FideosConPure_99
18 reviews liked by FideosConPure_99
Still somehow not the worst Silent Hill game (I genuinely had a more frustrating time with Homecoming) but I struggle to come up with redeeming qualities for this game beyond it being baseline functional. The gameplay is beyond basic, with the usual dungeon-crawler furnishings but without anything that makes it unique or exciting. You walk into a series of interconnected rooms, kill the enemies, and acquire keys and puzzle items to proceed to more rooms. It doesn't need to be nearly as long as it is and the new level gimmicks later dungeons provide don't do much to make things more interesting. The biggest problem has to be the unique tiles, which provide specific effects when you or enemies stand on them, such as healing you, slowing down time, or draining your health to name a few, but these tiles are invisible unless you're standing directly on top of them, meaning its incredibly easy to forget where they are and just get fucked over randomly with no real strategy to avoiding them or using them to your advantage. The respawn system is more complicated, as post-launch updates actually overhauled it significantly, and I forgot to update my game until halfway through, so I got to experience both. Originally, if you died in a level, you'd have to either restart all of your progress or restart from your last save point, which doesn't sound unreasonable but considering how labyrinthine the levels are and how much needs to be collected it makes the game feel extremely frustrating and repetitive. The update changed it to where you respawn immediately at the beginning or a save point without any progress lost, and you simply have to backtrack to your death point to collect your lost items which while still not ideal is significantly less frustrating. It almost felt like cheating, since it was clear the levels were not designed around this and the update was a hasty response to player feedback. The game also has a blood/light system, which determines which ending or abilities you acquire based on which enemies you kill. This isn't frustrating by any means but it's very underdeveloped and having to monitor which kind of enemy I'm about to bury an axe into kinda sucks what little fun there is out of the combat. A lot of enemies also just suck to engage with, such as the Insane Cancers which take up an absurd amount of damage and explode upon death, or the Bogeymen who are often surrounded by black fog which miraculously makes every attack miss and stalks you throughout the entire level. There are also puzzles, which are randomly generated and technically different every time you play. This RNG element doesn't matter though, as the puzzles are almost entirely the same every time. They all amount to "this item is sorted this way, in this direction" and the variation is astoundingly limited considering its random nature. At some point you don't even need to read the puzzle memos, you can just guess them via very quick trial and error. It makes you wonder why they even bothered to have them at all. It's not an outright painful gaming experience by any means and is largely functional in moment-to-moment gameplay, but it's boring, repetitive, and oftentimes frustrating.
The story isn't anything to write home about either, written by at the time series producer Tomm Hulett, who also has a story writing credit on Silent Hill Downpour. The story changes based on the player's actions, and whether you've absorbed more blood or light, negative consequences can occur for those whose memories you are attempting to change. Unfortunately, this element also feels underbaked. You never actually meet any of the characters whose memories you change, and although the game attempts to fill in the blanks via memos and TVs which broadcast past conversations, it's hard to feel connected to any of it because you never get to feel their reactions to the changed events, you are simply told them. Beyond that, these characters are very one-dimensional and essentially just serve as light context for why the player is exploring these levels. The game also pretty much tells you its themes at the end of the game, which isn't necessarily a bad thing, but it doesn't do it in any way that feels earned and rather a shoehorned way to catch the player up on whatever they may have missed. The game also seemingly tries to be a canonical Silent Hill story, which again isn't necessarily a bad thing, but considering how much it also tries to be a game filled with fanservice for all of the previous entries these two elements do not mix. It's difficult not to feel rubbed the wrong way when the game is trying to tell a serious and emotional story set within Silent Hill's world setting while also having Pyramid Head and other monsters manifested specifically for other characters appear willy-nilly like they're Umbrella BOWs.
