I think it just does not really tell much. I have had gender dysphoria since like... ever, and I haven't really came out as trans outside of the internet.
I get what the game goes for, seeing how much pain it goes into not being able to live comfortably as a female when you have a male body and people associate you with a male. Even then, I think that it is just... not as crazy bad as the game tries to put it with its music and such? Everyone in the story except of a girl was really respectful to the protagonist and she kind of antagonizes them. I see it as a way to emphasize not things like transphobia but instead how the protagonist fails to feel comfortable with herself, which is fine, but I was just expecting something much deeper when the game threw that text of "don't play this if you are dealing with depression" and such.

Just to make my point clear: I think that the game should make a bigger effort to let people who have not experienced gender dysphoria know how it feels. I certainly know why the protagonist feels how she feels, but I think that a person coming to the game without knowing it would not understand why the protagonist is suffering so much from apparently normal conversations. I think that a bigger emphasis on the protagonist's feelings and let her explain how and why she feels would have made for a much better experience as educating people on gender dysphoria, and I think that should be the focus since for any trans person this does not really add anything new or really interesting.

Voy a intentar ser comedido, porque el mal humor que tengo ahora es intenso. El 90% del juego es una maravilla. No inventa nada, pero profundiza en tropos conocidos de forma adecuada y perfecciona mecánicas de su género. La historia es rica y diversa (a veces bebe de Mass Effect, otras de Code Geass, pero casi siempre de manera elegante) y tanto los personajes (un amor todos ellos) como el enfoque de la trama plantean unas temáticas e ideales muy interesante e incluso necesarios.

Y entonces llega la recta final. Y todo se va al garete gracias a una narrativa torpe e inexperta y por soluciones de guion que parecen hechas por otra persona diferente al resto del juego. La historia, a lo largo de 30 horas, cada vez abarcaba más y más, y en el último arco uno ya empieza a pensar que no va a poder cerrar correctamente todo lo que ha abierto. Pues bien, la mitad de los frentes... o directamente no los cierra o lo hace a medias. La otra mitad lo hace con ideas completamente antagónicas a las que, en teoría, el juego lleva defendiendo desde su primer minuto. Llega hasta a perderle el respeto a los personajes.
Me da igual que algo no me guste, pero me molesta sobremanera que algo me guste mucho y me lo arruinen. Una de mis alegrías del año durante 28 horas. Mi gran decepción durante 2.