Pontos Positivos:

Lara Croft mais madura e brutal: A jornada transforma Lara em uma "Tomb Raider" de verdade, com momentos de brutalidade e decisões difíceis.
História envolvente: A trama é mais sombria e focada em temas como apocalipse Maia e a busca pela identidade de Lara.
Cenários deslumbrantes: Paisagens exuberantes e tumbas maias detalhadas criam uma atmosfera imersiva e autêntica.
Gameplay refinado: Combate aprimorado com furtividade e tiroteios mais táticos, além de puzzles desafiadores e plataformas emocionantes.
Tumbas memoráveis: Cada tumba é um desafio único, com design intrigante e armadilhas mortais.
Trilha sonora épica: A música complementa a atmosfera de aventura e perigo, com momentos emocionantes.

Pontos Negativos:

Falta de inovação: O gameplay segue a fórmula dos jogos anteriores sem grandes mudanças.
História inconsistente: Alguns pontos da trama são previsíveis ou mal desenvolvidos.
Vilões pouco memoráveis: A Trindade não se destaca como antagonista, com motivações genéricas.
Dificuldade desbalanceada: O jogo pode ser frustrante em alguns momentos, especialmente nos níveis de dificuldade mais altos.
Microtransações: A presença de itens compráveis com dinheiro real pode ser desnecessária para alguns jogadores.

Em resumo:

Shadow of the Tomb Raider é um jogo sólido que oferece uma aventura emocionante e visualmente deslumbrante. Apesar de alguns pontos negativos, como a falta de inovação e a dificuldade desbalanceada, o jogo é uma ótima opção para fãs da série Tomb Raider e para quem busca uma experiência imersiva e desafiadora.

Recomendação:

Se você curtiu os jogos anteriores da trilogia, Shadow of the Tomb Raider é uma compra recomendada. Se você busca uma experiência inovadora, pode se decepcionar com a falta de mudanças na jogabilidade.

Observações: Esta análise é baseada em opiniões e experiências pessoais.

So my beloved friend theadhdagenda_ loves this game and really wanted me to play it. I was already planning on playing it when it eventually got a physical release and what do you know, it got one last year. While I did enjoy it overall, it does have issues that detracted from my experience .

The main issue I had with the game, and I know it's been said countless times before, but the story was just not good. I think it has potential with its concept of heaven and the whole heist thing. It had its moments here and there but in between those few instances of good it has so really awful dialogue. People weren't kidding when they said it was bad though I was expecting it to be more constant than it was. Still tho, it really is pretty bad. Like I said, the story had it's moments but even outside of the bad dialogue, I don't think the story was done well. Not just because it felt undercooked but the theme of forgiveness and it being applied to Neon Green, did not feel right at all. I don't think they were trying to be malicious and were more trying to say you shouldn't let your abuser live rent free in your head and to just cut them off completely, but to have it be forgiveness instead...does leave a bad taste in my mouth. Especially since the book of death ending, which is supposed to be the bad ending, is more satisfying than the good one lol. That's just my take though, even besides the poor story the dialogue is bad enough where you'd want to just skip it all anyways. But alas, the story is a big part of the game time so I must judge it accordingly.

I know I started this review off negatively but that's the biggest negative really because the actual game part is really fun! It's a card based shooter where your main goal is to go as fast as possible. This works very well since, for the most part, levels are really bite-sized. With it being a speed game, it also incentivizes speed-running. There's medals at you get at the end of each level, with Ace being the main one you wanna go for in the end. There's also the dev times that are pretty hard to beat but I did end up doing it once in my whole playthrough. Otherwise, I just aced every other level. Besides the speed aspect, the cards aren't just for shooting as they have a secondary use when you discard them. This is another big reason the game is so fun as you have to figure out what to discard or not in each level. First you figure out what to do in the stage and then you speed through it, rince and repeat. Sadly because there's so many levels, and I went for not only the aces but also the presents, I did get somewhat burnt out by the end. Not enough to dislike the game or anything but I definitely wasn't clamoring to do those rushes when I beat the game (which are just all the levels one after the other with one life).

Speaking of the presents, outside of the gameplay and story there's also this social-link like mechanic where you give a character a gift and you get dialogue and other stuff from them. I didn't really care about the dialogue really, besides Mikey he was cool, but they are somewhat worth it for the little side quest levels you get every so often. These don't have time medals and are slower paced than the usual levels. They could be hit or miss but were mostly fun.

The music is by Machine Girl and while I wouldn't personally listen to it outside the game, it was really solid and fit the levels. The visuals of the levels are also really nice. Mostly in the earlier stages, they have this dream-like liminal space kinda feel which I really like. Some of the later levels not as much sadly but the music still fit those ones. I'm not in love with some of the character designs for the Neons but the presentation as a whole was solid too.

All in all, while I definitely didn't love it as much as some people do due to the story ofc and getting burnt out near the end, it was a fun time overall! Definitely better than the other Ben Desposito game I played, Donut County. I recommend you pick this game up when it's cheap because it is still a lot of fun, just maybe skip the cutscenes even if they are a large part of it's runtime. Idk tho, maybe you'll get more out of them than I did lol.

I'm aware that I already sold all my credibility down the river by going to bat (hehe) for Honkai Star Rail, and if you somehow still trust me, I'm here to write a cheque for the rest of my credibility.

I enjoyed Palworld. I’m not crazy about it, it doesn’t consume my every thought like Honkai Star Rail still does a month later and it’s not got me ruminating on the merits of nostalgia and the pitfalls of longrunning franchises the way Like A Dragon: Infinite Wealth has, but it’s kept my interest and I don’t hate it.

Unfortunately this means I’m now honorbound to write a fair review of it. Tsk.

I like Open World Survival Craft games. You might know OWSCs by their biggest examples: Ark Survival Devolved, The Forest, Rust, DayZ, Subnautica, Lego Fortnite, and Breath of the Wild. I like them so much that I am just a pernicky miserable cunt about the entire genre. Oh god. I am so miserable about these games. I love them so much, but they are so painfully derivative. They are so painfully samey. They all want to be one of the games I listed up above.