Unfortunately, Book of Memories' presentation isn't up to par, and can't elevate an experience that is otherwise a bit hollow. The art direction seems to miss the appeal of Silent Hill entirely, and if it weren't for the copious amounts of blood, feels almost like a bowdlerized interpretation of the series made for younger players. The Otherworlds you run through aren't remotely creative, and not only do they feel demonstrably "not Silent Hill", but also wouldn't feel interesting on their own in an original title. The game may contain rivers of lava, stinging hot metal walls, lush forests, and musty temples, but I feel like I could grab any other dungeon crawler and find similar if not outright identical environments. The only one that stood out to me was the Water Otherworld, as its metal catwalks, pouring rain, and lived-in feel reminded me a lot of Downpour. While I may not consider that the "right Silent Hill" to take inspiration from, it certainly feels more at home than the game's otherwise substandard environments. Although the game lifts enemies from prior entries, a missed opportunity to design original creatures fitting the game's themes in my opinion, the game does present a few newly-created monsters. The biggest examples are the Guardians, the bosses at the end of each zone who symbolically represent the individuals whose memories the player is trying to rewrite, and their designs honestly confuse me. While not strictly bad designs, they feel like they come from a PS3-era God of War clone, and fail to stand out on their own or appropriately blend with the rest of the series. There are a few new mooks too, such as the Mothers and the Blood Babies, neither of which I care for. The former feels like yet another oversexualized Silent Hill monster without any real thematic reason to be so, and the latter feels like a Grey Child knockoff, which is even odder considering the children are added to the game in the DLC. Once again, they fail to stand out in any sense.
The game's tech isn't much of a looker either, and upon sharing screenshots with my friends, they remarked that it resembled an early 2010s iOS game in a negative sense. Textures are all absurdly low-resolution, which wouldn't normally be a huge problem considering the game's camera is set at a far distance, but ground textures often look stretched and resized poorly which removes any benefit this could have. Character models look outright uncanny, with most facial features conveyed through textures, making it resemble an early Dreamcast game. Environments all look samey with little variation, and what little detail exists usually doesn't add quite enough. The game tries to mask this by using at-the-time current gen graphical features such as specular mapping and normal maps, but it's simply putting a bow on an otherwise unsatisfying presentation. Performance is also quite bad, with the game seemingly targeting 30 FPS but rarely hitting it, and often chugs along like it's nobody's business. The patch seemed to iron out some of the performance issues, but later areas still struggled to maintain a consistent framerate in any sense of the word. I understand that Book of Memories probably didn't have a AAA budget, but considering there are much better-looking games on the Vita I find the poor performance to be inexcusable, and the game itself to look rather poorly put together.
The soundtrack was composed by Daniel Licht, who worked on Downpour the same year and is also known for working on the Dexter and Dishonored franchises respectively. While I wasn't necessarily a fan of Licht's work on Downpour, I'll admit that it was competent enough to suit most of what that game needed. Here, however, I struggle to describe the game's score. I'll simply call it "video game music" because it is that unmemorable. None of the tracks give the levels a defined atmosphere, instead, I naturally tune it out while playing, as they fail to immerse me in the game's world nor are they catchy enough to be memorable in their own right. The only one that stood out to me was Water World, as just like the level itself, it had an atmosphere that I thought was surprisingly competent in matching the atmosphere the area provided, which the other tracks do not do for me. I'll also say the game's credits theme, a rendition of Akira Yamaoka's Love Psalm, is genuinely fantastic, is one of my favorite Silent Hill vocal tracks, and is a perfect closer for the game.
Silent Hill: Book of Memories gets a lot of flack within the Silent Hill fanbase, but due to the Vita's low sales and the game's general lack of availability, I honestly doubt most of those people have played the game for themselves and are criticizing it on concept alone. I don't like doing that as I do want to give every game a fair shot, and unfortunately, I'm sad to report that I think Book of Memories, even when approached on its own terms, is a below-average and sometimes even bad dungeon crawler which fails to bring a fresh breath of air to the series or expand on the universe meaningfully. I don't think it's as awful as some claim, it's entirely functional for the most part, but it simply isn't fun. The mechanics feel half-baked and poorly thought out, the story is simplistic and difficult to get invested in, the game doesn't have much of its own identity, and the presentation is bland and uninspired. I don't have many positives to give the game, but I'll simply say that it wasn't painful enough to give anything less than a 4/10, there is a baseline competence here that I can't put aside. I can't recommend this game to anyone though, because I don't even think the game itself knows what audience it is targeting.
