Would be easy to just throw praise at this cleverly done mix of embroidery and picross but I do have some genuine gripes with this game:

- the difficulty
The difficulty is usually relatively low, especially if you are quite experienced in nonograms, because the puzzles are always split into small fragments, so no matter how big the puzzles are, you are usually just doing small fragments for a longer time.

- the size of the puzzles
Speaking of the size, the puzzles usually take a long time and if you finish a small fragment quickly you have to watch the same, long, kinda clunky animation that takes you to the next one with no option of skipping, yikes.

- no ability to "sketch" smaller parts
The game only accepts the length the number requires, you can't place a 1 block part in the middle to do the obvious move, as you would do picross, instead the game requires you to submit the right size before placing the next blocks.

Other than that, good job guys. Keep up the good puzzle games for Apple Arcade.

Stunning art - world, rich and clever;
Renaissance mice and voles and more.
Charm recalls classics I adore,
90s Sam & Max, however
the dialogue became a chore.
The worldbuilding became ignored,
memes cheapen what was once clever;
my expectations were severed.

After playing a number of quirky EarthBound inspired RPGs, I finally decided that I should play the game itself. While I ultimately enjoyed it, it didn’t blow me away or resonate with me in the way it seems to for so many people. Despite that, it’s a game that I really appreciate, and it feels good to experience a game that went on to inspire so many other games that came after it.

It’s a solid, pretty basic RPG with a very unique tone and setting. There’s a wide variety of interesting locations as well as cute, funny and weird scenarios. Those aspects are the game’s biggest appeal, and really, those were the main things that kept me playing it.

The plot is really simplistic. Your party members generally remain silent except for very short instances here and there. The vast majority of the game’s charm and substance comes from the NPCs you talk to over the course of the adventure, and the various scenarios that occur with them. These scenarios are what mainly drives the plot. While these scenarios can be entertaining, I can’t say I prefer this method of storytelling. I’m especially let down by how silent your party is. I wish they were expressive in the slightest, especially considering how different this game’s setting is from typical RPGs. You’re not playing as a band of warriors, you’re playing as a group of kids, and not being able to see them react to the strange things that happen to them or watch them bond together as friends over the course of their journey feels like a huge missed opportunity and it makes it really hard for me to feel invested in these characters. The personalities of and interactions with your party members is a huge part of what makes Omori, one of those quirky EarthBound-inspired RPGs, one of my favorite games of all time.

There’s a lot of annoying and dated aspects of the game’s design that really bothered me. The biggest issue I had is Ness and the party’s painfully slow walk speed. I don’t think I could have ever played this game without emulating it and using the speed up function of the emulator for this reason in particular. Most places take forever to get to. You can get a bike that lets you move faster, but as soon as you get your first party member, you can’t use it anymore which feels like a big joke (and it probably is, considering how quickly you meet your first party member after your opportunity to get the bike).

There’s also so many long, repetitive dialog sequences that really don’t need to be there. The most egregious example is when you’re simply trying to save the game. Every time you save, you have to call your Dad on the telephone and he’ll proceed to tell you that he deposited money into your bank account and how much EXP everyone in the party needs before they reach the next level (which I don’t really need to know, especially since I can just check in the status menu) before asking to save . After you do he’ll ask you if you want to keep playing, and if you say yes, he’ll go on this tangent about how you work so hard just like your Mother EVERY SINGLE TIME you save the game. It’s so frustrating having to mash A through all of this dialogue when I just want to record my game progress. This is just one instance however. There are other instances (like the Camera Guy) throughout the game that make me very thankful I emulated it.

The next biggest issue I had was how annoying item management is as well as how items are handled in general. Since this is a post modern setting, all of the items and equipment in the game consist of things like bats, frying pans, bottle rockets, fast food, as well as other unique items, and it’s not always clear what the items do. You can’t check what they do until after they’re already in your inventory, which makes figuring out healing items in particular a hassle. They do have an easy way of indicating whether or not a piece of equipment is better than what you have currently equipped, but that’s the only positive thing I can really say when it comes to buying items at shops.

Then there’s managing your inventory space. Inventory space is pretty limited, especially considering there are some key items that take up inventory slots that you need to have on your person in order to progress the story or do things like access your money or the in-game map. You have the option to drop items that you don’t need, but there are certain items that you just can’t. You can’t drop key items, that makes sense, but there are other items that you can’t get rid of for seemingly no apparent reason, and it’s frustrating because of how needlessly complicated it is to store items you don’t need.

