dsarath
Bio
Nothing here!
Badges
Listed
Created 10+ public lists
On Schedule
Journaled games once a day for a week straight
Organized
Created a list folder with 5+ lists
GOTY '22
Participated in the 2022 Game of the Year Event
Liked
Gained 10+ total review likes
N00b
Played 100+ games
3 Years of Service
Being part of the Backloggd community for 3 years
Favorite Games
209
Total Games Played
018
Played in 2024
000
Games Backloggd
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A very good game that falls frustratingly short of greatness. Its immersive world, phenomenal performances and brilliant writing is sometimes let down by a lack of meaningful decision-making and repetitive combat, as well as a whole host of bugs. I’ve reached the end of Act 2 partly in awe of what it accomplishes and partly disappointed by what it does not.
The swinging is so addictive and the story is so cinematic that it's such a shame this is somewhat let down by a lack of mission variety. Could they not come up with something other than connecting webs to generators?
I remember getting the demo disc with the Official PlayStation Magazine back in 1997—I've never felt older than I have writing this sentence—and playing the opening stage so much that I remembered every lyric in 2023. Strangely, I never actually purchased the full game until today though. Its eccentric Japanese humour is irresistible; this is a game that literally includes a rap battle against an onion, a frog, a chicken and a cop so that you can take a poop. Applying the rhythm game format to rap flow is still such a fun idea too.