The story isn't anything to write home about either, written by at the time series producer Tomm Hulett, who also has a story writing credit on Silent Hill Downpour. The story changes based on the player's actions, and whether you've absorbed more blood or light, negative consequences can occur for those whose memories you are attempting to change. Unfortunately, this element also feels underbaked. You never actually meet any of the characters whose memories you change, and although the game attempts to fill in the blanks via memos and TVs which broadcast past conversations, it's hard to feel connected to any of it because you never get to feel their reactions to the changed events, you are simply told them. Beyond that, these characters are very one-dimensional and essentially just serve as light context for why the player is exploring these levels. The game also pretty much tells you its themes at the end of the game, which isn't necessarily a bad thing, but it doesn't do it in any way that feels earned and rather a shoehorned way to catch the player up on whatever they may have missed. The game also seemingly tries to be a canonical Silent Hill story, which again isn't necessarily a bad thing, but considering how much it also tries to be a game filled with fanservice for all of the previous entries these two elements do not mix. It's difficult not to feel rubbed the wrong way when the game is trying to tell a serious and emotional story set within Silent Hill's world setting while also having Pyramid Head and other monsters manifested specifically for other characters appear willy-nilly like they're Umbrella BOWs.
Unfortunately, Book of Memories' presentation isn't up to par, and can't elevate an experience that is otherwise a bit hollow. The art direction seems to miss the appeal of Silent Hill entirely, and if it weren't for the copious amounts of blood, feels almost like a bowdlerized interpretation of the series made for younger players. The Otherworlds you run through aren't remotely creative, and not only do they feel demonstrably "not Silent Hill", but also wouldn't feel interesting on their own in an original title. The game may contain rivers of lava, stinging hot metal walls, lush forests, and musty temples, but I feel like I could grab any other dungeon crawler and find similar if not outright identical environments. The only one that stood out to me was the Water Otherworld, as its metal catwalks, pouring rain, and lived-in feel reminded me a lot of Downpour. While I may not consider that the "right Silent Hill" to take inspiration from, it certainly feels more at home than the game's otherwise substandard environments. Although the game lifts enemies from prior entries, a missed opportunity to design original creatures fitting the game's themes in my opinion, the game does present a few newly-created monsters. The biggest examples are the Guardians, the bosses at the end of each zone who symbolically represent the individuals whose memories the player is trying to rewrite, and their designs honestly confuse me. While not strictly bad designs, they feel like they come from a PS3-era God of War clone, and fail to stand out on their own or appropriately blend with the rest of the series. There are a few new mooks too, such as the Mothers and the Blood Babies, neither of which I care for. The former feels like yet another oversexualized Silent Hill monster without any real thematic reason to be so, and the latter feels like a Grey Child knockoff, which is even odder considering the children are added to the game in the DLC. Once again, they fail to stand out in any sense.
The game's tech isn't much of a looker either, and upon sharing screenshots with my friends, they remarked that it resembled an early 2010s iOS game in a negative sense. Textures are all absurdly low-resolution, which wouldn't normally be a huge problem considering the game's camera is set at a far distance, but ground textures often look stretched and resized poorly which removes any benefit this could have. Character models look outright uncanny, with most facial features conveyed through textures, making it resemble an early Dreamcast game. Environments all look samey with little variation, and what little detail exists usually doesn't add quite enough. The game tries to mask this by using at-the-time current gen graphical features such as specular mapping and normal maps, but it's simply putting a bow on an otherwise unsatisfying presentation. Performance is also quite bad, with the game seemingly targeting 30 FPS but rarely hitting it, and often chugs along like it's nobody's business. The patch seemed to iron out some of the performance issues, but later areas still struggled to maintain a consistent framerate in any sense of the word. I understand that Book of Memories probably didn't have a AAA budget, but considering there are much better-looking games on the Vita I find the poor performance to be inexcusable, and the game itself to look rather poorly put together.
The soundtrack was composed by Daniel Licht, who worked on Downpour the same year and is also known for working on the Dexter and Dishonored franchises respectively. While I wasn't necessarily a fan of Licht's work on Downpour, I'll admit that it was competent enough to suit most of what that game needed. Here, however, I struggle to describe the game's score. I'll simply call it "video game music" because it is that unmemorable. None of the tracks give the levels a defined atmosphere, instead, I naturally tune it out while playing, as they fail to immerse me in the game's world nor are they catchy enough to be memorable in their own right. The only one that stood out to me was Water World, as just like the level itself, it had an atmosphere that I thought was surprisingly competent in matching the atmosphere the area provided, which the other tracks do not do for me. I'll also say the game's credits theme, a rendition of Akira Yamaoka's Love Psalm, is genuinely fantastic, is one of my favorite Silent Hill vocal tracks, and is a perfect closer for the game.
