If there’s anything in this world worth keeping alive, it’s love.

In the void that is Revachol, we see the light of love and hope slowly fade away. It is up to us to cultivate and nurture that light so it does not die. Love is not dead! As you read this, you are alive and breathing, and it's up to you to seize what remains and fight for it. We can no longer wait for some great revolution that will fix all of our problems. If you truly desire a revolution, you must create the conditions necessary to birth it!

Disco Elysium isn’t just a game about what political faction you align with or finding out who lynched the man behind Whirling-in-Rags; it’s a story about love and why we must hold onto it, even in the darkest of times. I understand that nowadays, with the current state of affairs, it's hard to believe in love and hope. It's difficult to place our hope in a future that seems to have been stolen away from us, yet that's precisely when we need it the most.

I choose to believe in love. I choose to hold on to the hope that a better future is possible, no matter what, because I believe it is. The people we know, the community we live in, and the world we inhabit are worth fighting for. Disco Elysium taught me that fixing the world and making it a better place isn’t just about picking up a gun and waging some violent revolution; it’s about cultivating community and caring for those in it. That’s where the true beauty of Disco Elysium lies.

I believe the way this game conveys that message is quite powerful. Disco doesn't make some grand showy gesture beating you over the head with its message; instead, it laboriously takes the time to show you that the world you live in is beautiful and worth fighting for. It spends the time showing you the inner lives of those around you and has you helping them, one person at a time.

There is one specific character that I feel best embodies this: Cuno. Cuno, at first, is seen to be an irrational, difficult, vulgar, and poorly-behaved child, which leads you to inevitably hate him. As you learn more about Cuno and his home life, however, you realise there’s something greater at play. He doesn’t act out for the hell of it; he is the way he is because his father is a drunk who’s fallen down on his luck due to becoming a victim of the system giving up on him and his son. He’s left with no choice. The system has abandoned Uuno and his son, leaving them both to fend for themselves and pick up the pieces. Which sadly isn’t uncommon in Revachol and the real world as well. It’s perhaps one of the most striking and poignant stories in the game. I eventually went from despising Cuno to feeling empathy for him, as I did for many others in Revachol when I learned their stories.

I believe this approach to storytelling and character writing is incredibly effective, and the best part about Disco Elysium is that these kinds of stories are all over the game. This goes to show how much love and care was put into humanising the inhabitants of Revachol, which helps make the world feel alive. Because of how well the game fleshed out its world and characters Disco Elysium was successful at conveying the message that this world is worth fighting for. Not only was I captivated by this world, but as the game drew to a close, I found myself deeply invested in the wellbeing of these characters and the city.

As I learned about these stories, Revachol’s history, and the many political factions vying for power, I realised that this game was never about solving a murder or finding which faction is "correct." It was about learning to love those around us and working together to create a better world, one step at a time. Creating a better world was never an unattainable goal conjured up in the minds of idealistic and "ignorant" kids. It is a possible reality, but it demands the working toiling masses of the world unite and work hand in hand in creating this future. It is on us to seize the future and lift eachother up when we need it most.

Never give up on fighting for this future. It is only dead when you allow yourself to be convinced that it is.

v weird and jarring seeing this game actively fight against itself every minute of its playtime. it’s trying to appeal to fans of action games of the early 2010s while also trying to make sure classic sh (silent hill AND survival horror) fans still fuck w it. third person standard fare controllable camera that occasionally switched to fixed camera angles + classic sh item pick up noise that sounds strange coming from this game. and that works well enough for me tbh. can’t lie I did play the majority of this w v low audio on bc what I did gleam from the story was insanely boring not to mention its depictions of black/hispanic/native american peoples is like uhhh iffy and stereotypical. so I didn’t bother w the side quests bc why are there side quests in a survivalhorror game + if that’s the writing they’re leading w and isn’t optional I can’t imagine the writing for the optional side quests is at all good. rlly rlly cool and beautiful and very creative set pieces and how the game fucks w ur perspective idk I rlly do like this game visually.

idk good silent hill is like a rlly good horror movie and downpour is like a fun but shoddily/hurriedly made haunted house. it’s a vague impression and idea of sh and that’s good enough w me lol idk though ill prob rlly like the sh2 remake so yknow w/e

why did I spend sixty dollars on a kind of mid ancient game that sat below my tv for like six months

Darkwood nos convida para mergulhar profundamente nos recantos mais obscuros da mente humana.

Começo dizendo que uma boa parte dos jogos de terror que já vi/joguei são em primeira pessoa, com jumpscares nada surpreendentes, intrometidos e que sempre chegam em um ponto em que as coisas se tornam banalizadas, tentando ao máximo garantir que o jogo seja emocionante.

Muitas pessoas gostam disso, e tá tudo bem, no entanto, Darkwood é uma experiência muito distante da norma.
Darkwood depende de sua escrita, história, criaturas e recursos visuais para perturbar você. E o visual... Ah, o visual.
O visual de Darkwood é um dos mais impressionantes e inspiradores que já vi. Não há nada que Darkwood mostre que você não deva ver, nada que não conte uma história ou deixe claro o horror da floresta, da peste e das forças que a influenciam aquele lugar.

Darkwood é a experiência DEFINITIVA de Survival horror com elementos de suspense fortíssimos.
Sua abordagem meticulosa em criar uma atmosfera sombria, opressiva, desconhecida, aliada à profundidade de seus personagens, eventos e símbolos é realmente de borrar a calcinha.

Dito isso, As Wood são de fato bem Darks.