And Palworld is no exception. It is perhaps the worst offender. Breath of the Elden Fort is horrifically derivative. It yoinks from, in order of noticing: Pokemon, Breath of the Wild, ARK: Survival Devolved, Elden Ring, Jump Force, Fortnite, Factorio, Xenoblade, and probably a ton of other games I missed due to simple human error.
It is a game where the first NPC you meet wears copyright-safe Monster Hunter armour while holding an M1014 shotgun, while a tower from ARK lights up the skyline alongside the tree Yggdrasil.
The opening moments are set in an environment I can only describe as "Nintendo hired that man", and the first boss looks like a Vtuber concept that was left stillborn on the marketing floor.
On the way to this boss, you will almost assuredly run into a Xenoblade World Boss that's 30 levels higher than you, and be greeted by numerous Xenoblade area prompts that’re then accompanied by DMCA-dodging versions of the BOTW discovery jingle.

It is, in nearly every sense of the phrase, a 'fake game'. Something one would see for 15-20 seconds during a Law & Order episode, an animation kitbashed by underpaid new-hires whose only animation credit will be that episode. By all rights, under every star and every law and every creed and every culture, this game should be terrible.

And it's not. It should be, but the matrix glitched and instead it's... I try not to make snap judgments about early access games, but I'm gonna make an exception here:

Assuming the development doesn't fuck up massively like what happened to Starbound or MASS Builder, this will probably be the greatest OWSC game ever made.

Much like with Honkai Star Rail, I need to gripe about other OWSC games to really illustrate what Palworld does well, though fortunately it's easier here.

The opening hours of most OWSC games are what I call the "copper phase". Whether it's copper or some other resource, the overarching goal of the copper phase in each OWSC is to, after starting with literally nothing, build up a base and acquire the resource which allows you to progress on the technology tree - often while acquiring millions of wood and stone in the process.
This is a remarkably simple part of the OWSC, and the vast majority of them fuck it up. Seriously, my Steam library is a wasteland of games I binned for fucking up the copper phase.
This might seem harsh, but there's a good reason for this: The copper phase is essentially the game's cover letter. It's fine to not play the entire hand here, but in those opening hours an OWSC NEEDS to show off what it's all about here. It's why I left Valheim to die, but V Rising gets a pass. There might be a conversation to be had about intentionally slowing the pacing, yes, but we’re so long into this genre’s history that fumbling this part is unforgivable.

Palworld’s copper phase is obscenely difficult to quantify, and… I don’t think it even has one.

Rather uniquely for the genre, Palworld acknowledges that automation games are just OWSC titles but for autistic people (me), and cribs a few elements from them. As a result, you’ll get access to wood/stone/ingots/not-Pokemon materials relatively early. You can get acceptable weapons within about an hour or two of play depending on how much you explore, and there’s not much in the way of shortages.

The roadblock, then, is not the resources. It’s processing the resources. In other automation games, you use machines and conveyor belts. In Palworld, you use not-Pokemon. And there are not-Pokemon everywhere. Capturing them is almost always a net plus, because it gives the same resources as a kill and is one more cog for your machine.

Immediately, within an hour of play, it’s obvious this solves an incredible amount of OWSC issues. Other players aren’t explicitly needed to facilitate a smooth gameplay experience because not-Pokemon fill a lot of the boring downtime that comes from creating a ton of resources.
You’ll have to cook some berries manually very early on, but once you get a not-Pokemon capable of cooking it’s fire and forget. Pun not intended.
I mentioned wood and stone in passing here and it’s clear the developers are experienced in OWSC games, because two of the earliest facility unlocks are an endless supply of each resource that’re best harvested by - you guessed it - not-Pokemon.
Some things, primarily player-centric upgrades, are best made by the player, but even on this front most of the not-Pokemon capable of work will come over to speed it up.
And hey, for some not-Pokemon there’s not even any need to hunt them - they can be ranched, and will be handled by not-Pokemon capable of farming.

A lot of other OWSC games, even the good ones, often can’t decide whether they’re meant to be a base maintenance simulator or an exploration game. I’d go out on a limb and say that this is one of the few OWSC games where the Open World, the Survival and the Crafting feel congruous.

Now, you may be thinking that these observations based on an hour’s play may fall apart later, and so did I. Even other OWSC games that nail the first hour drop off later.

Palworld doesn’t.

It’s… almost scary in how much the devs have done their homework.

Not-Pokemon drops aside, there aren’t actually that many overworld resources, and they’re leveraged in such a way that there’s always a need for more. The facilities and craftables soon scale up, meaning you’ll always need something. You’ll always need not-Pokemon to process things. Frequently, you’ll unlock a facility and think “Why would I ever need this?” only to stumble on something in the overworld that benefits from it. Trust me, you’ll need heaters and coolers.

I’ve mentioned the not-Pokemon a lot, and if it isn’t obvious yet: They’re scarily well integrated into the gameplay loop. Like in actual Pokemon you have a limit to how many can fit in your team, and each base you construct has an ever-growing limit of workers, but owing to what I said above there’s an eternal need to keep some not-Pokemon around, even if they’re seemingly awful.
Even when my level was reaching the 30s, I still made it a point to catch the low level deer not-Pokemon because my orbiter bases absolutely needed woodcutters. My boxes are full of the generic sheep, cat and chicken not-Pokemon because there is an omnipresent need for wool, versatile labour and eggs to cook food. When my friends and I make expeditions across the map, we frequently take detours just to catch a few not-Pokemon we could use back at base.

More importantly, though, the not-Pokemon solve a lot of issues endemic to the OWSC genre.

Like crafting.

Oh my goodness, I don’t think I can play this genre anymore. Palworld ruined me with crafting alone.

Perhaps my biggest grievance about this genre is how even many of the greatest titles will see you sitting at a bench holding E or Space for about an hour while listening to an endless series of TING-TING as metal bars/tools/torches/whatever are crafted.
Palworld has this too… For about 20 minutes? After that, the not-Pokemon can take over for you. The option is there to do it yourself, if you’re insane, but the game clearly wants you to just queue up the 500 arrows/berries/whatever you need and then go play the fucking game, and it’s mercifully not as indepth as automation games. Again, the game is pushing you to play it.