It’s an entire process that revolves around a service that your sister works at called Escargo Express. After like, 10-15 seconds or so, this dude will appear that will take only up to three items from your inventory and store them for you. You can only access this service via a telephone, which are typically only found in towns or villages. There are key items that you get over the course of the game that are only used in specific instances with no way of knowing when you’ll need to use these items again. So you potentially end up holding onto them for way longer than you need to, wasting a slot in your already limited inventory, or you store them only to reach a roadblock that requires that item, forcing you to go all the way back to a town to call Escargo Express, wait for the dude to show up, retrieve that item, and then go all the way back to where you were trying to go just so you can remove that roadblock. I wouldn’t mind this so much if you could access the rest of your inventory at any time outside of combat, but the whole Escargo Express process makes this way more aggravating than it needs to be.

Despite these dated, poorly thought out elements to its design, there are other design elements that I really appreciate. The game will automatically skip battles if you encounter an enemy that’s decently below your party’s current levels. I also really like the rolling health mechanic, which can force you into making drastic plays in order to heal someone before their health rolls down to zero (though admittedly, there were a lot of instances where this would happen regardless of how fast I could get through my turn).

I like the game’s visual style a lot, which is funny considering that a lot of people did not view this game’s graphics favorably in the 90s. To me, the artstyle is very charming, and I really like the wavy, constantly shifting psychedelic backgrounds during enemy encounters. They’re way more interesting to look at than a static background. The game’s music is also very… unique in a way that I appreciate.

Overall, I enjoyed EarthBound, and I appreciate it for what it is. I don’t really think it’s a game that I want to revisit any time soon. But it was still worth playing to see where a lot of the games that I’ve come to enjoy today got their inspiration from. I understand why people like it, I understand why it’s influential, I just don’t think the game has aged very well, and it doesn’t especially appeal to me. If I hadn’t emulated it, I don’t think I could’ve ever made it past the more dated elements of its design.

Honestly, I don't see what all the fuss is about.

Full disclosure, I played until fourside. I reached a section where I had to backtrack through that desert where you get a sunstroke every 8 seconds, before realising I really have better things to do with my time.

The only thing this game has going for it is the quirky aesthetic (which it does really well). Remove that, and you have a boring JRPG with some clunky-ass gameplay systems.

Said quirkiness sometimes contributes to making the gameplay worse. I'll give you one example: sure, it's "cute" for the game to have near-useless, "flavour" items, and single-use items (like the pencil sharpener). But the cuteness is overshadowed by the annoyance of having all this useless clutter in your inventory (which is already painfully small and cumbersome to manage).

Sure, you can have those surplus items sent to storage. But since the game is committed to being quirky to a fault, in order to send items into storage you have to: phone a delivery company (thorough a phone that takes up an item slot btw), read the same few lines of flavour text by your sister, wait for the damn delivery guy to arrive, and then individually pick out no more than 3 items for him to take into storage. This takes an ungodly amount of button presses and even some waiting time, when it really should take, like, 5 seconds and 2 submenus at most.

In general, the UI is a design nightmare, with vital info tucked away in submenus, or even inaccessible in some instances. What's that? You are in a fight and you want to heal a status effect, but you don't remember what status effects are healed by "healing alpha"? Or maybe you want to use an item like, say, the slime generator, but you don't remember what its effect is? Well, kid, you are shit out of luck, the only way to find out is trial and error.

Gameplay is the standard old-style jrpg. That is to say that it's boring and outdated. Sure, the enemies are cute and weird and wacky, but their uniqueness is skin-deep. Mechanically, they don't have anything interesting to offer that wasn't already done to death in, say, a dragon quest, or a final fantasy. I understand that this game aims to be a parody of those titles, but nevertheless, it should strive to improve on what those titles did.

Although some design ideas are pretty neat: being able to see enemies in the overworld is nice, and 100 times better than random encounters. Also, auto-resolving fights against weaker enemies is a great idea.

Moving away from gameplay, the story is pretty much nonexistent. There are some episodic shenanigans in every town you visit (which I don't mind), but I really didn't feel the sense of being on an overarching grand adventure. The fact that "main story" events mostly boil down to activating the typical 6 (or however many) JRPG mcguffins™ doesn't help.

Character motivation is nowhere to be found, but that's understandable because the characters also have little to no personality to begin with. Really, you could describe each one of them in a single (and short) sentence. And that's what really kills my interest in an RPG.

I love the aesthetic, and especially the god-tier soundtrack, so I have a great deal of appreciation and respect for it from an artistic point of view. But I really don't care for it as a game.