satoko’s abusive uncle, which is the crux of this chapter. We know that through the characters dialogue and reasoning that there is nothing they can do to help Satoko. They don’t have the authority or power to get her away from her uncle, and nothing anyone can think to do can provide a lasting solution. Keiichi resolves himself to kill Satoko’s uncle, but that does not save her. Regardless of whether Keiichi actually killed her uncle or not, which is something the chapter leaves ambiguous, Satoko’s abuse plainly continues. Despite supposedly getting rid of what caused the problem, it still manages to inflict pain on Satoko. So to put it simply, individuals have the “will” to solve the problem, but not the power. Then what about the government and other public institutions? They should have all the power in the world to solve a case like this. The problem is public institutions and the government might have the power but they don’t have the “will” until a problem is proven to exist without a reasonable doubt. With Satoko lying to public authorities and trying to hide the evidence of abuse, it is impossible for the government to gain the “will”. So despite having the power to help, without the “will” it is worthless. They are just as powerless as the individual under these conditions and completely unreliable.

We see another, much more extreme example with Hinamizawa’s destruction. This is very similar to Satoko’s abuse in that, even though there are signs of what is happening, both individual and government are too slow to act upon given warning signs and as a result a catastrophe occurs. It is noted that government action was particularly slow with them not detecting signs of a disaster on this scale until it was far too late. Should the government have been more vigilant and quicker, they would’ve been able to save a good portion of the village, if not more. But because of their lax nature they were unable to detect the problem or gain the “will”, and thus become powerless to prevent the destruction. It should also be noted that regardless of how fast they find out about the issue, the damage will still be done. A small amount of people will likely die and Hinamizawa will become inhospitable. No matter how fast the government response is, they can’t prevent all the damage.

This is again similar to the case with Satoko. With her being missing from school for three days and Rika refusing to tell what happened to her, there are already big warning signs. However because of assumption that everything is fine they discover the abuse too late. But let’s say they do discover the abuse day one and are immediately able to find everything out. How does this change things? Not by too much. Maybe they could’ve convinced Satoko to report her uncle, but the damage would still be done.

In both this case and the volcanic gas case, the “helpers” were too slow to realize problems were occurring and even if they realized it sooner irreparable damage would still be done. They are ultimately helpless and completely powerless, just like the people they’re attempting to help.

Don’t expect another review of this length or depth for any of the other chapters in Higurashi as ironically despite this chapter being the most difficult to figure out in terms of the mystery, it has been by far the easiest to understand thematically of the three chapters I’ve played.

The most unique and memorable dungeon crawler I’ve played in a good while. The game is one huge parody of 90s PC RPGs complete with random unexplained game mechanics, constant mentions of various written material you have to actively read outside of the game, dialogue with like every NPC and a surprising amount of lore and world building. The map design is chaotic and random and it’s incredibly easy to get lost, but with the amount of content in the game getting lost basically means finding another entirely different part of the game to explore. It’s advertised as having 600 hours of content on the creator’s website, and though that’s a obvious overstatement I wouldn’t be surprised if there were some random thing tucked away in one specific corner of one of the maps that actually has 600 hours of content. The game just feels that arbitrarily huge, and I still have ways to go to find everything despite getting one of the endings. The visuals are amazing as well. thecatamites’ games always look visually interesting and this one I especially love. The blend between 2D art and animations with 3D environments is something I experienced a lot in his newer games and it’s still just so good. Gameplay wise I can imagine a lot of people not liking this, but if you want gameplay thecatamites games are the last place to look anyway. Overall it’s fire, I need to go on a thecatamites marathon sometime.

This review contains spoilers

1500 SECONDS!!!

This review contains spoilers

crack theory: hinamizawa residents are being cloned and that’s how Mion could stab Keiichi despite dying in the well. i expect to see a brawl between Keiichi and 100 Rikas next chapter.

made me hate ds touchscreen to a extent i never thought possible

keiichi is insane. this guy is NEVER escaping hinamizawa

haven’t even played the game at all (at time of writing) but that description alone fucks and has more soul than any game in the last decade of AAA gaming

why is the description a negative review

One of the true misunderstood and underrated games of the NES library…the journey of Mega Man as he starts out as a simple boy, nothing more than a cleaning robot, to a warrior combating his corrupted brothers brings one to tears. I promise those tears are not from frustration of the incredibly bullshit platforming, enemies that either do a third of your health and/or cause you to fall into pits that instakill, or the almost cancerous bosses.

Mediocre to downright awful in almost every way. The music and aesthetic is good, working together nicely to create a honestly awesome mid-2000s feel. Other than that, there really isn’t anything good here. The story is neither thematically nor narratively good, with incredible pacing issues. It feels like the actual story of the game is only 10 or so hours long, but is stretched far more than it needs to be so players can experience the repetitive and bare bones daily life over the course of a in-game year. The decision to have most major story events on full moons is thematically nice, but the weeks in between full moons are hollow and empty with little to do. The social links were alright, but even the best ones didn’t leave much of an impression on me. And finally, Tartarus is incredibly boring to play through completely, with the floors being essentially same the whole way throughout, and the combat is painfully dull and lacking in mechanics. Have not played The Answer but probably never will since I hear it’s somehow even worse than this game.

the sheer amount of dopamine that is released in the brain of anyone who plays this should be studied by scientists

could not understand how to play the game at all, but the imagery is great and incorporates Sato’s art well