I find it telling that later unlocks on the tech tree do indeed turn the game into a lite version of the automation genre, though how far you lean into it depends on how cruel you’re willing to be.

That said, there is a pretty prominent issue with regards to not-Pokemon distribution. The default starting point has everything one could ever want within trebuchet-firing distance, but many of the alternate start points are lacking. Which sucks, because many of those alternate starts are absolutely phenomenal for base construction thanks to flat planes and open spaces. They’re useful for satellite bases I guess.

That said, while I do admire Palworld pushing you to play the game, there is a part of the game that I just view with utter scorn:

Boss battles.

For most of Palworld’s runtime, the combat is sufficient. Incredibly basic third person shooter shit with a pet summon on hand, but nothing more. It doesn’t have to be, because overworld encounters are fairly brief kill-or-be-killed affairs that end as quickly as they began.
Boss battles, however, are long. They have beefy health pools, deadly attacks and weak spots that only marginally increase the damage taken.
They’re unfortunately required for progression, and while in most games I often put off boss battles for the sake of enjoying what’s in front of me, in this game I only beelined for them to get them out of the way. Now, the game is EA, that could change, but I think it betrays how little I expect it to change that I’m even griping about it in the first place.

As for the game world… On a mechanical level it’s fine enough, the distribution of not-Pokemon means exploration rarely feels wasted and there’s enough chests/statues/whatever dotted around that I don’t think I ever felt like I was just walking through dead air.
On a geographical and visual level though, it’s utterly banal. I’m very much an “exploration is its own reward” type person, I don’t think an open world needs to have tons of trinkets and loot for it to be meaningful. It’s why, despite hating the game to its core, I liked Breath of the Wild’s Hyrule.

Palworld, for as much as it wants to be Hyrule, is nowhere near it. It’s a series of bog standard environments with the occasional eyebrow raising piece of geometry lying around. The snowy regions look nice, sure, but that’s my inherent bias towards arctic/winter regions coming out in full force. It’s a visually sterile game that meets a bare minimum of beauty but never goes above it.
Even the not-Pokemon abide by this, being decently okay designs that at least have the benefit of having distinct silhouettes, but aren’t really inspiring. I don’t think a machine made these designs, but if they did there’d probably be more creative sauce on display.

Now, I told myself I wouldn’t gripe about anything that’s likely to get changed later on, and until now I’ve held to that fairly well. This once, though, I’m going to let myself kvetch:

Base building in Palworld is predicated upon Palboxes, placeable constructions that erect a large circular AoE around them which facilitates the management of not-Pokemon and their labour.

This is fine conceptually, but the AoEs are too small even on flatter areas with no obstructions and likewise many of the structures are too large. Ostensibly this is to facilitate satellite bases, but limit increases on base count aren’t given out freely and they’re best used for things like mineral processing or batch cooking. There’s a strange gap between smaller things like furnaces, cooking stations and egg incubators and absolutely monolithic facilities like ranches and uh… ‘daycares’.

All in all, Palworld is… Fine.

That might seem anticlimactic after the mostly glowing praise it just got, but it’s still an OWSC. ‘Fine’ within that genre makes it one of the best, but genres don’t exist in a vacuum compared to other games. This isn’t going to make anyone’s GOTY list and to be entirely honest I’ll be surprised if it even meets the honourable mentions for my 2024 top 10.

Food metaphors in reviews are old hat, overdone like crazy, but considering the nature of this game, I consider the next lines to be acceptable:

Palworld is fast food gaming.

And sometimes, I don’t really want a home cooked meal with meat from my local premium butcher, I just want a Big Mac.

So I actually played both Judgment and Yakuza 0 before this. I loved them both and was excited to dive into the Yakuza series in order. Well I'm happy to say I do like this game overall, but it definitely has issues imo.

First things first, yes I did play this on my PS2 so I played with the dub. Honestly, it isn't absolutely terrible. I did actually think some moments were effective even with the voice acting. Plus John Dimaggio is in this a lot so that's epic. Obviously though, the dub can be bad a lot of the time too. Sometimes in very funny ways which really works in humorous scenes...and sometimes it happens in very serious scenes which does stink.

The story...was good overall I'd say. It does throw a bunch of lesser little fetch quests and stuff near the middle of the game and then saves the crazy stuff for the very end, which makes it feel a bit unfocused... but it does have some genuinely good moments I feel. Kiryu was surprisingly emotive in this game compared to Yakuza 0, thought that was interesting.

The combat is honestly solid. Once you get used to your entire move set, it's pretty fun. I really like the chunkiness Kiryu has in this game, it feels really good to punch dudes. The encounters can be annoying though, mostly if they have guns. The game feels a but unbalanced where if its a one-on-one fight with a brawler only enemy or boss, it's usually easy. However, if its an enemy with a gun it can be very frustrating. That 2nd to last battle was incredibly annoying, but at least the final fight was fun albeit too easy.

I didn't do many side missions but the ones I did were cool. The fixed camera in Kamurocho was kind of cool, made the town more atmospheric. I liked the ps2 feel this game had compared to Judgment or Yakuza 0.

While I cannot say I liked this nearly as much as Judgment or Yakuza 0, I did enjoy my time with it even if it's pretty flawed. If I played it subbed, it might be a 7 idk but with how I played it...I'll give it a 6.5.

I'm pretty excited for Yakuza 2 cuz I heard it improved on a lot of shit in this game and that it's peak.

So my dear friend BungVulchungo absolutely loves this game, to the point where he couldn't stop talking about it after he played it. So it had me pretty excited to play it myself. While I can't say I loved it as much as he did, I did have a really good time.

I'd say the absolute best aspect of this game is its presentation. Its absolutely spectacular and was something I definitely loved. Really makes the game feel unique in that aspect. I also really enjoyed the exploration and puzzles. Every time I got to a new section, I was excited to just explore the place. The OST is pretty nice too, minimal for the most part but it works. While I didn't totally understand everything about the story, I thought it was told in a pretty cool way.

