I think the modern gamer has a tendency to outright dismiss a game's larger worth as a piece of art if it doesn't match a specific ideal of gameplay and presentation. Pikmin is not exactly what I'd consider a pretty game in all respects (there are certainly a few aspects that were technically impressive at the time though), and its gameplay experience seems purposefully tumultuous as much it attempts to simplify the RTS formula down in the typical Miyamoto fashion. But Pikmin is still a beautiful piece of art all the same, is it not?

I first played Pikmin in my teens, and I think it might've been the first game to teach me two things about games as a medium: that friction (and consequences) within a gameplay experience can be meaningful and compelling in its own right, and that a game can be more than the sum of its parts. It's actually kind of cool that the Pikmin AI will sometimes not listen or do something absolutely stupid; the things that modern gamers find annoying are part of what made Pikmin special.

Sure, Pikmin 2 is filled to the brim with content, and Pikmin 3 is a more realized and polished mechanical experience (I am not disparaging either of those games, I love them as well), but Pikmin has the most heart both in how its mechanics force you to think about your time and resources, and in how its narrative is more personal and dire. The bad, neutral, and good endings of Pikmin all stick with you.

Pikmin taught me that failure is okay, at least in the abstract gameplay sense. Olimar may have perished or even just returns home with no fanfare, but the player has another chance to do it better the next time. It's not a particularly hard game, but I do think it's an oft misunderstood game, so I just wanted to give this incredible little game the love it deserves.

Fuck it, this is a good ass fucking video game. In the context of the era, this would have been a great game on it's own, disregarding the source material. Movie video games are very rarely ever even close to good these days (if they even get any attention at all), and this is the perfect example of what they could be. Fun and quite varied gameplay with a lot of thought put into unique mechanics, puzzles, and world design, often with some decent difficulty. Played the shit out of this when I was younger and went back to it a few years back, and I still think it's great for it's era.

This game's really good. You don't need me to tell you that. Anyway I wanna talk about something more tangentially related now.

So there's been this weird movement in the zoomer parts of our culture that goes by a lot of names. Weirdcore. Dreamcore. Nostalgiacore. Internetcore. Traumacore? Bunch of dumb names for what's essentially the same thing. It's a certain visual and auditory aesthetic thats supposed to evoke a general feeling of wistful nostalgia. I first became aware of this because of the weird resurgences of a bunch of indie acts that were relevant 10 years ago suddenly making a weird resurgence. I can safely say I would not have predicted zoomers getting really into shit like Roar, Crystal Castles, Nero's Day at Disneyland, Blank Banshee, Life Without Buildings, fucking Goreshit. All these random bands who peaked in relevance a decade ago all of a sudden are showing up on all your art hoe former-tumblr playlists along with Jack Stauber and Lemon Demon (and also spefically Falling Down from the Undertale OST, that song really captivates these people)

I mention this because somehow the Yume Nikki ost has been caught up in this entire "movement". Those feeling depressed for the first time zoomers sure do enjoy commenting weird stuff about how this song makes them want to "lay down in an open field in the rain" on the comments of the Snow World music in between whatever the fuck else they do all day. Go on TikTok, I guess? At first I was gonna call it mildly annoying, but the more I see this stuff the more I'm weirdly captivated by it. It's like watching a bunch of sea monkeys. Like a more earnest version of the amazing cultural touchstone that was Simpsonwave (Not the first time the zoomers cared about blank banshee, ho ho).

Anyway, I don't really know what I'm getting at here. Something something youth something something back in my day something gatekeep. I can't really say any of this really reflects back on yume nikki, since I'm almost certain the weirdcore zoomers aren't actually playing it, but I guess it's cool this game still lives on in our current cultural zeitgeist, even if it has to be through Youtube playlists made by people who misuse the word "liminal" all the time.