Silent Hill: Book of Memories gets a lot of flack within the Silent Hill fanbase, but due to the Vita's low sales and the game's general lack of availability, I honestly doubt most of those people have played the game for themselves and are criticizing it on concept alone. I don't like doing that as I do want to give every game a fair shot, and unfortunately, I'm sad to report that I think Book of Memories, even when approached on its own terms, is a below-average and sometimes even bad dungeon crawler which fails to bring a fresh breath of air to the series or expand on the universe meaningfully. I don't think it's as awful as some claim, it's entirely functional for the most part, but it simply isn't fun. The mechanics feel half-baked and poorly thought out, the story is simplistic and difficult to get invested in, the game doesn't have much of its own identity, and the presentation is bland and uninspired. I don't have many positives to give the game, but I'll simply say that it wasn't painful enough to give anything less than a 4/10, there is a baseline competence here that I can't put aside. I can't recommend this game to anyone though, because I don't even think the game itself knows what audience it is targeting.
Lies of P
2023
Combat in the game is supposed to be fast, but you're the slowest character in the game. Some of your attacks have longer recoveries than most bosses even. The bosses' attacks are unintuitive. Most have some sort of delay, discouraging reactive play and turning it into a memorization game, like the worst fights in Elden Ring.
Combat in the game is supposed to be aggressive, but most of your attacks can be interrupted, while doing it to bosses is really hard. You're supposed to be up and close to the bosses, but blocking pushes you back, and all bosses have moves that put a lot of distance between you. The game tries to marry Bloodborne's, Dark Souls' and Sekiro's combat, but that ménage à trois is too big for one bed.
Light weapons suck. Since attack windows are small, and animations are slow, the amount of hits you can get in each window don't vary much. They do less damage, less stagger, have less range and close to no benefit.
Level design is so mediocre it becomes bad. The moments where it's almost really good quickly go back to mediocrity, leaving you actively dissapointed. Some shortcuts are baffling, because they're almost purposeless. Exploration is underwhelming, even going through the areas is kinda boring. The flow of enemy placement can make some parts feel barren, and not in a mood-setting way. And on the other side of the coin, some areas have more ambushes than normally placed enemies. At points it feels like the worst areas of Dark Souls 2.
Then there is the big one. There's being influenced, and then there's wearing your influences on both sleeves, and then growing a third arm to also wear them there. Some enemies, animations and even location themes are lifted straight up from Dark Souls, Bloodborne and Sekiro. As much as this is something that should be talked about, it's not the biggest problem for me, even though I agree with those sentiments. Lies of P feels like a Dark Souls 2, 3, Bloodborne and Sekiro stew, with a sprinkling of new ideas thrown in there. These new ideas keep it from being a full-on ripoff, but aren't enough to distract you from the many moments you'll have where you'll think: "this is like that thing from (insert game)".
Game feel is pretty great, and it looks and runs amazing too. As a first attempt it could be worse. It's not great, but they understand some core things which most soulslikes don't. This sub genre is hard to get right, I'd argue not even From themselves got it in their first try. But personally, i don't know that Round 8 is going to become a soulslike powerhouse.
It seems that instealing taking from the soulsborne games, they forgot the leave to bad things behind, and brought some new bad things with them.
Combat in the game is supposed to be aggressive, but most of your attacks can be interrupted, while doing it to bosses is really hard. You're supposed to be up and close to the bosses, but blocking pushes you back, and all bosses have moves that put a lot of distance between you. The game tries to marry Bloodborne's, Dark Souls' and Sekiro's combat, but that ménage à trois is too big for one bed.
Light weapons suck. Since attack windows are small, and animations are slow, the amount of hits you can get in each window don't vary much. They do less damage, less stagger, have less range and close to no benefit.
Level design is so mediocre it becomes bad. The moments where it's almost really good quickly go back to mediocrity, leaving you actively dissapointed. Some shortcuts are baffling, because they're almost purposeless. Exploration is underwhelming, even going through the areas is kinda boring. The flow of enemy placement can make some parts feel barren, and not in a mood-setting way. And on the other side of the coin, some areas have more ambushes than normally placed enemies. At points it feels like the worst areas of Dark Souls 2.