Sadly I did have some issues/nitpicks that hold it back from being amazing. I honestly didn't find the game that spooky. Idk, it definitely had some nice atmosphere but as a horror game it's definitely weak on the scares. I said I really enjoyed exploring each area, and while I do...they also dont feel too memorable because they aren't connected like for example the Spencer mansion or even Luigis Mansion 1 lol. Idk, I just prefer how those games did it personally. While I didn't dislike the combat, it's not amazing and can be annoying when multiple enemies are around. In those instances, I usually tried to evade them. One last little nitpick is while I liked reading the optional notes and texts, whenever the nation stuff was brought up..I just didn't care. I cared more about the Replika and Gestalt way more. Also this game did have some boss fights and I can't say I loved or disliked any of them. They were fine I felt.

I did really enjoy this game but it does have some faults I feel. I got the promise ending and I'm kinda thinking about going back to get the true ending once I replay Luigi's Mansion. Maybe I will maybe I won't idk but I did enjoy this game overall.

7.5/10

Last year I decided to replay Luigi's Mansion after having first played it back in 2018. I had a fantastic time and decided I would replay it every October. Well, Spooky season is now back so it's time for the annual replay. Yeah it's still a ton of fun.

As I stated before in my other review, the short length of this game makes it an ideal one to replay every year I think. I beat it in a day which is perfect since I'm a lot busier than I used to be. The shortness combined with the unrivaled atmosphere, funkiness and control scheme makes this the definitive Luigi's Mansion game in my eyes. There's just little things I love about this game that the other's lack. Like the funky jingle that plays when you pickup keys and stuff or how when you're not interacting with anything, Luigi calls out to Mario when you press the A button. He even has different calls when you're low on health. The one here at 0:04 is my absolutely favorite, has me laughing every time.

This game has that weird 6th gen GameCube charm that I love. 2 and 3 while not bad, both feel sterile in comparison. Idk, nothing is as raw as that ending where Luigi just starts crying and laughing at the fact he's finally reunited with Mario, it's genuinely so heartwarming I love it so much.

As I said in my other review, it does have its faults. I don't particularly like Boolossus. I just think they made it way too tedious to hit the boos with the ice. The high HP boos are also still somewhat annoying, though I feel like they weren't too bad this time around. Again, if they just didn't give them massive amounts of health...or even better just don't let them fly into different rooms, then that issue would be alleviated.

In the end though, I do love this game. Definitely a game I'd like to continue to replay every October and definitely one of my favorite GameCube games. After this I plan on playing Dead Space and Silent Hill, hopefully I'm able to get them in before Super Mario Bros Wonder comes out cuz I'm definitely playing that day 1 lol.

P.S: Oh yeah, this time around I decided not to get all gold portraits. Last year I did and while I'm glad I accomplished that feat, having to gold Sir Weston again doesn't sound like a fun time. I did get mostly golds though which is cool. I also didn't forget the gold diamond in the plant this time around so thank god. Because of that my score was 122,000,000 something which aint half bad. I also forgot to mention I played the hidden mission this time around. I wanna say I played the hidden one back in 2018 as well but i forget if I beat it back then. Enemies do more damage, there's more of them apparently (I didn't really notice a difference) and your vacuum sucks way faster now which was super fun and helpful with those portrait ghosts.

Overall, I thought this game was decent. While it did get somewhat tedious by the end...and I didn't really think it did anything too too special, it had some cool aspects.

The combat is fun but nothing amazing imo. What elevated it a bit tho were the weapons. Obviously the Plasma Cutter is really cool, love the mechanic of cutting off enemies limbs. However the real MVP was the The Ripper, that thing destroyed almost every enemy. Especially after I filled in every power node. The other weapons for the most part were cool too, I liked how they weren't just your generic weapon types. I also really like how your health UI is just built into the suit. Comes across as really natural and unintrusive. The final boss and ending I quite enjoyed as well.

However, as I stated...it did get tedious by the end. Going from level to level, doing simple tasks and then going back to the start of the stage. Idk man, I think it would have been cooler if the whole game was interconnected and you had to explore the space station like Resident Evil or something. The space setting is cool I guess (especially with the zero gravity sections tho they can be a bit disorienting at times) but I wish they did more with it because 90% of the time you're going through hallways that look and feel the same. Whenever they switch it up it's cool, just wish they did it more. Another thing is, I really didn't find this game scary personally. The only time I got spooked, and it was a jumpscare, was the ending. Otherwise, yeah didn't find it that unnerving. I also honestly didn't care about the story at all. The ending again was cool with the scenes that played out, otherwise the story was just there.

Yeah, the game does do some really cool things I feel but also never blew me away and was a bit tedious by the end, tho I'd say I enjoyed it overall. Next on the agenda is my Symphony of the Night replay and Silent Hill. Hoping I'm able to fit those in before Mario Wonder comes out!

While I was playing Dead Space, I suddently felt the urge to replay something alongside it. I was thinking Mario Sunshine at first but ended up deciding on Mario 64 because I never finished the Switch version before. Super Mario 64 is a game I always liked but not loved. I'm a huge Mario Galaxy fan and much prefer that game overall but after replaying this game, I'm happy to say I like/appreciate it more than I did.

I think the absolute best aspect is Mario's move set when you're in an open level. It's just an absolute blast to play in stages like those, which is why I really enjoy the first 2/3rds of this game. The last third, while not bad has more linear/slower levels like rainbow ride and tick tock clock. They just don't feel as fun in comparison to the prior levels I think. Wet-Dry world is the only world I think I outright disliked this time around, idk why I just didn't find it fun. Some of the stars in general can be really annoying by the endgame, especially the 100 coin stars. While I'm not in love with those types of stars, most of the time they're fine up until the last couple courses. Those can be real rough.

