Pues nada, volví a rejugar Mario 64

No se que puedo decir, es un juego hermoso.

La jugabilidad es perfecta, gracias a los movimientos increíblemente bien hechos de mario, siendo muy precisos y dinámicos.

Los niveles son variados y extensos y divertidos de explorar y de moverse, realmente los sientes vivos por los personajes (enemigos, ayudantes, etc) y simplemente por como esta diseñados los niveles.

La música de Koji Kondo es magistral, ya que se acopla perfecto con los niveles.

Y la cámara, para su el tiempo que fue hecho al ser de los primeros plataformeros en 3D, esta muy bien, ya que siempre la camara sigue a mario de una manera que puede ser visible. Seh, puede no ser muy libre pero tampoco molesta.

A classic game that has, in all honesty, held up fairly well. Quite possibly the most influential game of all time, Super Mario 64 has so much to offer in such an old and small package. The main gameplay of the game is great, even for the Nintendo 64's awful controller but this game was basically made around that controller. The movement can be odd somtimes, as there can be dropped inputs all over the place, moves just not working right and times when you just question the game design. The game can be plagued with invisible walls and broken set pieces that just do not move as intended. However, it has so much charm in every corner, from the dialogue of toads, to the secret rooms, to the random characters you meet in your adventures. This game's main collections, the famous Mario stars, are incredibly fun to collect and almost each challenge can be completed while having fun. The story is bare bones but the lore contained within some of the castle walls is so deep that it makes up for it. Overall, a charming game to introduce Nintendo into the world of 3D and has captured the hearts and minds of player for decades. Give this one a try if you get a chance, it's an incredibly great piece of videogame history.

Super Mario 64 definitely holds up in 2020 as being a fun and semi-mesmerizing 3D platformer. The movement offered in games since might be a little tighter, but the expansive moveset is impressive, especially considering this is essentially the first of it's kind. Levels can vary in quality with the more enclosed stages taking the lead, and larger stages surrounded by an endless void tending to feel more bland in comparison. Tiny Huge Island is a special case of a stage I'll dread on a replay.
While the game is definitely good, I think it's obvious that some games have done 3D platforming better in the time since. Context is important, though, and trying to imagine just how daring and risky the game's programmers and designers were for making such a landmark of game design is important. Super Mario 64 barely even feels like it belongs in the same franchise as those that came before it, with it's objective design being wildly different than most anything previously seen, and a large focus on exploration and experimentation, as opposed to just progressing towards a linear goal.
The game has a surprising amount of love and care put into it for what could cynically be viewed as simply a way to push more console sales for the big N. The primitive geometry of the levels and the inconsistent elements paint a picture of a confused and learning-as-they-went development team trying to adopt a whole new dimension of design. Nowadays, some may consider it as ugly, or lacking in good camera controls, or just a little too easy. Those claims make for good arguments, but all of them become mute noise when first hearing the music of Jolly Roger Bay as you drop into the stage, and the credits sequence paired with it's song never fail to put a smile on my face.
Not perfect, but a masterpiece nonetheless, and a monument to risk-taking

The later ones fix the controls, the awkward camera, but this is still maybe my favourite 3D Mario platformer because every level is a puzzle with multiple solutions, a space to be explored instead of a route to follow directions. The atmosphere is palpable and strangely melancholy, abetted by one of the greatest soundtracks of all time. And Mario himself is a physical presence - he sounds like an easily terrified middle-aged man, all whoops and groans, and he plays like one too, e.g. using his whole body to turn. Which is funny, but also personable in a way that's since been lost. He's a corporate icon now instead of someone willing to endure immense physical pain in order to get laid.