Then there is the big one. There's being influenced, and then there's wearing your influences on both sleeves, and then growing a third arm to also wear them there. Some enemies, animations and even location themes are lifted straight up from Dark Souls, Bloodborne and Sekiro. As much as this is something that should be talked about, it's not the biggest problem for me, even though I agree with those sentiments. Lies of P feels like a Dark Souls 2, 3, Bloodborne and Sekiro stew, with a sprinkling of new ideas thrown in there. These new ideas keep it from being a full-on ripoff, but aren't enough to distract you from the many moments you'll have where you'll think: "this is like that thing from (insert game)".
Game feel is pretty great, and it looks and runs amazing too. As a first attempt it could be worse. It's not great, but they understand some core things which most soulslikes don't. This sub genre is hard to get right, I'd argue not even From themselves got it in their first try. But personally, i don't know that Round 8 is going to become a soulslike powerhouse.
It seems that in
Ecco the Dolphin
1992
nunca supe que poronga hacer. estuve varias horas cuando era chico nadando como un pelotudo sin entender un pingo
Slay the Princess
2023
This was just ok for me. I don't personally enjoy the 'clean slate' time looping mechanic, especially with such short loops, as the character development and dialogue feels shallow each time. Definitely prefer time looping mechanics where you get to keep more memories and build on that, but I get why it wasn't done here for the most part (they're retained within individual loops, but largely not across new loops). I feel like to counteract that though, the loops could have been longer, so you get more out of them.
You get a LOT of dialogue options, which was actually the biggest negative for me, as a lot of it just feels like filler and half of them feel redundant anyway, with only slight differences. Would much prefer like 3-5 dialogue options each time, where they are unique and each have a distinct impact on the story.
My highlight was the male VO, I loved his work with all the different voices. And that's pretty much it. Didn't hate it but didn't feel captivated at any point or inspired to do multiple playthroughs, which the game clearly encourages. More Scarlet Hollow to look forward to now that this is out at least.
You get a LOT of dialogue options, which was actually the biggest negative for me, as a lot of it just feels like filler and half of them feel redundant anyway, with only slight differences. Would much prefer like 3-5 dialogue options each time, where they are unique and each have a distinct impact on the story.
My highlight was the male VO, I loved his work with all the different voices. And that's pretty much it. Didn't hate it but didn't feel captivated at any point or inspired to do multiple playthroughs, which the game clearly encourages. More Scarlet Hollow to look forward to now that this is out at least.
Vampire Survivors
2021
Es como la falopa, pero mejor
SH4: The Room might have one of the most hilariously cringe yet creepy intro scenes of any game I’ve ever seen. Without a doubt this game’s a mixed bag quality-wise with a surreal unique personality and underdeveloped potential. It’s got many creative ideas, story elements and horror concepts that I do enjoy. Each moment in the apartment along with select worlds were captivating with its suffocating restraint and dreamlike atmosphere. The soundtrack, while not as strong as its predecessors is plentiful of great tracks, Nightmarish Waltz being my favourite.
However with every 2 steps forward there’s a step back, mostly due to the gameplay and questionable design choices. If the stories of the ghosts were included, maybe then they would be more tolerable. Also, the backtracking / escorting, the lack of bosses and those silly wheelchairs to name a few. Only one character (the villain) I found interesting, the others mostly lacking, notably Townsend. I’m on the fence on SH4.
However with every 2 steps forward there’s a step back, mostly due to the gameplay and questionable design choices. If the stories of the ghosts were included, maybe then they would be more tolerable. Also, the backtracking / escorting, the lack of bosses and those silly wheelchairs to name a few. Only one character (the villain) I found interesting, the others mostly lacking, notably Townsend. I’m on the fence on SH4.
Lethal Company
2023
Every run feels like a randomized episode of Scooby Doo except the gang dies at the end.
P.T.
2014
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Neon White
2022
some dude who's favorite game is a JRPG with a 20 minute skit about accidentally groping a girl: "the writing is pretty cringe"
This really makes you FEEL like you are the people running the scripted trailers at E3