A criticism I have with this game is spitting you out of levels kinda feels like padding. Don't get me wrong, I honestly wasn't annoyed by this for most of the game but when you have levels like Tick Tock Clock or Rainbow Ride where it's a linear climb/ride to the top for at least half the stars, it gets samey having to do the same portion of the level over and over again. It's really only a big issue with those levels I feel, otherwise I'm fine with it but it still does feel like padding (which is maybe another reason why I prefer Banjo-Kazooie :trxll:).

While I much prefer something like Galaxy's OST, I forgot how good 64's was. It's so iconic and is all around really great. Another thing I really like is the early 3D atmosphere this game has. I mentioned it in my Doom and Croc reviews too but something about that specific aesthetic really does it for me. Tho it also can feel a bit too early 3D for my liking, which is why i prefer something like the Banjo games aesthetics more overall.

I was watching a video recently talking about some footage that showed people playing this game for the first time and being really bad at it. This was probably their first introduction to 3D games and it really made me think just how crazy this must've been to people that experienced this game at launch. It's incredibly revolutionary and very much holds up well nowadays.

I was gonna say maybe I like this less compared to something like the Galaxy games because I'm more nostalgic for those...but I played both Banjo Kazooie games at the same time as this game and I definitely like those more so I guess it's just a me thing. Either way, while I don't absolutely love this game as much as others do, this recent playthrough made me appreciate the game more. Despite the faults I have, it's still very fun and a great game overall. I was gonna give this a 7.5 but ah fuck it, I'll give it an 8 for now.

Oh also this version is automatically worse than the NA original because no Gay Bowser :trxll: 

My first experience with a Castlevania game was Portrait of Ruin. I enjoyed it fine enough, but it didn't really stick with me all that much. Next, I played a couple levels of Castlevania IV but never came back to it. The little I played was fun but never totally hooked me. Then, at the end of the summer of 2019, I played Bloodstained Ritual of the Night. I had a blast playing it, so much so I ended up Platinuming it. This got me excited to play Symphony of the Night (which I conveniently bought at a convention a month prior to playing Bloodstained). Fast forward to March 2020 apparently (I literally thought it was October 2020, guess that year really was a blur) and I decided to finally play SOTN. I had such a great time, but thought it was more comparable to Bloodstained. A really fun time but nothing amazing. Well I'm happy to say this replay has changed my mind on this game for the most part.

The first thing you'll notice about this game, and it's one of its best aspects, is the presentation. At least from what games I played, it's the best looking PS1 game or one of the best at least. That's the power of sprites, they consistently stay appealing unlike some early PS1 titles. Plus, the really cool part is the game mixes both spritework and 3d models and it gives it this really unique look that I love. When you see those book enemies in the library or the coffin after saving, they stand out so much amidst all the 2d spritework...and they look good too!

The other best aspect of this game is undoubtedly the soundtrack. I remembered Dracula's Castle and Lost painting quite fondly but the entire soundtrack is absolutely fantastic. It ranges from jazz to classical to metal, it has it all. The colosseum theme became another favorite of mine among the aforementioned two. God is it so catchy, I love it. A great soundtrack can really win a game over for me and this one does not disappoint.

As for the actual gameplay, it's fun! The movement is very fluid in this game which is nice. Alucard has this backwards dash thing that's very helpful in getting around. Instead of using one whip and upgrading it a couple times like in Classicvania, Alucard has a large assortment of weapons to choose from. He still has a whip, but now he can use all different types of swords, daggers, rods etc. They have different ranges and different stab rates which just makes the combat more varied and fun. You also have these spells that require you to put in a button combo to use them. I personally never got the hang of these too much but it's really cool how you can activate from the start of the game if you know the combos. There's also a familar system which let's you assign a little fella that goes alongside you, levels up and grows stronger. I thought that was pretty neat but was more of an afterthought when I was playing.

This game gives you a lot more options as you can see, and that's because unlike past Castlevania games...this game is nonlinear. Instead of playing through levels, you go through a large interconnected castle....collecting different abilities that let you progress through even more of the castle. Thus, the vania part of Metroidvania was born. For such a groundbreaking title, how is the item progression handled in this game? I Honestly thought it was much less of a focus than the combat. There's not many progression abilities in this game, just never felt like the focus was on the exploration while using new abilities...it was moreso let's explore this part of the castle and level up and shit. Maybe that's just me but for item based exploration, I much prefer Metroid. The backtracking was not as fun as it was in something like Metroid either, there's warps which is nice but I had to constantly trek back and forth between certain areas, some more secret shortcuts or something would've been nice. Either way, the castle is a lot of fun to explore...but I guess there's actually two of them huh.

So the inverted castle overall is actually kinda cool. The game get's really easy in the mid-game cuz you become so overpowered by that point and doesn't get hard again until the inverted castle. Hoo boy tho, some parts of the inverted castle can kick your ass. The harder difficulty and the new enemies/bosses I did really enjoy when going through the castle essentially a second time. Cuz yeah, it's pretty much padding...but like it's changed enough where I didn't mind really. The OST also gets changed to the same 4 or so songs which is kinda meh but at least Lost Painting is one of them.

I forgot to mention the bosses. Most of them are just alright. A lot of them are pretty easy but nothing bad. A couple of them kinda stink, especially Beezlebub. I think that boss is the only down right bad part of the game. He's either dummy easy with certain sub weapons, or annoying as shit. I remember him giving me trouble when I initially played the game and yeah, he was no different this time around.

Hmm what else...oh yeah I actually thought the story was pretty cool for what it was. I really enjoyed the whole dynamic with Alucard, Dracula and Lisa. Those scenes were super interesting. The voice acting is obviously pretty cheesy but I think it fits incredibly well with a game like this, idk I liked it a lot. I was also trying to get 200.6% but missed a couple tiles so I got 198 something %. Pretty sure I got the best ending tho so that's good.

A couple more miscellaneous things, I really like how many secrets/little details this game has. I feel like every playthrough you'd be discovering something new. Also, the official artwork for this game absolutely fucks man, it's amazing. Alucard is so hot.

Alright I should probably end this here, it's 2:30 in the morning and I'm just here writing what might be my longest review lol. Idk man, there was a lot to say, hope I didn't ramble on for too long. It's not perfect imo but this game overall is pretty fantastic. I still prefer Super Metroid tho personally. Next is Bloodborne my beloved and hopefully I can beat that before Mario Wonder on the 20th.

Back in Junior High, I had this duo of friends who would not stop talking about Dark Souls whenever we were at our table at lunch. Dark Souls 2 had just come out and they were obsessed with it. This is the first time I ever even heard of Dark Souls, and with them always nerding out about it, it did intrigue me a bit. Fast forward to March 2017, I had just gotten a PS4 a couple months prior and I was itching to get into all these types of games I never did before. On a whim I decided to pickup both Dark Souls III and Bloodborne. Boy was that timing perfect, because the next day it snowed big time and it wouldn't let up for like an entire week so I was playing Dark Souls III nonstop. A couple weeks later I then moved on to Bloodborne. I love Dark Souls III, as you know from my reviews of that, but Bloodborne especially really captivated me. I ended up beating it months later during my thanksgiving break I think (sadly getting the bad ending and missing out on the final boss) and thought it was really great. Fast forward again to like March 2019 I think? I on a whim felt like playing Bloodborne again. I really sucked at first, struggling immensely with Gascoigne, but once I got the hang of it again, I honestly had an absolute blast and knew it would be one of my favorite games ever. The platinum and several playthroughs later, here we are and yeah it's back in my top 5 again.

The very first thing the drew me into the game, and I honestly think it's hands down the best aspect, is the Gothic-Horror Lovecraftian aesthetic and the art design as a whole. It's my absolute favorite aesthetic in any game next to Automata's post-apocalyptic world. That's like one of the main reason's I rate this game so highly tbh, it carry's so hard imo. From Central Yharnam, to Cathedral Ward and even something like Nightmare Frontier, I don't dislike any area's aesthetic. Cainhurst is the absolute highlight, just exploring a creepy gothic castle while it's snowing outside...hoo baby. Like even something like Byrgenwerth, which is absolutely tiny, is an area I like going to everytime because of the seaside aesthetics. Plus it's really lore important which is rad.

Speaking of lore and the story of the game, it's the absolute best in the Soulsborne series imo. It just makes the whole world feel so alive, first starting off with basic stuff like the hunt and then eventually delving into cosmic horror by the end. I was never too into Dark Souls lore ever but this game? Yeah I'm totally into it, the horror aspect just intrigues me way more.

Next in the combat and yeah it's a total blast. Instead of hiding behind a shield like in Dark Souls, you're totally defenseless and can only rely on your dodging skills. That may seem like it's tougher, and yeah it is but it rewards you for being super aggressive. The rally system allows you to get some HP back for a short time after being hit which means you can be more risky when fighting enemies. I just find this combat system way more fun than the souls games personally and is another reason why this is my favorite. To go along with the combat, you of course have the weapons. Unlike the souls games, Bloodborne has a much smaller batch of them but I think that's much in the games favor. Every weapon is viable and every weapon is memorable. That paired with the transformation mechanic, where if you press L1 you essentially have two weapons in one, just make these weapons the best ever imo. I usually use the kirk hammer, then Ludwig's Holy Blade and then maybe I switch it out for one of the DLC's weapons and yeah this playthrough was no different.

As I said, I really love the look of every area and that's not all, the actual areas are quite good for the most part. The beginning areas like Central Yharnam or Cathedral Ward are simply some of the best level-design wish because they're so interconnected with other areas. It's not quite Dark Souls 1 level of interconnectivity but it's really a nice change from something like Dark Souls 2 or even 3. By the end it does get more linear, but since the first half is well connected, I didn't have much of an issue with it. I think one of the most memorable moments is when you're all the way into the forbidden woods. You find this path down into a poison cave, you climb up a ladder and you end up at the very beginning of
Central Yharnam. You unlock the first gate you ever see when playing and I just think that's so cool. The game has several moments like this, like Yahar'Gul connecting to Old Yarhnam after you defeat Darkbeast Paarl, but no moment will be as good as the aformentioned Forbidden Woods interconnectivity.

Now on to the bosses, I think they're generally pretty great. Early game definitely has the more consistently good bosses, tho endgame definitely has some bangers like Gehrman and Martyr Logarius. The mid to end game definitely does have some not great bosses gameplay-wise, but some of them do have other aspects that make me not hate them. Witches of Hemwick is pathetically easy but the especially creepy atmosphere and semi-interesting way to defeat her, I really enjoyed. Plus she had one of my favorite songs in the game. Rom is somewhat annoying but at least has a beautiful area to fight her in. The one reborn is really easy too but I like the callback to Tower Knight. Celestial Emissary is um, yeah I can't really defend this one but it sure is a goofy boss. Micolash was probably my least favorite in the game before, and even tho I had a much better time with him this time, he still isn't great. What really makes up for it tho is he has hands down my favorite dialogue in the game, god it's so entertaining and goddamn whoever voiced him is amazing. The rest of the bosses I either like or love, and again even some of these I do like because of certain other aspects. I know a lot of the bosses aren't perfect but I'm surprised I never outright hated any of them, can't say the same for something like Bed of Chaos or Dragon God lole.

Don't really have much to say about the OST besides the fact it's great like most other souls games. My favorite tracks were the aforementioned Witches of Hemwick theme, the Cleric Beast theme, Micolash's theme, the hunter's dream theme and Gehrman's theme. Those were definitely the standout songs.

My take on the Chalice dungeons are they're a nice distraction from the base game but I probably won't play them again on future replay's. I only dived into them on that playthrough in 2019, and while they were cool they do get tedious if you're going for them all. It is nice how they have unique bosses in them, but yeah not super keen on them. Tho I never hated them like other people and I don't think they detract from the game because it feels more like a side thing which I'm fine with.

Before I end of my review, I just wanted to list off a couple issues with the game. Blood vials are obviously a big point of contention for some people and yeah it is annoying how you might have to eventually grind them if you run out, I never really had an issue with this personally. It's really easy to get them naturally and there's a really good early grinding spot right next to the first lamp in the game lol. Speaking of lamps, I guess people find it annoying how you have to warp back to the Hunter's Dream every time and then warp to another place from there? I guess it's a minor convenience but it never bothered me ever. Now this being 30 FPS is definitely jarring when going from games like Dark Souls III or Sekiro (I know I was taken aback when I came back to this after DS3) and while it would be so awesome if a remaster came out (please no remake dear god) I again never had a major issue with it. People saying it makes the game unplayable, I don't get you lol.

Anywho, this was another long ass review from me but I just absolutely adore this game despite some small flaws. It just gets even better with the DLC which I also beat this time around. Look out for that review very soon!

So I actually didn't play this DLC until a couple years after I first played Bloodborne. On a whim I finally decided to bite the bullet and spend the $20 on it. Once it downloaded and I jumped right into it, I couldn't put it down! It was a set of brand new weapons, bosses and areas from one of my favorite games ever. I played it all day on Christmas Eve 2020 and finished it early Christmas morning. What an interesting Christmas that was, slicing and dicing up beasts lol.

Speaking of slicing and dicing, let's talk about the new weapons. This DLC added a whopping 11 weapons and 5 firearms. That amount is insane, and not only that...they're some of the best and coolest weapons in the game. Special mentions go to Whirligig saw, Rakuya and Holy Moonlight Sword. Of the DLC weapons, those are the three I've used before and they're a ton of fun. Several others are really out there and weird too, like the Amygdalan Arm and the Kos Parasite. Never used any of the new firearms but they seem cool.

This DLC added three new areas and they're some of the best in Bloodborne. The Hunter's Nightmare has you going through a remixed version of Cathedral Ward. You can really see the parts of Cathedral Ward early on but it slowly twists into something unrecognizable and very different. That's one reason why it's awesome, it feels like a spin on an old area while also feeling mostly unique. It's also a very good pvp spot from what I'm told. Research Hall has you going through a very Tower of Latria-esque area. Tower of Latria in Demons Soul's was one of the most atmospheric areas in that game and this area's no different. It's extremely creepy and feels very unique compared to the base game's areas. I just feel bad killing the blob head guys because they're all failed experiments. Still, for the atmosphere alone this place is great but besides that, it's cool going room to room and up the giant staircase. The last area might be the best, the Fishing Hamlet is absolutely one of the most distinct areas yet. An aquatic area where you go through a village of fish creatures was not what I would expect from Bloodborne but its amazing. Holy shit though, fuck those giant whale enemies they are INSANE. They're harder than most of the base game bosses lol. Still though, it has a decent variety of enemies and a lot of new enemies at that. That plus the amazing aesthetics and really unique setting makes it a top tier area imo and a great end to the DLC.

Now for the big kahunas, the bosses. Right away we start with my favorite boss in the DLC, in Bloodborne and one of my favorite in the entire series, Ludwig. Holy goddamn is he amazing. He's just so fun to fight, that plus he has the best song in Bloodborne and his 2nd phase get's even better, top tier boss fight man. The first time I fought him, I beat him first try. I thought I got lucky but this time around again, I beat him first try. I guess he just isn't super hard, doesn't detract from how great of a fight it is.

In that same area is Laurence. Laurence is one of two fights in the DLC that I don't think are bad, but just aren't nearly as good as the big 3. The main reason for that is he's a reskin of Cleric Beast, just on fire and he has a 2nd phase. I do really like how we finally get to see him, after hearing about him so much in the base game. Laurence however is certainly the hardest imo, took me like 5-6 tries. Definitely one of the toughest in the game.

In the Research Hall, after pushing the lever at the top of the staircase, you unlock the Living Failures. Nothing really much to say about them, they're alright. The lore implications with the rest of the area's citizens and how they were supposed to turn into these guys is really cool, but other than it's just too easy of a boss and yeah I beat them first try.

Immediately after that though, we have another awesome boss. Lady Maria was a boss I was honestly a bit conflicted on before. When I first beat her years ago, I parried nonstop and she was the easiest boss in the DLC. Coming back to it again and this time doing the fight parry-less, it's way harder and way more fun. It's not nearly as hard as something like Friede in DS3, but it definitely wasn't braindead easy like it was with parries. Still easy enough for me to beat her first try tho lol, but yeah she was a ton of fun.

Last on the list of bosses is Orphan of Kos and hoo boy is he a doozy. He's absolutely one of the most aggressive and tough fights in the game but at the same time he feels completely fair. He telegraphs his attacks and combos quite well and he makes for a blast of a fight. Not as good as Gael imo but still an amazing way to end off the DLC. Also, I was so pissed this time around because I almost beat him first try, however I celebrated prematurely and lost with one hit left. I beat him on my 2nd go around but that still stung lole.

All in all this DLC is absolutely fantastic. It has some of the best areas and bosses in the series and despite having two not so great bosses imo, those two are still not bad and does not change the fact that this is my favorite DLC to any game. It's peak Bloodborne, which is insane because Bloodborne was already peak.

Super Mario Bros Wonder is an interesting case. After four New Super Mario Bros games and them not being super innovative compared to each other, 2D Mario had become stale. Were they bad games? No, they just didn't do anything special in the slightest. Now after 10+ years since the last NSMB game, we have the next big 2D Mario game, Mario Wonder. Does it do enough different from the NSMB series? Hell yeah it does! Am I totally in love with it and consider it peak 2D Mario like a lot of people have been feeling? Sadly no, it has several issues that really hold it back in my eyes. But it does do a lot right.

The biggest change from NSMB and one of the best aspects of this game is the changed art style. Gone is the very samey art style that was used in all the NSMB games. Now Mario and the gang are expressive as ever and really feel more like their more classic games. There's so many different animations for various moves and interactions with things, it's great. They even brought back Mario's hat moving up and down when he jumps from Mario World. There was clearly a lot of love put into the overall style of the game, definitely a much-needed change, I think.

Another really nice change is just the amount of new stuff they crammed into this game. This game is absolutely filled to the brim with brand new enemies and level gimmicks. There were some returning enemies ofc but like 80% of the enemies in this game were all brand new, and that's just awesome imo. And as for the level gimmicks, they tie into the new wonder flower which basically just throws all kinds of ideas at you. One level you may see singing piranha plants, another one you might see Mario turn into a spiked ball. There's even one where you ride this super cool dragon, man that was cool. The abundance of different ideas, even if they do get reused sometimes, is just very immense.

I also enjoyed the secrets this game had. It's definitely not as expansive as Mario World in that regard but finding the game's secrets were pretty fun. Especially since it unlocked the special world that you can access early on like Mario World, man that was cool. I'd say I enjoyed most of the worlds in this game actually besides World 3 (idk it was just lame) but besides that every world was pretty solid. My favorite world though had to been 4 just because I remember being really impressed with some of the levels there.

Badges were whatever. I didn't really use them most of the time because I felt they made the game easier depending on the badge. The badge levels tho were pretty cool even if a little short.

Alright time for the negatives, why I don't love this game as much as everyone else. One of the biggest issues I had was the difficulty curve. I honestly did not think this game had a good climb in difficulty. I found every world pretty easy for the most part up until the bowser levels, which amped it up a little bit. And then the final badge stage was actually decently tough. I found past games, even the NSMB games to have a much better difficulty curve. Speaking of that final badge stage, while I found that somewhat difficult (even if it did have 3 checkpoints in it, that and the final regular stage in the special world were nowhere near as hard as some of the final stages in some of the more recent Mario games. Found that somewhat disappointing along with the easier difficulty as a whole.

Another thing I didn't like were the lackluster bosses. Reusing Bowser Jr 4 times was just really lame imo. They got so creative with the levels and they end up doing that for the bosses? Man, that's just so much missed potential I think. Speaking of the final Bowser fight, it was alright? It was again easy but also felt uninspired. Like the first thing I thought of when I saw it was the final boss to DKCR. Idk, they could've done much better with it along with the bosses as a whole.

Something else that kinda irked me, while I do like how experimental a lot of the levels can be, a chunk of them just felt like filler. You have your regular levels, your little badge levels which is fine but then you have these break levels that sometimes take literally 5 seconds to beat. I'd much rather play actual full-length levels instead and a lot of the time I just said out loud "what was the point of that". Idk, I never hated any of them, again they just felt more like filler.

I guess one more little thing that annoyed me, and it ties into the easiness of the game, is the fact that when you collect those purple coins worth 10 and then die, you keep it even after dying. Star coins never worked like that in the NSMB games and it makes certain levels that would otherwise be pretty tough to 100%, super easy.

The talking flowers I'm neutral on. They can be kinda funny but they never made me hate them nor like them too much. They're just kind of there and don't disrupt the gameplay really.

Before ending the review tho, I will say after beating the final final badge level, that final badge you get is very awesome. I just love how weird the developers got with this game, that badge reminded me of that one song in We Love Katamari lol. Also the end credits to the game were really cool too.

In the end I did really enjoy this game and it's definitely a step-up from the NSMB games overall. However, it has enough issues imo that hold it back from being really great. I know that's a hot take, I'm not expecting a ton of people to agree with me but I'd take Mario World any day over this game personally. I'd put this game around on par with Mario 3 and 3D World methinks. Also speaking of Mario World, playing this made me wanna replay that so that's what I'm gonna do. Look out for that review next!

7.5/10

I literally just found out about this 10 minutes ago and got 9/9 on my first game. I've realized now the real goal of this game is to pick Pokémon that apply to each category but to pick ones you think the least amount of people playing have picked. The lower the percentages your picks are, the lower your uniqueness rank is by the end (it's like golf) and I think that aspect can be really fun. At the same time, people might have the same idea and a seemingly forgettable Pokémon might be picked by a lot of people. Either way, this is very fun and I can see myself playing it everyday for a while.

Edit: Honestly only played this for a week and forgot about it, still a fun time tho

So after playing Mario Wonder and generally enjoying it, I wanted to replay my favorite 2D Mario. I wanted to see if it was total nostalgia that was keeping me from not liking Mario Wonder as much as this and well maybe it still is? Either way, as I did with my other playthroughs, I had an absolute blast playing this and still consider it peak 2D Mario and one of my favorite platformers ever.

I think the main reason I really love it, is there's just so many secrets to find. There's 96 different exits in this game and like at least a third or more are secret exits. They're everywhere and they're really fun to find. Some of them can be quite tricky for newcomers, tho I've played this game so much that I know where everything is. Finding a secret exit in a normal level and then finding a secret exit in that secret level you just unlocked, man it's just so cool. Every single time I start a new playthrough, I always go to the star world really early, it's super fun.

I also love just how weird and wacky this game is, a lot of the stages can feel very dream like with how out there they are. In general the level design is very fresh and there's new ideas thrown out you even until the very end of the game. The game is also chock full of brand new enemies, even ones exclusive to this game that never returned to future titles.

The general gameplay is more slippery than Mario 3 and while some players may dislike this change, I enjoy it. It takes a little getting used to it at first but once it clicks, it feels great. It's more skill based but also never frustrating at least for me. I also think the game as a whole is never super frustrating (well maybe some of those special stages lol) but also never a walk in the park. I think this game has a perfect difficulty curve, it can get a bit challenging in certain levels near the middle and end. Though you could also easily get 99 1-UPs from that one level with the immense amount of Koopas lole.

I really love the OST, it's very simplistic with how it's just different renditions of the same song for most of it but it really works. I absolutely adore the end credits theme too. Another awesome thing this game did was give Mario a lot of personality. Whether it's his hat bobbing up and down when he jumps, to those really wacky cutscenes that play when you beat a castle, this game is full of personality.

Even though I've played this game many times, I still have trouble with it at certain points. I had a really rough time trying to get the secret exit for Cheese Bridge Yoshi-less, and then some of the special stages (specifically Tubular and Mondo) always give me a hard time. Some castle levels also trip me up sometimes too, I don't think this game is super easy like I've heard some people say idk.

So in the end, yeah it may just be nostalgia talking but I truly think this game is peak and definitely peak Mario, at least for me. I love this game so much man.